Have you ever noticed that park benches have extra armrests in the middle? Or that ledges outside banks have strange metal studs? Or that public bathrooms use eerie blue lighting? These aren't design choices for aesthetics; they are weapons. "e;The Unpleasant Bench"e; exposes the world of "e;Hostile Architecture"e; (or Defensive Design), the practice of engineering public spaces to exclude unwanted people, specifically the homeless and teenagers. The book analyzes famous examples like the "e;Camden Bench,"e; a concrete slab designed to be impossible to sleep on, skate on, or graffiti. It explores the subtle psychological manipulation of "e;The Mosquito,"e; a device that emits a high-frequency sound only young people can hear, used to disperse crowds. This is a critique of how we build our cities. It argues that by designing spaces that are hostile to "e;undesirables,"e; we make public spaces uncomfortable for everyone the elderly, the disabled, and the weary. It challenges readers to look closer at the built environment and ask: Who is this city actually for?

Have you ever noticed that park benches have extra armrests in the middle? Or that ledges outside banks have strange metal studs? Or that public bathrooms use eerie blue lighting? These aren't design choices for aesthetics; they are weapons. "e;The Unpleasant Bench"e; exposes the world of "e;Hostile Architecture"e; (or Defensive Design), the practice of engineering public spaces to exclude unwanted people, specifically the homeless and teenagers. The book analyzes famous examples like the "e;Camden Bench,"e; a concrete slab designed to be impossible to sleep on, skate on, or graffiti. It explores the subtle psychological manipulation of "e;The Mosquito,"e; a device that emits a high-frequency sound only young people can hear, used to disperse crowds. This is a critique of how we build our cities. It argues that by designing spaces that are hostile to "e;undesirables,"e; we make public spaces uncomfortable for everyone the elderly, the disabled, and the weary. It challenges readers to look closer at the built environment and ask: Who is this city actually for?

Have you ever noticed that park benches have extra armrests in the middle? Or that ledges outside banks have strange metal studs? Or that public bathrooms use eerie blue lighting? These aren't design choices for aesthetics; they are weapons. "e;The Unpleasant Bench"e; exposes the world of "e;Hostile Architecture"e; (or Defensive Design), the practice of engineering public spaces to exclude unwanted people, specifically the homeless and teenagers. The book analyzes famous examples like the "e;Camden Bench,"e; a concrete slab designed to be impossible to sleep on, skate on, or graffiti. It explores the subtle psychological manipulation of "e;The Mosquito,"e; a device that emits a high-frequency sound only young people can hear, used to disperse crowds. This is a critique of how we build our cities. It argues that by designing spaces that are hostile to "e;undesirables,"e; we make public spaces uncomfortable for everyone the elderly, the disabled, and the weary. It challenges readers to look closer at the built environment and ask: Who is this city actually for?