Samantha Deutch, the Digital Art History Lead at The Frick Art Research Library, has an MA in Art History from Binghamton University and an MS in Library Systems from Rutgers University. Her publications focus on provenance, collecting history, and research methodologies. She serves as series editor for PSUP's Frick Studies in the History of Art Collecting.Margaret R. Laster holds a PhD in Art History from the CUNY Graduate Center and is an independent curator and scholar of American art, specializing in histories of collecting and patronage. Recent publications include Tastemakers, Collectors, and Patrons: Collecting American Art in the Long Nineteenth Century (co-editor, 2024).

Samantha Deutch, the Digital Art History Lead at The Frick Art Research Library, has an MA in Art History from Binghamton University and an MS in Library Systems from Rutgers University. Her publications focus on provenance, collecting history, and research methodologies. She serves as series editor for PSUP's Frick Studies in the History of Art Collecting.Margaret R. Laster holds a PhD in Art History from the CUNY Graduate Center and is an independent curator and scholar of American art, specializing in histories of collecting and patronage. Recent publications include Tastemakers, Collectors, and Patrons: Collecting American Art in the Long Nineteenth Century (co-editor, 2024).

Samantha Deutch, the Digital Art History Lead at The Frick Art Research Library, has an MA in Art History from Binghamton University and an MS in Library Systems from Rutgers University. Her publications focus on provenance, collecting history, and research methodologies. She serves as series editor for PSUP's Frick Studies in the History of Art Collecting.Margaret R. Laster holds a PhD in Art History from the CUNY Graduate Center and is an independent curator and scholar of American art, specializing in histories of collecting and patronage. Recent publications include Tastemakers, Collectors, and Patrons: Collecting American Art in the Long Nineteenth Century (co-editor, 2024).