Eastern and Western Synergies and Imaginations

Katrine K. Wong, Ph.D. (2008), is Associate Professor of English at the University of Macau, where she also works as the Director of the Centre for Teaching and Learning Enhancement. Her publication includes monograph Music and Gender in English Renaissance Drama (Routledge, 2013), edited book Macao – Cultural Interaction and Literary Representations (Routledge, 2014), and articles in Adaptation and Early Theatre. Wong is also a classically trained pianist and operatic soprano. She is Conductor of Coro Perosi of Macao.

• AcknowledgementList of IllustrationsNotes on ContributorsIntroductionKatrine K. Wong1 “A Being … from a Different World”: Yung Wing and the Making of a Global SubjectivityPatricia P. Chu2 Maritime Links, Imperialism, and Diaspora in the IbisShilpa Daithota Bhat3 Utopia and History: Os Lusíadas (Camões) and Uma viagem à Índia (G. Tavares)Helena Carvalhão Buescu4 “Orientalism from within” in Goa: Local Textual Production in Light of the Legal and Administrative Framework of the Overseas PopulationsEverton V. Machado5 Present Absences: the East in the Story of a Port Town on the Western Coast of the Black SeaOnoriu Colacel6 Pragmatism and Politics Intertwined: the West, the East, the Suez Crisis, and Inter/national Hegemony in James Graham’s Eden’s EmpireÖnder Çakirtas7 A Dog of Flanders: of Triumphant Heroes and Heroic LosersEtienne Boumans8 Yeats, Noh Theatre, and the Traditions of AsiaMatthew Gibson9 David Henry Hwang’s Yellow Face in Postracial TimesKeith Appler10 Imagining Robert Wilson’s The Three Ladies of London in MacaoKatrine K. WongAppendix: The Three Ladies of Macao (2016)Katrine K. WongIndex