Co-published by CAC Vilnius and CURA. BOOKS, the catalogue of the Baltic Triennial 13 – GIVE UP THE GHOST is intended as a reader to accompany the exhibitions taking place in the three venues-Contemporary Art Centre Vilnius, Tallinn Art Hall and Kim? Contemporary Art Center Riga. Different in format, content and context, each of the chapters of the Triennial is informed by a shared concern, which is also the core of the publication: what does it mean to belong at a time of fractured identities?Conceived as an extension of BT13’s ethos and vision, the book includes a range of curatorial and critical voices to provide highly individual reflections on each of the artists, poets and musicians taking part in the project. As the BT13’s artistic director Vincent Honoré said, “the publication is intended less as an encyclopedic introduction to the project and practice of each artist, and more as an invitation to view individual practices and works from distinct positions, opening up a series of portals through which to access each artist’s contribution. ” The participating artists are introduced by short essays, focused on their individual practice and their specific contribution to the Triennial’s exhibitions. Images and texts unfold through the catalogue’s pages, showing a balance between coherence and fragmentation and exploring the notions of belonging, of the body, and of our relationship to the public sphere and social structures. Participating artists: Caroline Achaintre, Evgeny Antufiev, Korakrit Arunanon-dchai, Carlotta Bailly-Borg, Darja Bajagi?, Olga Balema, Khairani Barokka,Nina Beier, Huma Bhabha, Hannah Black, Dora Budor, Harry Burke, Egl? Budvytyt?, Ben Burgis & Ksenia Pedan, CAConrad, Miriam Cahn, Jayne Cortez, Adam Christensen, Anaïs Duplan, Jesse Darling, Michael Dean, Melvin Edwards, Merike Estna, Gaia Fugazza, Penny Goring, Daiga Grantina, Caspar Heinemann, Max Hooper Schneider, Anna Hula?ová, Pierre Huyghe, Derek Jarman, Sandra Jõgeva, Jamila Johnson-Small, Vytautas Jurevi?ius,E’wao Kagoshima, Sanya Kantarovsky, Agnese Krivade, Ella Kruglyanskaya,Žygimantas Kudirka, Tarek Lahkrissi, Lina Lapelyt?, Kris Lemsalu, Klara Lidén, El?na Lutce, Paul Maheke, Benoît Maire, marikiscrycrycry, Pierre Molinier, Maria Minerva, Moor Mother, Katja Novitskova, Precious Okoyomon,Pakui Hardware, planningtorock, Anu Põder, Laure Prouvost, Ieva Roj?t?, Rachel Rose, Augustas Serapinas, Michael E. Smith, Ülo Sooster, Christopher Soto, Achraf Touloub, Mare Tralla, Ola Vasiljeva, K?rlis V?rdi?š, Young Boy Dancing Group, Young Girl Reading Group (Dorota Gaw?da and Egl? Kulbokait?).

Co-published by CAC Vilnius and CURA. BOOKS, the catalogue of the Baltic Triennial 13 – GIVE UP THE GHOST is intended as a reader to accompany the exhibitions taking place in the three venues-Contemporary Art Centre Vilnius, Tallinn Art Hall and Kim? Contemporary Art Center Riga. Different in format, content and context, each of the chapters of the Triennial is informed by a shared concern, which is also the core of the publication: what does it mean to belong at a time of fractured identities?Conceived as an extension of BT13’s ethos and vision, the book includes a range of curatorial and critical voices to provide highly individual reflections on each of the artists, poets and musicians taking part in the project. As the BT13’s artistic director Vincent Honoré said, “the publication is intended less as an encyclopedic introduction to the project and practice of each artist, and more as an invitation to view individual practices and works from distinct positions, opening up a series of portals through which to access each artist’s contribution. ” The participating artists are introduced by short essays, focused on their individual practice and their specific contribution to the Triennial’s exhibitions. Images and texts unfold through the catalogue’s pages, showing a balance between coherence and fragmentation and exploring the notions of belonging, of the body, and of our relationship to the public sphere and social structures. Participating artists: Caroline Achaintre, Evgeny Antufiev, Korakrit Arunanon-dchai, Carlotta Bailly-Borg, Darja Bajagi?, Olga Balema, Khairani Barokka,Nina Beier, Huma Bhabha, Hannah Black, Dora Budor, Harry Burke, Egl? Budvytyt?, Ben Burgis & Ksenia Pedan, CAConrad, Miriam Cahn, Jayne Cortez, Adam Christensen, Anaïs Duplan, Jesse Darling, Michael Dean, Melvin Edwards, Merike Estna, Gaia Fugazza, Penny Goring, Daiga Grantina, Caspar Heinemann, Max Hooper Schneider, Anna Hula?ová, Pierre Huyghe, Derek Jarman, Sandra Jõgeva, Jamila Johnson-Small, Vytautas Jurevi?ius,E’wao Kagoshima, Sanya Kantarovsky, Agnese Krivade, Ella Kruglyanskaya,Žygimantas Kudirka, Tarek Lahkrissi, Lina Lapelyt?, Kris Lemsalu, Klara Lidén, El?na Lutce, Paul Maheke, Benoît Maire, marikiscrycrycry, Pierre Molinier, Maria Minerva, Moor Mother, Katja Novitskova, Precious Okoyomon,Pakui Hardware, planningtorock, Anu Põder, Laure Prouvost, Ieva Roj?t?, Rachel Rose, Augustas Serapinas, Michael E. Smith, Ülo Sooster, Christopher Soto, Achraf Touloub, Mare Tralla, Ola Vasiljeva, K?rlis V?rdi?š, Young Boy Dancing Group, Young Girl Reading Group (Dorota Gaw?da and Egl? Kulbokait?).

Co-published by CAC Vilnius and CURA. BOOKS, the catalogue of the Baltic Triennial 13 – GIVE UP THE GHOST is intended as a reader to accompany the exhibitions taking place in the three venues-Contemporary Art Centre Vilnius, Tallinn Art Hall and Kim? Contemporary Art Center Riga. Different in format, content and context, each of the chapters of the Triennial is informed by a shared concern, which is also the core of the publication: what does it mean to belong at a time of fractured identities?Conceived as an extension of BT13’s ethos and vision, the book includes a range of curatorial and critical voices to provide highly individual reflections on each of the artists, poets and musicians taking part in the project. As the BT13’s artistic director Vincent Honoré said, “the publication is intended less as an encyclopedic introduction to the project and practice of each artist, and more as an invitation to view individual practices and works from distinct positions, opening up a series of portals through which to access each artist’s contribution. ” The participating artists are introduced by short essays, focused on their individual practice and their specific contribution to the Triennial’s exhibitions. Images and texts unfold through the catalogue’s pages, showing a balance between coherence and fragmentation and exploring the notions of belonging, of the body, and of our relationship to the public sphere and social structures. Participating artists: Caroline Achaintre, Evgeny Antufiev, Korakrit Arunanon-dchai, Carlotta Bailly-Borg, Darja Bajagi?, Olga Balema, Khairani Barokka,Nina Beier, Huma Bhabha, Hannah Black, Dora Budor, Harry Burke, Egl? Budvytyt?, Ben Burgis & Ksenia Pedan, CAConrad, Miriam Cahn, Jayne Cortez, Adam Christensen, Anaïs Duplan, Jesse Darling, Michael Dean, Melvin Edwards, Merike Estna, Gaia Fugazza, Penny Goring, Daiga Grantina, Caspar Heinemann, Max Hooper Schneider, Anna Hula?ová, Pierre Huyghe, Derek Jarman, Sandra Jõgeva, Jamila Johnson-Small, Vytautas Jurevi?ius,E’wao Kagoshima, Sanya Kantarovsky, Agnese Krivade, Ella Kruglyanskaya,Žygimantas Kudirka, Tarek Lahkrissi, Lina Lapelyt?, Kris Lemsalu, Klara Lidén, El?na Lutce, Paul Maheke, Benoît Maire, marikiscrycrycry, Pierre Molinier, Maria Minerva, Moor Mother, Katja Novitskova, Precious Okoyomon,Pakui Hardware, planningtorock, Anu Põder, Laure Prouvost, Ieva Roj?t?, Rachel Rose, Augustas Serapinas, Michael E. Smith, Ülo Sooster, Christopher Soto, Achraf Touloub, Mare Tralla, Ola Vasiljeva, K?rlis V?rdi?š, Young Boy Dancing Group, Young Girl Reading Group (Dorota Gaw?da and Egl? Kulbokait?).