The spectacular ancient desert city of Palmyra was heavily destroyed during the Civil War in Syria. Shortly before the conflict escalated in 2011, the Palmyra Portrait Project was initiated. The research project is funded by the Carlsberg Foundation and headed by Professor and Centre Director Rubina Raja. The project's important work with the Syrian cultural heritage has since been widely published, and the latest edited volume within the project is now available as part of the Palmyrene Studies series published by The Royal Danish Academy of Sciences and Letters.This book covers the roles of women and children within the family in Palmyra during the Roman period (1st-3rd centuries CE). The nine chapters are written by leading scholars of Palmyra who all participated in a two-part workshop held at Aarhus University in October 2016 and February 2017 under the auspices of the Palmyra Portrait Project. The chapters discuss different aspects of family constellations and assess which implications different representations of women and children may have carried in relation to the Palmyrene family structure and wider Palmyrene society.By looking at portraiture and the written evidence from the city, this volume adds further aspects to our understanding of how women and children were perceived in Palmyra and how identity aspects were included in their portraiture and the written evidence.

The spectacular ancient desert city of Palmyra was heavily destroyed during the Civil War in Syria. Shortly before the conflict escalated in 2011, the Palmyra Portrait Project was initiated. The research project is funded by the Carlsberg Foundation and headed by Professor and Centre Director Rubina Raja. The project's important work with the Syrian cultural heritage has since been widely published, and the latest edited volume within the project is now available as part of the Palmyrene Studies series published by The Royal Danish Academy of Sciences and Letters.This book covers the roles of women and children within the family in Palmyra during the Roman period (1st-3rd centuries CE). The nine chapters are written by leading scholars of Palmyra who all participated in a two-part workshop held at Aarhus University in October 2016 and February 2017 under the auspices of the Palmyra Portrait Project. The chapters discuss different aspects of family constellations and assess which implications different representations of women and children may have carried in relation to the Palmyrene family structure and wider Palmyrene society.By looking at portraiture and the written evidence from the city, this volume adds further aspects to our understanding of how women and children were perceived in Palmyra and how identity aspects were included in their portraiture and the written evidence.

The spectacular ancient desert city of Palmyra was heavily destroyed during the Civil War in Syria. Shortly before the conflict escalated in 2011, the Palmyra Portrait Project was initiated. The research project is funded by the Carlsberg Foundation and headed by Professor and Centre Director Rubina Raja. The project's important work with the Syrian cultural heritage has since been widely published, and the latest edited volume within the project is now available as part of the Palmyrene Studies series published by The Royal Danish Academy of Sciences and Letters.This book covers the roles of women and children within the family in Palmyra during the Roman period (1st-3rd centuries CE). The nine chapters are written by leading scholars of Palmyra who all participated in a two-part workshop held at Aarhus University in October 2016 and February 2017 under the auspices of the Palmyra Portrait Project. The chapters discuss different aspects of family constellations and assess which implications different representations of women and children may have carried in relation to the Palmyrene family structure and wider Palmyrene society.By looking at portraiture and the written evidence from the city, this volume adds further aspects to our understanding of how women and children were perceived in Palmyra and how identity aspects were included in their portraiture and the written evidence.