Jim Higgins is arts and books editor for the Milwaukee Journal Sentinel and a former pop music and jazz critic for the Milwaukee Sentinel. He is a two-time winner of Wisconsin Area Music Industry award for music journalist of the year and twice won the Sentinel staff-voted award for humor writing. Like Andy Warhol, he is a native of Pittsburgh.

I didn’t think we needed another book on Lou Reed or the Velvet Underground until I read Sweet, Wild and Vicious. A voracious listener and gifted writer, Jim Higgins contextualizes Reed's life and aesthetic in a way that illuminates the world he created between the headphones. His recordings — by turns brilliant, confounding and daring — finally get the book they deserve. It’s nothing less than an essential addition to our understanding and appreciation of Reed/Velvets. —Greg Kot, Sound Opinions co-hostI have been aware of and absolutely mystified by the glorious VU since I was 16 years old. Jim Higgins has written a book that celebrates this magical group of musicians and then proceeds to follow the many enigmas that is Lou Reed. (I had the pleasure to meet them all and record and play live with Moe and Sterling.) Jim presents a very good take on Lou, and I'm sure the audience that adores Mr. Reed will enjoy the way Jim listens and responds to the recordings. —Victor DeLorenzo, founding member of the Violent FemmesReplete with gimlet-eyed observations and a true fan's infectious enthusiasm, Jim Higgins' survey of Lou Reed's solo years is simultaneously a wild ride and a scholarly account of a complex and legendary canon. Two hundred and fifty-five pages of street hassles, dance crazes, and brilliant new sensations. Bold and essential. —Elizabeth Nelson, journalist and singer-songwriter, the Paranoid StyleJim Higgins begins with a disclaimer: "I have no unifying theory of Lou Reed to sell you." Be glad about that! As fits his subject, Higgins engages at street level, weaving carefully researched details, sharp original descriptions of the music and reactions from artists (and tastemakers) into a thorough exploration of the sonic realms this icon visited — and then owned. —Tom Moon, author of the NY Times bestseller 1000 Recordings to Hear Before You DieJim Higgins does a heroic job of navigating the choppy and complicated waters of Lou Reed’s recorded history, putting his spin on the good, the bad and the ugly contained in the grooves. Higgins takes no prisoners—you may not always agree with his take but he always makes a good, informative, thoughtful consideration and this book will make you want to go back and listen to the records one more time with fresh ears — and ain’t that what it’s all about? —musician Steve Wynn of the Dream Syndicate and the Baseball ProjectJim Higgins gives such precise details about lyrics I love — “Heroin,” “Street Hassle,” “Good Evening Mr. Waldheim” — and while underlining the contradictions and complexities of Lou Reed’s brilliance and persona(e), he accepts and embraces the totality of the artist with profound awe. I got chills reading about songs that, through Higgins’ words, I vividly heard echoing in the lost halls of my heart. A must-have for Lou Reed fans. —singer, performer, Nico channeler Tammy Faye Starlite

Jim Higgins is arts and books editor for the Milwaukee Journal Sentinel and a former pop music and jazz critic for the Milwaukee Sentinel. He is a two-time winner of Wisconsin Area Music Industry award for music journalist of the year and twice won the Sentinel staff-voted award for humor writing. Like Andy Warhol, he is a native of Pittsburgh.

I didn’t think we needed another book on Lou Reed or the Velvet Underground until I read Sweet, Wild and Vicious. A voracious listener and gifted writer, Jim Higgins contextualizes Reed's life and aesthetic in a way that illuminates the world he created between the headphones. His recordings — by turns brilliant, confounding and daring — finally get the book they deserve. It’s nothing less than an essential addition to our understanding and appreciation of Reed/Velvets. —Greg Kot, Sound Opinions co-hostI have been aware of and absolutely mystified by the glorious VU since I was 16 years old. Jim Higgins has written a book that celebrates this magical group of musicians and then proceeds to follow the many enigmas that is Lou Reed. (I had the pleasure to meet them all and record and play live with Moe and Sterling.) Jim presents a very good take on Lou, and I'm sure the audience that adores Mr. Reed will enjoy the way Jim listens and responds to the recordings. —Victor DeLorenzo, founding member of the Violent FemmesReplete with gimlet-eyed observations and a true fan's infectious enthusiasm, Jim Higgins' survey of Lou Reed's solo years is simultaneously a wild ride and a scholarly account of a complex and legendary canon. Two hundred and fifty-five pages of street hassles, dance crazes, and brilliant new sensations. Bold and essential. —Elizabeth Nelson, journalist and singer-songwriter, the Paranoid StyleJim Higgins begins with a disclaimer: "I have no unifying theory of Lou Reed to sell you." Be glad about that! As fits his subject, Higgins engages at street level, weaving carefully researched details, sharp original descriptions of the music and reactions from artists (and tastemakers) into a thorough exploration of the sonic realms this icon visited — and then owned. —Tom Moon, author of the NY Times bestseller 1000 Recordings to Hear Before You DieJim Higgins does a heroic job of navigating the choppy and complicated waters of Lou Reed’s recorded history, putting his spin on the good, the bad and the ugly contained in the grooves. Higgins takes no prisoners—you may not always agree with his take but he always makes a good, informative, thoughtful consideration and this book will make you want to go back and listen to the records one more time with fresh ears — and ain’t that what it’s all about? —musician Steve Wynn of the Dream Syndicate and the Baseball ProjectJim Higgins gives such precise details about lyrics I love — “Heroin,” “Street Hassle,” “Good Evening Mr. Waldheim” — and while underlining the contradictions and complexities of Lou Reed’s brilliance and persona(e), he accepts and embraces the totality of the artist with profound awe. I got chills reading about songs that, through Higgins’ words, I vividly heard echoing in the lost halls of my heart. A must-have for Lou Reed fans. —singer, performer, Nico channeler Tammy Faye Starlite

Jim Higgins is arts and books editor for the Milwaukee Journal Sentinel and a former pop music and jazz critic for the Milwaukee Sentinel. He is a two-time winner of Wisconsin Area Music Industry award for music journalist of the year and twice won the Sentinel staff-voted award for humor writing. Like Andy Warhol, he is a native of Pittsburgh.

I didn’t think we needed another book on Lou Reed or the Velvet Underground until I read Sweet, Wild and Vicious. A voracious listener and gifted writer, Jim Higgins contextualizes Reed's life and aesthetic in a way that illuminates the world he created between the headphones. His recordings — by turns brilliant, confounding and daring — finally get the book they deserve. It’s nothing less than an essential addition to our understanding and appreciation of Reed/Velvets. —Greg Kot, Sound Opinions co-hostI have been aware of and absolutely mystified by the glorious VU since I was 16 years old. Jim Higgins has written a book that celebrates this magical group of musicians and then proceeds to follow the many enigmas that is Lou Reed. (I had the pleasure to meet them all and record and play live with Moe and Sterling.) Jim presents a very good take on Lou, and I'm sure the audience that adores Mr. Reed will enjoy the way Jim listens and responds to the recordings. —Victor DeLorenzo, founding member of the Violent FemmesReplete with gimlet-eyed observations and a true fan's infectious enthusiasm, Jim Higgins' survey of Lou Reed's solo years is simultaneously a wild ride and a scholarly account of a complex and legendary canon. Two hundred and fifty-five pages of street hassles, dance crazes, and brilliant new sensations. Bold and essential. —Elizabeth Nelson, journalist and singer-songwriter, the Paranoid StyleJim Higgins begins with a disclaimer: "I have no unifying theory of Lou Reed to sell you." Be glad about that! As fits his subject, Higgins engages at street level, weaving carefully researched details, sharp original descriptions of the music and reactions from artists (and tastemakers) into a thorough exploration of the sonic realms this icon visited — and then owned. —Tom Moon, author of the NY Times bestseller 1000 Recordings to Hear Before You DieJim Higgins does a heroic job of navigating the choppy and complicated waters of Lou Reed’s recorded history, putting his spin on the good, the bad and the ugly contained in the grooves. Higgins takes no prisoners—you may not always agree with his take but he always makes a good, informative, thoughtful consideration and this book will make you want to go back and listen to the records one more time with fresh ears — and ain’t that what it’s all about? —musician Steve Wynn of the Dream Syndicate and the Baseball ProjectJim Higgins gives such precise details about lyrics I love — “Heroin,” “Street Hassle,” “Good Evening Mr. Waldheim” — and while underlining the contradictions and complexities of Lou Reed’s brilliance and persona(e), he accepts and embraces the totality of the artist with profound awe. I got chills reading about songs that, through Higgins’ words, I vividly heard echoing in the lost halls of my heart. A must-have for Lou Reed fans. —singer, performer, Nico channeler Tammy Faye Starlite