Reyes Ramirez (he/him) is a Houstonian, writer, educator, curator, and organizer of Mexican and Salvadoran descent. He is the author of short story collection The Book of Wanderers (2022) with University of Arizona's Camino del Sol series. Reyes won the 2019 YES Contemporary Art Writer’s Grant, 2017 Blue Mesa Review Nonfiction Contest, 2014 riverSedge Poetry Prize and has poems, stories, essays, and reviews in: Indiana Review, Speculative Fiction for Dreamers: A Latinx Anthology, Cosmonauts Avenue, december magazine, Arteinformado, Texas Review, Houston Noir, Gulf Coast Journal, The Acentos Review, Cimarron Review, and elsewhere. He is a 2020 CantoMundo Fellow, 2021 Interchange Artist Grant Fellow, 2022 Crosstown Arts Writer in Residence, and has been awarded grants from the Houston Arts Alliance, Poets & Writers, and The Warhol Foundation’s Idea Fund. Read more of his work at reyesvramirez.com.

"Reyes Ramirez writes poems that radiate wonder and surprise. El Rey of Gold Teeth takes us on a young man’s journey toward self—a mission to find his voice in a Texas household enriched and sometimes embattled by Mexican and Salvadoran culture and history. By mapping family memory and examining his encounters, struggles and triumphs in a chaotic American landscape, he also finds his place in the broken world and a purpose as the scribe, keeper of the stories." —Rigoberto González, author of To the Boy Who Was Night"In this dynamic collection, Reyes Ramirez uses poetry to travel through time and memory to reconstruct a family history across borders and languages, through the personal, the cultural, and the political. These poems are deft and fresh in their linguistic complexity, and the boundaries of the constructs of 'America,' 'home,' and 'lineage' are dissolved as this book reveals the truth of being 'other' in any place which seeks to erase us. It's a remarkable debut." —Ashley M. Jones, author of Reparations Now!“In his long-awaited poetry debut, Reyes Ramirez’s poems spring from and interrogate tensions, questions, and borders. Wounded and saved by family, fleeing worn-out signifiers, the speaker troubles the given. The language cascades and spirals on the page—it forms dazzling architecture. Another way Ramirez refuses constrictions, what’s been inherited. And I’m struck by the people gathered here. A community surrounds the speaker. The speaker, too, is a community of selves—a plurality shaped by mistrust of mythologies and by numerous linguistic approaches. Reyes Ramirez is the real deal. A writer hammering time and blood into splendid music.” —Eduardo C. Corral, author of Guillotine

Reyes Ramirez (he/him) is a Houstonian, writer, educator, curator, and organizer of Mexican and Salvadoran descent. He is the author of short story collection The Book of Wanderers (2022) with University of Arizona's Camino del Sol series. Reyes won the 2019 YES Contemporary Art Writer’s Grant, 2017 Blue Mesa Review Nonfiction Contest, 2014 riverSedge Poetry Prize and has poems, stories, essays, and reviews in: Indiana Review, Speculative Fiction for Dreamers: A Latinx Anthology, Cosmonauts Avenue, december magazine, Arteinformado, Texas Review, Houston Noir, Gulf Coast Journal, The Acentos Review, Cimarron Review, and elsewhere. He is a 2020 CantoMundo Fellow, 2021 Interchange Artist Grant Fellow, 2022 Crosstown Arts Writer in Residence, and has been awarded grants from the Houston Arts Alliance, Poets & Writers, and The Warhol Foundation’s Idea Fund. Read more of his work at reyesvramirez.com.

"Reyes Ramirez writes poems that radiate wonder and surprise. El Rey of Gold Teeth takes us on a young man’s journey toward self—a mission to find his voice in a Texas household enriched and sometimes embattled by Mexican and Salvadoran culture and history. By mapping family memory and examining his encounters, struggles and triumphs in a chaotic American landscape, he also finds his place in the broken world and a purpose as the scribe, keeper of the stories." —Rigoberto González, author of To the Boy Who Was Night"In this dynamic collection, Reyes Ramirez uses poetry to travel through time and memory to reconstruct a family history across borders and languages, through the personal, the cultural, and the political. These poems are deft and fresh in their linguistic complexity, and the boundaries of the constructs of 'America,' 'home,' and 'lineage' are dissolved as this book reveals the truth of being 'other' in any place which seeks to erase us. It's a remarkable debut." —Ashley M. Jones, author of Reparations Now!“In his long-awaited poetry debut, Reyes Ramirez’s poems spring from and interrogate tensions, questions, and borders. Wounded and saved by family, fleeing worn-out signifiers, the speaker troubles the given. The language cascades and spirals on the page—it forms dazzling architecture. Another way Ramirez refuses constrictions, what’s been inherited. And I’m struck by the people gathered here. A community surrounds the speaker. The speaker, too, is a community of selves—a plurality shaped by mistrust of mythologies and by numerous linguistic approaches. Reyes Ramirez is the real deal. A writer hammering time and blood into splendid music.” —Eduardo C. Corral, author of Guillotine