Seeds asks what must already be in place for thought, perception, and relation to begin. You enter a modular and recursive text built from signals, fragments, and Morse-based structures, where rhythm and interval operate as temporal engines and silence functions as condition rather than absence. Instead of narrating experience, Seeds records executed forms—pulses, delays, repetitions—so meaning appears as a late arrival rather than a foundation. The book foregrounds emergence without origin, growth without teleology, and coherence without hierarchy, offering a media-archaeological poetics of structure that can be entered anywhere and revisited without closure.
