Medieval and Renaissance Drama in England

Edward Gieskes is Professor of English at the University of South Carolina, USA.Heather Anne Hirschfeld is Distinguished Professor of the Humanities in the Department of English at the University of Tennessee, US

• Editors' NoteEdward Gieskes (University of South Carolina, US) and Heather Hirschfeld (University of Tennessee, US)Introduction: Recognizing Susan CerasanoEdward Gieskes (University of South Carolina, US) and Heather Hirschfeld (University of Tennessee, US)ARTICLESProps in Platea and Locus in The Tragedie of Dido, Queene of CarthageBernice Mittertreiner Neal, York University, CanadaBurying Selves in Parts—or “Character” as Character in Romeo and JulietJames E. Berg, Middlebury College, US“And what is written shall be executed”: Reading Bodies, Omens, and Haruspicy in Titus AndronicusStephanie Diehl, Montclair State University, US“‘A most holy martyr": Memory of Anne Boleyn during the Reign of Elizabeth I and James ISusan Dunn-Hensley, Wheaton College, US‘Within the Comfort of My Curse’: Reimagining the Wars of the Roses on 21st Century StagesSheila Cavanaugh, Emory University, USThe Skull as a Memento Mori in Revenge TragediesMargaret Marcum, Southern Methodist University, USREVIEWSReview of Medieval Afterlives: Transforming Traditions in Shakespeare and Early English Drama, edited by Daisy Black and Katharine GoodlandElisabeth Dutton, The University of Fribourg, SwitzerlandReview of On the Queerness of Early English Drama: Sex in the Subjunctive Medieval and Renaissance Drama in England by Tison PughI.G.T Howard, The University of North Carolina at Chapel Hill, USReview of Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars by Heidi CraigAriel Bates, University of Pennsylvania, USReview of The Renaissance of the Saints After Reform by Gina DiSalvoHannah Korell, University of Wisconsin-Platteville, USReview of Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England by John KuhnCaro Pirri, University of Pittsburg, USReview of Libels and Theater in Shakespeare's England: Publics, Politics, Performance by Joseph ManskyMadeleine Trépanier, Yale University, USReview of Fencing, Form and Cognition on the Early Modern Stage by Dori CoblentzAndie Barrow, University of Wisconsin, USReview of Shakespeare's Once and Future Child: Speculations on Sovereignty by Joseph CampanaDaniel Juan Gil, Texas Christian University, USReview of Shakespeare Through Islamic Worlds by Ambereen DadabhoyNora Galland, University of Western Brittany, FranceIndexAbout the Editors and Contributors