Every transmutation has a cost. Not all of them are physical.Candidate-Guildmaster Ambrose operates on an 11-day countdown. His internal register is finely tuned, not to emotion, but to the progression of the iridescent scar advancing past the safe parameters on his forearm. It is the cost of the forbidden "e;love-logic"e; transmutation that saved his brother, Kael, but destroyed Ambrose's standing within the Guild.Now, exiled to the border town of Velrae, Ambrose lives behind a protective array of alchemical glyphs. His days are a precise sequence of clinical observations: measuring the heat of Kael's skin, charting the encroaching iridescence, and cataloging the spatial distortions unique to this strange outpost, where the geometry of birds feels "e;wrong"e; and the architecture is designed to deceive.To secure the fleeting efficacy of the crucial pale-edged lily, Ambrose is forced to engage with the elements he cannot control: Fen, a masked and silenced illusionist, and Mira, a wary regional healer. As the physical threat to Kael accelerates, an administrative snare begins to tighten. Ambrose must navigate the encroaching shadows of the Illusion Grove while contending with the impersonal, crushing weight of civic records.In this claustrophobic environment, Ambrose realizes the standard Guild methodologies are insufficient. To finalize the cure, he must trade the safety of technical notation for "e;named truth,"e; surrendering his clinical isolation to the unpredictable logic of connection.The Color of a Lie is a technical fantasy procedural about institutional pressure, hard magic systems, and the quiet resilience of outsiders. Featuring slow-burn platonic intimacy, "e;alchemist's notation"e; narrative style, bureaucratic antagonists, atmospheric shadow geography, detailed reagent-based magic, finding family in exile, and a structured narrative that champions accurate witness over explosive conflict.

Every transmutation has a cost. Not all of them are physical.Candidate-Guildmaster Ambrose operates on an 11-day countdown. His internal register is finely tuned, not to emotion, but to the progression of the iridescent scar advancing past the safe parameters on his forearm. It is the cost of the forbidden "e;love-logic"e; transmutation that saved his brother, Kael, but destroyed Ambrose's standing within the Guild.Now, exiled to the border town of Velrae, Ambrose lives behind a protective array of alchemical glyphs. His days are a precise sequence of clinical observations: measuring the heat of Kael's skin, charting the encroaching iridescence, and cataloging the spatial distortions unique to this strange outpost, where the geometry of birds feels "e;wrong"e; and the architecture is designed to deceive.To secure the fleeting efficacy of the crucial pale-edged lily, Ambrose is forced to engage with the elements he cannot control: Fen, a masked and silenced illusionist, and Mira, a wary regional healer. As the physical threat to Kael accelerates, an administrative snare begins to tighten. Ambrose must navigate the encroaching shadows of the Illusion Grove while contending with the impersonal, crushing weight of civic records.In this claustrophobic environment, Ambrose realizes the standard Guild methodologies are insufficient. To finalize the cure, he must trade the safety of technical notation for "e;named truth,"e; surrendering his clinical isolation to the unpredictable logic of connection.The Color of a Lie is a technical fantasy procedural about institutional pressure, hard magic systems, and the quiet resilience of outsiders. Featuring slow-burn platonic intimacy, "e;alchemist's notation"e; narrative style, bureaucratic antagonists, atmospheric shadow geography, detailed reagent-based magic, finding family in exile, and a structured narrative that champions accurate witness over explosive conflict.

Every transmutation has a cost. Not all of them are physical.Candidate-Guildmaster Ambrose operates on an 11-day countdown. His internal register is finely tuned, not to emotion, but to the progression of the iridescent scar advancing past the safe parameters on his forearm. It is the cost of the forbidden "e;love-logic"e; transmutation that saved his brother, Kael, but destroyed Ambrose's standing within the Guild.Now, exiled to the border town of Velrae, Ambrose lives behind a protective array of alchemical glyphs. His days are a precise sequence of clinical observations: measuring the heat of Kael's skin, charting the encroaching iridescence, and cataloging the spatial distortions unique to this strange outpost, where the geometry of birds feels "e;wrong"e; and the architecture is designed to deceive.To secure the fleeting efficacy of the crucial pale-edged lily, Ambrose is forced to engage with the elements he cannot control: Fen, a masked and silenced illusionist, and Mira, a wary regional healer. As the physical threat to Kael accelerates, an administrative snare begins to tighten. Ambrose must navigate the encroaching shadows of the Illusion Grove while contending with the impersonal, crushing weight of civic records.In this claustrophobic environment, Ambrose realizes the standard Guild methodologies are insufficient. To finalize the cure, he must trade the safety of technical notation for "e;named truth,"e; surrendering his clinical isolation to the unpredictable logic of connection.The Color of a Lie is a technical fantasy procedural about institutional pressure, hard magic systems, and the quiet resilience of outsiders. Featuring slow-burn platonic intimacy, "e;alchemist's notation"e; narrative style, bureaucratic antagonists, atmospheric shadow geography, detailed reagent-based magic, finding family in exile, and a structured narrative that champions accurate witness over explosive conflict.