Łukasz Barciński is an assistant professor at the Institute of English Studies of the University of Rzeszów, Section of the Theory of Translation, Poland. He is also a translator of specialist and literary texts. The scope of his research includes postmodern, postcolonial, and experimental literature; performance studies; and poststructuralism.

• Extreme Stylization as a Platform for Communicating Polish Identity: on the Example of Rendering Phraseology in the Swedish Translation of Witold Gombrowicz’s Trans-atlantyk (Ewa Data-Bukowska) – Chaosmic Identities: A Rhizomatic Approach to Literary Translation (Łukasz Barciński) – Glossinged ‘Otherness’: Glossaries in Polish Translations of Salman Rushdie’s Midnight’s Children and The Satanic Verses (Monika Browarczyk) Language and National Identity in Chinese Translations of Mark Twain’s Literary Works (Chu-chingHsu) – Taras Bulba in Ukrainian Garb: National Self-image in Translation (Oleksandr Kalnychenko / Nataliia Kalnychenko) – Newly Found Archives, or New Findings in Hryhoriy Kochur’s Correspondence with Eaghor Kostetzkyi (Mariya Kochur) – The Labor Camp Poetry Collection of Hryhoriy Kochur: Challenges for the Translator (Lada Kolomiyets) The Diversity of Polish Poetry in Hryhoriy Kochur’s Translations (Lesia Kondratiuk / Uliana Zhornokui) – Reception Multiplicity of W. Shakespeare’s Play ‘King Lear’ in Ukrainian Literature: ‘Ingratitude’ as the Key Motif of the Tragedy (Mariia Kravtsova) – Lost in Self-translation: The Case of Halide Edib and The Turkish Ordeal (Nur Zeynep Kürük) – Semiosphere of the Ukrainian Baroque: Translation Problems (Halyna Kuzenko) – American Horror Revisited: Ideology, Censorship and Propaganda of the People’s Republic of Poland and Polish Translations of Howard Phillips Lovecraft’s Prose (Arkadiusz Luboń) – Interpreting Sociocultural Stereotypes: Ukrainian Translation of Fitzgerald’s Books (Svitlana Lyubymova) – Flemish Identity in Translation. Georges Rodenbach and the Ambivalence of the ‘Mythe Nordique’ (Jun Mita) – Translations of J. W. Goethe’s Faustin Ukraine and Anglophone World: Cultural Aspect (Yulia Naniak) – National Identity in Persian Translated Immigrant Literature (Fatemeh Parham) – Problems of Cultural Transference in the Translation of Drama (Nataliia Pasenchuk) – Linguo-stylistic Devices and Means in Translations and Original Works by Hryhoriy Kochur: Contrastive Approach (Halyna Pekhnyk) – Between the Self and the Other: Michael M. Naydan’s Novel Seven Signs of the Lion and Its Ukrainian Translation (Valentyna Savchyn) – The Image of Germany Transmitted by the Spanish Translations of Heinrich Heine’s Harzreise (Andrea Schäpers) – Your Wife Does Not Speak Much… Nation and Its Fragments in Paweł Huealle’s Short Stories of Post-war Gdańsk (Maria Skakuj) – The Hutsul Speech in Paradjanov’s Shadows of Forgotten Ancestors and Its Rendering in the Russian and English Translations (Sergiy Sydorenko) – Do Lances Sing in Robert Mann’s Translation of The Tale of Ihor’s Campaign (Ruslana Sytar)