Barbara Leonardi earned her AHRC-funded PhD in English Studies from Stirling University (2013) with a thesis awarded ‘The Professor G. Ross Roy Medal’. She edited Intersections of Gender, Class, and Race in the Long Nineteenth Century and Beyond (2018)

• 1 Introduction: James Hogg, a Counter-culture Voice1Who was James Hogg?2Exploding the Marriage Plot and the Family Metaphor for the Nation3Hogg, Literary Dialogism, and Early Nineteenth-century Politeness4Hogg's Intersectional Dialogue with Stereotypes of Gender, Class, and Ethnicity5Summary of the Chapters2 Exploding the Marriage Plot1The Three Perils Novels and the Ideology of the Marriage Plot2The Witches' Marriage to the Devil: A 'True Emblem of all Worldly Grandeur'3The Chronotope of the Asylum: A Subversive Literary Space4Violating a Maternal Body3 Scottish Masculinities and the British Empire1More Than Just Highlanders2British Masculinities3Demystifying the Highland Warrior4Wat o' the Cleuch: A Voracious Scottish Borderer Thief4 Women's Sexuality and the Scottish Kirk1The Authority of the Scottish Kirk2Child Murder and 'The Stool of Repentance'3When Discourses Clash: Motherhood and Child Murder4Mador of the Moor and the Fairies' Abduction of Unchristened Children5'Maria's Tale' and the Evils of Female Servants' Seduction6Bell Calvert and the Tragic World of 'Women of Ill Fame'5 Unconventional Heroines1Introduction: When Primary and Secondary Heroines Merge2'There is Neither Sin Nor Shame in Being Unwedded, but There May Be Baith in Joining Yourself to an Unbeliever': Choosing Spinsterhood When There are no Heroes3'Maid of Dunedin, I'm the King o' the Mountain and Fairy School'6 James Hogg and the North American Literary Market1Networking with the United States2The Ettrick Shepherd in the American Periodical Press3'Bruce and the Spider': The Voice of Abolitionism and Independence4'Tales of Fathers and Daughters': Crossing Class Boundaries in the Marriage Plot7 Conclusion: Reflecting on Hogg's Position in the Literary CanonBibliographyIndex

Barbara Leonardi earned her AHRC-funded PhD in English Studies from Stirling University (2013) with a thesis awarded ‘The Professor G. Ross Roy Medal’. She edited Intersections of Gender, Class, and Race in the Long Nineteenth Century and Beyond (2018)

• 1 Introduction: James Hogg, a Counter-culture Voice1Who was James Hogg?2Exploding the Marriage Plot and the Family Metaphor for the Nation3Hogg, Literary Dialogism, and Early Nineteenth-century Politeness4Hogg's Intersectional Dialogue with Stereotypes of Gender, Class, and Ethnicity5Summary of the Chapters2 Exploding the Marriage Plot1The Three Perils Novels and the Ideology of the Marriage Plot2The Witches' Marriage to the Devil: A 'True Emblem of all Worldly Grandeur'3The Chronotope of the Asylum: A Subversive Literary Space4Violating a Maternal Body3 Scottish Masculinities and the British Empire1More Than Just Highlanders2British Masculinities3Demystifying the Highland Warrior4Wat o' the Cleuch: A Voracious Scottish Borderer Thief4 Women's Sexuality and the Scottish Kirk1The Authority of the Scottish Kirk2Child Murder and 'The Stool of Repentance'3When Discourses Clash: Motherhood and Child Murder4Mador of the Moor and the Fairies' Abduction of Unchristened Children5'Maria's Tale' and the Evils of Female Servants' Seduction6Bell Calvert and the Tragic World of 'Women of Ill Fame'5 Unconventional Heroines1Introduction: When Primary and Secondary Heroines Merge2'There is Neither Sin Nor Shame in Being Unwedded, but There May Be Baith in Joining Yourself to an Unbeliever': Choosing Spinsterhood When There are no Heroes3'Maid of Dunedin, I'm the King o' the Mountain and Fairy School'6 James Hogg and the North American Literary Market1Networking with the United States2The Ettrick Shepherd in the American Periodical Press3'Bruce and the Spider': The Voice of Abolitionism and Independence4'Tales of Fathers and Daughters': Crossing Class Boundaries in the Marriage Plot7 Conclusion: Reflecting on Hogg's Position in the Literary CanonBibliographyIndex

Barbara Leonardi earned her AHRC-funded PhD in English Studies from Stirling University (2013) with a thesis awarded ‘The Professor G. Ross Roy Medal’. She edited Intersections of Gender, Class, and Race in the Long Nineteenth Century and Beyond (2018)

• 1 Introduction: James Hogg, a Counter-culture Voice1Who was James Hogg?2Exploding the Marriage Plot and the Family Metaphor for the Nation3Hogg, Literary Dialogism, and Early Nineteenth-century Politeness4Hogg's Intersectional Dialogue with Stereotypes of Gender, Class, and Ethnicity5Summary of the Chapters2 Exploding the Marriage Plot1The Three Perils Novels and the Ideology of the Marriage Plot2The Witches' Marriage to the Devil: A 'True Emblem of all Worldly Grandeur'3The Chronotope of the Asylum: A Subversive Literary Space4Violating a Maternal Body3 Scottish Masculinities and the British Empire1More Than Just Highlanders2British Masculinities3Demystifying the Highland Warrior4Wat o' the Cleuch: A Voracious Scottish Borderer Thief4 Women's Sexuality and the Scottish Kirk1The Authority of the Scottish Kirk2Child Murder and 'The Stool of Repentance'3When Discourses Clash: Motherhood and Child Murder4Mador of the Moor and the Fairies' Abduction of Unchristened Children5'Maria's Tale' and the Evils of Female Servants' Seduction6Bell Calvert and the Tragic World of 'Women of Ill Fame'5 Unconventional Heroines1Introduction: When Primary and Secondary Heroines Merge2'There is Neither Sin Nor Shame in Being Unwedded, but There May Be Baith in Joining Yourself to an Unbeliever': Choosing Spinsterhood When There are no Heroes3'Maid of Dunedin, I'm the King o' the Mountain and Fairy School'6 James Hogg and the North American Literary Market1Networking with the United States2The Ettrick Shepherd in the American Periodical Press3'Bruce and the Spider': The Voice of Abolitionism and Independence4'Tales of Fathers and Daughters': Crossing Class Boundaries in the Marriage Plot7 Conclusion: Reflecting on Hogg's Position in the Literary CanonBibliographyIndex