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First published in 1999, this volume examines the history of psychiatry and pathogenic parenting models over the past two centuries and contains the results of a study carried out by the author on the experiences of the parents of patients with Schizophrenia drawn from a sample of parents of patients in a forensic and a community setting. Michael Ferriter draws out the themes of the rival claims of organic and non-organic explanations of disorder, therapeutic optimism and therapeutic pessimism and rivalry between the medical professions and the non-medical for supremacy in the treatment of the mentally disordered. Ferriter further explores the issues of blame and guilt, the quality of interaction between mental health professionals and parents and the relevance of attribution theory as an explanation of why parents might still experience self-blame, even when they have nothing to blame themselves for.

First published in 1999, this volume examines the history of psychiatry and pathogenic parenting models over the past two centuries and contains the results of a study carried out by the author on the experiences of the parents of patients with Schizophrenia drawn from a sample of parents of patients in a forensic and a community setting. Michael Ferriter draws out the themes of the rival claims of organic and non-organic explanations of disorder, therapeutic optimism and therapeutic pessimism and rivalry between the medical professions and the non-medical for supremacy in the treatment of the mentally disordered. Ferriter further explores the issues of blame and guilt, the quality of interaction between mental health professionals and parents and the relevance of attribution theory as an explanation of why parents might still experience self-blame, even when they have nothing to blame themselves for.

Most people regard legal contracts with an inherent suspicion. Having heard scores of horror stories we in the music business whether artists songwriters producers or management are especially cautious ä perhaps even paranoid ä of any binding agreement and with good reason. If you could better understand the most common ä and important ä documents in the game wouldn't you? Steve Gordon an entertainment attorney with over twenty years of experience in the industry is making just such an offer with his latest book ÊThe 11 Contracts That Every Artist Songwriter and Producer Should Know.ÊÞÊThe 11 ContractsÊ is an in-depth guide intended to assist any aspirant wary of navigating the music biz or struggling to interpret its insular jargon. This no-nonsense book follows a refreshingly simple format: Gordon presents a sample agreement then breaks down the nuances of both the legal and business sides of the arrangement. Subjects covered include:ÞÛ Management AgreementsÞÛ Production Company and New ArtistÞÛ Indie Label DealsÞÛ Sync LicensesÞÛ Producer AgreementsÞÛ Music Publishing DealsÞÛ Composer AgreementsÞÛ Live Performance ContractsÞÛ Music Video Production ContractsÞÛ Band Agreements Þ Business Actions Artists Can Take Without an AttorneyÞÛ Investment AgreementsÞEvery purchase also includes access to a library of streaming and downloadable video content touching on music clearances and licensing management artist publishing and producer agreements the art of hiring a music attorney the role of artist management and record companies in the music business today and more. Ensure that you will never find yourself stuck on the wrong side of a bad deal ä pick up your copy of ÊThe 11 ContractsÊ today!