Hannah Regis is an Assistant Professor of Caribbean Literature at Howard University. Her research interests include Caribbean poetics, Caribbean literary and theoretical history, Caribbean spectrality, counter-archival engagements, reparative writing, theories of embodiment and cultural memory.

• Acknowledgements1 Anchoring Spiritual Memory in the Pre- and Post-Atlantic Caribbean World2 Indigenous Cosmovisions and Postmemory in the Fictions of Wilson Harris3 Haunted Histories: Spectres of the Middle Passage in M. NourbeSe Philip’s Zong! and Grace Nichols’s I is a Long Memoried Woman4 Re-Architecting Freedom: Myth, Ancestors and Ritual in George Lamming’s Season of Adventure and Erna Brodber’s The Rainmaker’s Mistake5 Writing the Absent Presences: Locating Discourses of the Unspeakable6 Tracking Signposts to a Caribbean Poetics of Spirit in Wilson Harris’s Arawak Horizon and Derek Walcott’s OmerosAfterwordAppendixNotesBibliography

Hannah Regis is an Assistant Professor of Caribbean Literature at Howard University. Her research interests include Caribbean poetics, Caribbean literary and theoretical history, Caribbean spectrality, counter-archival engagements, reparative writing, theories of embodiment and cultural memory.

• Acknowledgements1 Anchoring Spiritual Memory in the Pre- and Post-Atlantic Caribbean World2 Indigenous Cosmovisions and Postmemory in the Fictions of Wilson Harris3 Haunted Histories: Spectres of the Middle Passage in M. NourbeSe Philip’s Zong! and Grace Nichols’s I is a Long Memoried Woman4 Re-Architecting Freedom: Myth, Ancestors and Ritual in George Lamming’s Season of Adventure and Erna Brodber’s The Rainmaker’s Mistake5 Writing the Absent Presences: Locating Discourses of the Unspeakable6 Tracking Signposts to a Caribbean Poetics of Spirit in Wilson Harris’s Arawak Horizon and Derek Walcott’s OmerosAfterwordAppendixNotesBibliography

Hannah Regis is an Assistant Professor of Caribbean Literature at Howard University. Her research interests include Caribbean poetics, Caribbean literary and theoretical history, Caribbean spectrality, counter-archival engagements, reparative writing, theories of embodiment and cultural memory.

• Acknowledgements1 Anchoring Spiritual Memory in the Pre- and Post-Atlantic Caribbean World2 Indigenous Cosmovisions and Postmemory in the Fictions of Wilson Harris3 Haunted Histories: Spectres of the Middle Passage in M. NourbeSe Philip’s Zong! and Grace Nichols’s I is a Long Memoried Woman4 Re-Architecting Freedom: Myth, Ancestors and Ritual in George Lamming’s Season of Adventure and Erna Brodber’s The Rainmaker’s Mistake5 Writing the Absent Presences: Locating Discourses of the Unspeakable6 Tracking Signposts to a Caribbean Poetics of Spirit in Wilson Harris’s Arawak Horizon and Derek Walcott’s OmerosAfterwordAppendixNotesBibliography