Peter Happé, Ph.D. (1966), is a retired independent scholar and Visiting Fellow for English at the University of Southampton. His extensive list of publications includes an edition of the complete plays of John Bale.Wim Hüsken, Ph.D. (1987), is employed as a consultant at the city of Mechelen (Belgium). He specializes in Dutch theatre and drama. In 2005, he published a new edition of the complete plays of the Bruges playwright, Cornelis Everaert.

Review by Roser López Cruz, King's College London, in: Anuario Lope de Vega, 2018, pp. 451-457. DOI: https://doi.org/10.5565/rev/anuariolopedevega.287

• Peter HappéIntroductionClifford DavidsonMemory and Remembering: Sacred History and the York PlaysMargaret RogersonAudience responses and the York Corpus Christi PlayPhilip ButterworthThe Bible and the Towneley Plays of Isaac and IacobDiana WyattPlay Titles without Play Texts: What can they tell us, and how? An Investigation of the Evidence for the Beverley Corpus Christi PlayRoberta MulliniThe Norwich Grocers’ Play(s) (1533, 1565): Development and Changes in the Representation of Man’s FallKatie Normington“Have here a Drink full good”: A Comparative Analysis of Staging Temptation in the Newcastle Noah PlayPeter HappéStaging the ResurrectionCharlotte SteenbruggePreaching Penance on the Stage in Late Medieval England: The Case of John the BaptistDavid BevingtonStaging and Liturgy in The Croxton Play of the SacramentBob GodfreyHerod’s Reputation and the Killing of the Children: Some Theatrical ConsequencesPhilip CrispinPassion Play: Staging York’s The Conspiracy and Christ before Annas and CaiaphasJames McBain“Alle out of hir self”: Mary, Effective Piety and the N-Town CrucifixionSarah CarpenterPerforming the Scriptures: Biblical Drama after the ReformationGreg WalkerBlurred Lines? Religion, Reform, and Reformation in Sir David Lyndsay’s Ane Satyre of the Thrie EstaitisElisabeth Dutton and Stephanie AllenSeeing and Recognizing in the Sacred and New: The Latin Scriptural Playsof Nicholas GrimaldGarrett P. J. Epp“Be ye thus trowing”: Medieval Drama and Make-Belief

Peter Happé, Ph.D. (1966), is a retired independent scholar and Visiting Fellow for English at the University of Southampton. His extensive list of publications includes an edition of the complete plays of John Bale.Wim Hüsken, Ph.D. (1987), is employed as a consultant at the city of Mechelen (Belgium). He specializes in Dutch theatre and drama. In 2005, he published a new edition of the complete plays of the Bruges playwright, Cornelis Everaert.

Review by Roser López Cruz, King's College London, in: Anuario Lope de Vega, 2018, pp. 451-457. DOI: https://doi.org/10.5565/rev/anuariolopedevega.287

• Peter HappéIntroductionClifford DavidsonMemory and Remembering: Sacred History and the York PlaysMargaret RogersonAudience responses and the York Corpus Christi PlayPhilip ButterworthThe Bible and the Towneley Plays of Isaac and IacobDiana WyattPlay Titles without Play Texts: What can they tell us, and how? An Investigation of the Evidence for the Beverley Corpus Christi PlayRoberta MulliniThe Norwich Grocers’ Play(s) (1533, 1565): Development and Changes in the Representation of Man’s FallKatie Normington“Have here a Drink full good”: A Comparative Analysis of Staging Temptation in the Newcastle Noah PlayPeter HappéStaging the ResurrectionCharlotte SteenbruggePreaching Penance on the Stage in Late Medieval England: The Case of John the BaptistDavid BevingtonStaging and Liturgy in The Croxton Play of the SacramentBob GodfreyHerod’s Reputation and the Killing of the Children: Some Theatrical ConsequencesPhilip CrispinPassion Play: Staging York’s The Conspiracy and Christ before Annas and CaiaphasJames McBain“Alle out of hir self”: Mary, Effective Piety and the N-Town CrucifixionSarah CarpenterPerforming the Scriptures: Biblical Drama after the ReformationGreg WalkerBlurred Lines? Religion, Reform, and Reformation in Sir David Lyndsay’s Ane Satyre of the Thrie EstaitisElisabeth Dutton and Stephanie AllenSeeing and Recognizing in the Sacred and New: The Latin Scriptural Playsof Nicholas GrimaldGarrett P. J. Epp“Be ye thus trowing”: Medieval Drama and Make-Belief

Peter Happé, Ph.D. (1966), is a retired independent scholar and Visiting Fellow for English at the University of Southampton. His extensive list of publications includes an edition of the complete plays of John Bale.Wim Hüsken, Ph.D. (1987), is employed as a consultant at the city of Mechelen (Belgium). He specializes in Dutch theatre and drama. In 2005, he published a new edition of the complete plays of the Bruges playwright, Cornelis Everaert.

Review by Roser López Cruz, King's College London, in: Anuario Lope de Vega, 2018, pp. 451-457. DOI: https://doi.org/10.5565/rev/anuariolopedevega.287

• Peter HappéIntroductionClifford DavidsonMemory and Remembering: Sacred History and the York PlaysMargaret RogersonAudience responses and the York Corpus Christi PlayPhilip ButterworthThe Bible and the Towneley Plays of Isaac and IacobDiana WyattPlay Titles without Play Texts: What can they tell us, and how? An Investigation of the Evidence for the Beverley Corpus Christi PlayRoberta MulliniThe Norwich Grocers’ Play(s) (1533, 1565): Development and Changes in the Representation of Man’s FallKatie Normington“Have here a Drink full good”: A Comparative Analysis of Staging Temptation in the Newcastle Noah PlayPeter HappéStaging the ResurrectionCharlotte SteenbruggePreaching Penance on the Stage in Late Medieval England: The Case of John the BaptistDavid BevingtonStaging and Liturgy in The Croxton Play of the SacramentBob GodfreyHerod’s Reputation and the Killing of the Children: Some Theatrical ConsequencesPhilip CrispinPassion Play: Staging York’s The Conspiracy and Christ before Annas and CaiaphasJames McBain“Alle out of hir self”: Mary, Effective Piety and the N-Town CrucifixionSarah CarpenterPerforming the Scriptures: Biblical Drama after the ReformationGreg WalkerBlurred Lines? Religion, Reform, and Reformation in Sir David Lyndsay’s Ane Satyre of the Thrie EstaitisElisabeth Dutton and Stephanie AllenSeeing and Recognizing in the Sacred and New: The Latin Scriptural Playsof Nicholas GrimaldGarrett P. J. Epp“Be ye thus trowing”: Medieval Drama and Make-Belief