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From the USA Today bestselling author of Disco Witches of Fire Island comes a stunningly beautiful queer love story for fans of Hamnet and The Song of Achilles.
It’s the late sixteenth century, and eighteen-year-old Willy Hughes is still heartbroken over the loss of his first great love, Barnaby Stubb. He’s also desperate to escape his impoverished existence. To survive, beyond mucking out the toilets for pennies, he cons drunken men into believing he’s a beautiful young woman—then robs them of their purses.
Willy’s hope for a brighter future appears doomed until a newly famous poet (also named William) spots Willy in an alehouse and asks him to join his acting company. Willy is instantly smitten and determines to see if the poet’s heart might be open to a love that dares not speak its name.
Alas, the poet Will has a wife and a mistress and says he’s only interested in Willy as an actor. But why does he look at Willy that way?
Despite being untrained and illiterate, Willy quickly rises to fame on the stage, creating the roles of Juliet, Rosalind, and Cleopatra. Soon, the private love sonnets arrive, and Will’s romantic ambiguity is driving Willy mad. Is he made differently than Willy thought? Or is it that mistress who’s blocking Willy’s quest to possess the poet? Or the poet’s wife? And what happens when a sexy rival poet by the name of Christopher Marlowe comes knocking on Willy’s door?
Inspired by Oscar Wilde’s theory of Shakespeare’s sonnets, The Two Wills explores romance in all its forms, both on the page and between the lines, where no love is ever really lost—especially when you are the “master mistress” of the greatest writer in history.
It’s the late sixteenth century, and eighteen-year-old Willy Hughes is still heartbroken over the loss of his first great love, Barnaby Stubb. He’s also desperate to escape his impoverished existence. To survive, beyond mucking out the toilets for pennies, he cons drunken men into believing he’s a beautiful young woman—then robs them of their purses.
Willy’s hope for a brighter future appears doomed until a newly famous poet (also named William) spots Willy in an alehouse and asks him to join his acting company. Willy is instantly smitten and determines to see if the poet’s heart might be open to a love that dares not speak its name.
Alas, the poet Will has a wife and a mistress and says he’s only interested in Willy as an actor. But why does he look at Willy that way?
Despite being untrained and illiterate, Willy quickly rises to fame on the stage, creating the roles of Juliet, Rosalind, and Cleopatra. Soon, the private love sonnets arrive, and Will’s romantic ambiguity is driving Willy mad. Is he made differently than Willy thought? Or is it that mistress who’s blocking Willy’s quest to possess the poet? Or the poet’s wife? And what happens when a sexy rival poet by the name of Christopher Marlowe comes knocking on Willy’s door?
Inspired by Oscar Wilde’s theory of Shakespeare’s sonnets, The Two Wills explores romance in all its forms, both on the page and between the lines, where no love is ever really lost—especially when you are the “master mistress” of the greatest writer in history.
