Visar resultat för..."Clary"

Omvårdnad & äldre belyser äldre personers hälsa och ohälsa och bygger på sammanlagt 33 svenska forskares beskrivningar av det aktuella kunskapsläget. Författarna representerar främst ämnet omvårdnad, men även medicin, oral hälsa, kulturgeografi, filosofi, socialt arbete, gerontologi, medicinsk etik, arbetsterapi och fysioterapi. I denna andra upplaga har boken genomgått en omfattande revidering med en ökad integrering av gerontologi och geriatrik och nya kapitel om våld i nära relationer och akut omhändertagande har tillkommit.Omvårdnad & äldre vänder sig till sjuksköterskestudenter på grundnivå och avancerad nivå, men även till kliniskt verksamma sjuksköterskor och andra yrkesgrupper inom fältet.År 2017 tilldelades boken Kurslitteraturprisets hederspris med följande motivering:För ett heltäckande grundverk, som med gedigen vetenskaplig tyngd, avhandlar ett område som är högaktuellt såväl i dag som under många år framöver. Andelen äldre ökar och många lever allt längre med långvariga sjukdomar. Detta ställer nya krav på sjuksköterskan och omvårdnaden. Boken är helt anpassad till dessa nya förutsättningar där de senaste forskningsresultaten kombineras med konkreta omvårdnadsåtgärder. Verket är mycket välskrivet, med den äldre personen ständigt i centrum.

Följ med Clarys resa genom livet. En gripande lektion i historia och överlevnad. Kuddvaret (fodralet) stoppades med nyskördad halm (havrehalm) till lagom hårt, inte för lite och inte för mycket halm i. Det här gjordes varje år när det hade skördats. Jag hade ett livstycke. Ett livstycke såg ut som en väst som det var fastsydda strumpeband på, där fäste jag strumporna i. Livstycket knäpptes fram med knappar. Jag skötte kontoret till en början, både till E-Modul och till Västsvenska Värme & Sanitet AB. Pengar fanns det inte så gott om, då var det arbete i stället som gällde. Den dalsländska dialekten skiner igenom i Clarys livskraftiga berättelse om sig, maken Tage, familjen och allt som kan hända när en kreativ person får kämpa.

Hur får du andra att förstå dig? Hur nyfiken är du på att förstå andra människor? För dig som vill bli bättre på kommunikation har vi skapat denna bok som bland annat tar upp: Att snacka snällt med sig själv, Nonviolent Communication, Extended DISC, sociolingvistik, kroppsspråk, i huvudet på en headhunter, att vara ny på jobbet, hur en flygledare tänker, att kommunicera i skrift, att kommunicera med tonårspojkar samt vad vi kan lära oss av naturen om kravlös kommunikation. Låt dig inspireras av 28 kvinnor som delar sina bästa kommunikationstips: Andrea Nilsson, Anna-Maria Sandström, Annika Svensson, Britta Lundkvist, Charlotte Ahlberg, Clary Mörtsell, Fanny Lundgren, Gaby Gummesson, Helena Grundström, Helene Ekfors, Jannike Nordensson, Johanna Glembo, Kathrin Svensson, Katarina Blomqvist, Kavin Askari, Kerstin Brinkman, Kristina Lännström, Linda Ohlsson, Lotta Hoffback-Kaljo, Malin Lundskog, Marie-Louise Kanon, Monica Ivesköld, Petra Ariton, Päivi Karabetian, Sofia Sköld, Susanne Hydén, Sylvia Lidén Nordlund och Ylva Stockelberg. Nominerad till Årets Projektledarbok 2019.

Whoever said the afterlife would be easy...? The new inhabitants of an old house in deepest darkest Kent are about to discover the previous owner - a certain Mr Noel Coward - never quite left the building...It is a wickedly dark ghost story about love, scandals and things that go bump in the night.

This is Julian Clary's story, in his own words - the tale of an awkward schoolboy who became a huge worldwide success on stage and screen.After a sheltered suburban upbringing, Julian was sent to St Benedict's, where beatings from 'holy' men gave him some brutal life lessons, and other 'unholy' boys his first awakenings of sexuality. He had just one true friend and ally, Nick - to his other school peers, Julian's aloof demeanour made him an enigma or simply a figure of ridicule. In school he was just another pained adolescent, but inside Julian was a new Jean Genet or Quentin Crisp bursting to get out.Leaving St Benedict's thankfully behind him, Julian went on to college where he found his true vocation as an entertainer with a peculiar comic brand of smut and glamour. At the same time, he was finding as much sex as he could, sometimes with remarkably less-than-glamorous characters.Periods in community theatre and the singing telegram industry followed before Julian hit the big time with cabaret co-star Fanny the Wonder Dog as The Joan Collins Fan Club. Soon, the world was his oyster. But fame came at a price, as Julian struggled not only with the reality of being a high-profile gay man in the 1980s but also the pain of losing his lover to terminal illness.Far more than just another celebrity autobiography or 'funny book', this is a touching, beautifully written and wryly witty account of a unique progression from shy child to comedy icon.

A sweeping and theoretically original analysis of the India-Pakistan rivalry from 1947 to the present.Since their mutual independence in 1947, India and Pakistan have been engaged in a fierce rivalry. Even today, both rivals continue to devote enormous resources to their military competition even as they face other pressing challenges at home and abroad. Why and when do rival states pursue conflict or cooperation? In The Difficult Politics of Peace, Christopher Clary provides a systematic examination of war-making and peace-building in the India-Pakistan rivalry from 1947 to the present. Drawing upon new evidence from recently declassified documents and policymaker interviews, the book traces India and Pakistan's complex history to explain patterns in their enduring rivalry and argues that domestic politics have often overshadowed strategic interests. It shows that Pakistan's dangerous civil-military relationship and India's fractious coalition politics have frequently stymied leaders that attempted to build a more durable peace between the South Asian rivals. In so doing, Clary offers a revised understanding of the causes of war and peace that brings difficult and sometimes dangerous domestic politics to the forefront.

A sweeping and theoretically original analysis of the India-Pakistan rivalry from 1947 to the present.Since their mutual independence in 1947, India and Pakistan have been engaged in a fierce rivalry. Even today, both rivals continue to devote enormous resources to their military competition even as they face other pressing challenges at home and abroad. Why and when do rival states pursue conflict or cooperation? In The Difficult Politics of Peace, Christopher Clary provides a systematic examination of war-making and peace-building in the India-Pakistan rivalry from 1947 to the present. Drawing upon new evidence from recently declassified documents and policymaker interviews, the book traces India and Pakistan's complex history to explain patterns in their enduring rivalry and argues that domestic politics have often overshadowed strategic interests. It shows that Pakistan's dangerous civil-military relationship and India's fractious coalition politics have frequently stymied leaders that attempted to build a more durable peace between the South Asian rivals. In so doing, Clary offers a revised understanding of the causes of war and peace that brings difficult and sometimes dangerous domestic politics to the forefront.

One of the best-known prose stylists in contemporary musicology, Susan McClary brings together a fascinating set of essays in Making Sense of Music that focus on temporality and the body as ways of understanding music. Prefaced by a Foreword from celebrated theatre director Peter Sellars, the chapters engage variously with ribald songs of the Renaissance, the performance of Bach fugues, time-bending in seventeenth-century keyboard works, Grieg's Norwegian swerve, Florence Price's reclaiming of the spiritual, erotic scenarios in Mahler, representations of motherhood in Kaija Saariaho's operas, and queer elements in classical and popular repertories. McClary grounds her readings within the specifics of historical time and place, even as she shows how the music itself relies on gesture and the body. In sum, this book demonstrates in case studies taken from a wide variety of practices how music draws upon and shapes human subjective experience.

One of the best-known prose stylists in contemporary musicology, Susan McClary brings together a fascinating set of essays in Making Sense of Music that focus on temporality and the body as ways of understanding music. Prefaced by a Foreword from celebrated theatre director Peter Sellars, the chapters engage variously with ribald songs of the Renaissance, the performance of Bach fugues, time-bending in seventeenth-century keyboard works, Grieg's Norwegian swerve, Florence Price's reclaiming of the spiritual, erotic scenarios in Mahler, representations of motherhood in Kaija Saariaho's operas, and queer elements in classical and popular repertories. McClary grounds her readings within the specifics of historical time and place, even as she shows how the music itself relies on gesture and the body. In sum, this book demonstrates in case studies taken from a wide variety of practices how music draws upon and shapes human subjective experience.

On page after enigmatic page, Killarney Clary shows us her mastery of the prose poem in this spiritual biography that journeys across the natural landscape while plumbing the dizzying depths of the psyche. Potential Stranger reveals that in the public world we are all called upon to perform: as children, we are expected to find a place in the uniform; as entertainers, to play an exaggerated version of ourselves; and, as explorers, to rest content when we have reached our destination. Precise, prophetic, and spare, Clary reminds us that of all the potential strangers we may meet in our travels, people who forever "remain behind gestures and posture," the first and last of those is always the self.

A smudge of cloud on the horizon, then the pale city halo in the night sky. Quiet on the water-in the bare trees, tinsel rain. A bright, silent wheel turns on the bayside where the secret flag is raised at midnight. Skiffs push off from docks in the fair harbor. I don't want to hear, Again, Are you tired? That's why I bought the boat. Shadow of a Cloud but No Cloud, the latest collection from enigmatic prose poet Killarney Clary, is a book-length sequence of unnumbered, untitled poems, each evoking a clear moment in time. The details on which Clary chooses to focus suggest a narrative that will not resolve. The unnamed people with whom she interacts offer exchanges she is desperate to prolong, and in attempts to understand her place, she reaches beneath the fragile armor of those loved, especially those who can no longer answer her. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary's strongest, most engaging work to date and amply shows her to be a master of this lyric genre.

As more and more species fall under the threat of extinction, humans are not only taking action to protect critical habitats but are also engaging more directly with species to help mitigate their decline. Through innovative infrastructure design and by changing how we live, humans are becoming more attuned to nonhuman animals and are making efforts to live alongside them.Examining sites of loss, temporal orientations, and infrastructural mitigations, Nestwork blends rhetorical and posthuman sensibilities in service of the ecological care. In this innovative ethnographic study, rhetorician Jennifer Clary-Lemon examines human-nonhuman animal interactions, identifying forms of communication between species and within their material world. Looking in particular at nonhuman species that depend on human development for their habitat, Clary-Lemon examines the cases of the barn swallow, chimney swift, and bobolink. She studies their habitats along with the unique mitigation efforts taken by humans to maintain those habitats, including building “barn swallow gazebos” and artificial chimneys and altering farming practices to allow for nesting and breeding. What she reveals are fascinating forms of rhetoric not expressed through language but circulating between species and materials objects.Nestwork explores what are in essence nonlinguistic and decidedly nonhuman arguments within these local environments. Drawing on new materialist and Indigenous ontologies, the book helps attune our senses to the tragedy of species decline and to a new understanding of home and homemaking.

As more and more species fall under the threat of extinction, humans are not only taking action to protect critical habitats but are also engaging more directly with species to help mitigate their decline. Through innovative infrastructure design and by changing how we live, humans are becoming more attuned to nonhuman animals and are making efforts to live alongside them.Examining sites of loss, temporal orientations, and infrastructural mitigations, Nestwork blends rhetorical and posthuman sensibilities in service of the ecological care. In this innovative ethnographic study, rhetorician Jennifer Clary-Lemon examines human-nonhuman animal interactions, identifying forms of communication between species and within their material world. Looking in particular at nonhuman species that depend on human development for their habitat, Clary-Lemon examines the cases of the barn swallow, chimney swift, and bobolink. She studies their habitats along with the unique mitigation efforts taken by humans to maintain those habitats, including building “barn swallow gazebos” and artificial chimneys and altering farming practices to allow for nesting and breeding. What she reveals are fascinating forms of rhetoric not expressed through language but circulating between species and materials objects.Nestwork explores what are in essence nonlinguistic and decidedly nonhuman arguments within these local environments. Drawing on new materialist and Indigenous ontologies, the book helps attune our senses to the tragedy of species decline and to a new understanding of home and homemaking.

Perhaps no other challenge is more pressing in creating “developmentally - tentive community and society” (the theme of this book series) than mobilizing adultstoplayactive,constructiverolesinthelivesofchildrenandadolescents.In a society that too easily defaults to designing programs as cure-alls for meeting young people’s needs, particular attention must be paid to understanding and mobilizing the kind of positive, relational energy that prepares each successive generation to assume its place in society. Although programs and institutions certainlyplayimportantroles,thekeyliesinthepersonalcommitment,invol- ment, and investment of adults in young people’s lives. In Mobilizing Adults for Positive Youth Development: Strategies for Closing the Gap between Beliefs and Behaviors, E. Gil Clary and Jean E. Rhodes have ass- bled the insights of leading scholars from multiple disciplines and contexts for engaging a broad cadre of adults as allies for youth development. As the editors write,thequestionguidingthebookis,“Howcanwemosteffectivelyencourage adults, both individually and collectively, to begin to behave differently with - spect to the young people of a community, to do so consistently, and to do so in a variety of ways?” What is being proposed, then, is nothing less than a social movement that engages individuals, small groups, neighborhoods, workplaces, schools, faith communities, and broader social institutions in attending to the well-being and healthy development of young people.

The well-designed print and electronic materials shown here--brochures, books, slide shows, Web sites, and multimedia presentations--will serve as models and inspiration for enhancing their own publications, whether designed in-house or out.

Comprising cutting-edge work on the state of social economics today, this theoretically diverse book includes strong emphasis on the role of ethics, morality, identity, and society in economic theorizing. Much existing economic theory overlooks ethics. Rather than situating the market and values at separate extremes of a continuum, Ethics and the Market contends that the two are necessarily and intimately related. This volume brings together some of the best work in the social economics tradition, with strong contributions and pedagogy, and a cross-national blend of economics, philosophy, and policy. The contributors embed the economic within the social, rather than viewing 'the economy' and 'society' as separable spheres of life activity, and in so doing, three key themes are illuminated, corresponding to the volume's tripartite structure:Morality and MarketsRedefining the Boundaries of EconomicsSocial Economics in Transition.Ethics and the Market illuminates the diverse and dynamic theoretical approaches that are employed in social economics, reflecting on their continuously evolving relationship with neoclassical economics. Taking an innovative approach, this integrative book challenges traditional ways of thinking, and will prove vital reading for students and academics in the fields of Economics, Sociology, Gender Studies, and Public Policy.

Comprising cutting-edge work on the state of social economics today, this theoretically diverse book includes strong emphasis on the role of ethics, morality, identity, and society in economic theorizing. Much existing economic theory overlooks ethics. Rather than situating the market and values at separate extremes of a continuum, Ethics and the Market contends that the two are necessarily and intimately related. This volume brings together some of the best work in the social economics tradition, with strong contributions and pedagogy, and a cross-national blend of economics, philosophy, and policy. The contributors embed the economic within the social, rather than viewing 'the economy' and 'society' as separable spheres of life activity, and in so doing, three key themes are illuminated, corresponding to the volume's tripartite structure:Morality and MarketsRedefining the Boundaries of EconomicsSocial Economics in Transition.Ethics and the Market illuminates the diverse and dynamic theoretical approaches that are employed in social economics, reflecting on their continuously evolving relationship with neoclassical economics. Taking an innovative approach, this integrative book challenges traditional ways of thinking, and will prove vital reading for students and academics in the fields of Economics, Sociology, Gender Studies, and Public Policy.

This book celebrates the career and scientific accomplishments of Professor David Buckingham, who is due to retire from his Chair at Cambridge University in 1997.

The adopted format comprises reprints of a number of David Buckingham's key scientific papers, each one or two of these preceded by a review of the corresponding area of David's wide-ranging research interest. Each reviewer is recognised as an expert in that field of interest and has some close association with David Buckingham, as a scientific colleague and/or a former research student. The book should serve as a distinctive reference source, both retrospective and prospective, for the field of chemical physics with which the name A.D. Buckingham is associated.

The editors opted to reprint a majority of early classic Buckingham papers, balanced by some of David Buckingham's more recent publications. Reprinted papers have been placed into a general scientific context that covers prior influences on, and later impacts by, the work nominated for review.

The Toxicology of Methanol  presents a single source of information and an understanding of the toxicity of methanol from animal data, potential environmental effects as well as human effects.  The animal data, which goes to making up the majority of the data on the toxicity of methanol and the mechanism of action, is reviewed as it relates to the potential toxicity in humans.

Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bach’s passions with the Berlin Philharmonic.Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellars’s goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellars’s productions of Mozart’s Le nozze di Figaro, Don Giovanni, and Così fan tutte; Handel’s Theodora; Messiaen’s Saint François d’Assise; John C. Adams’s Nixon in China, The Death of Klinghoffer, El Niño, and Doctor Atomic; Kaija Saariaho’s L’amour de loin, La Passion de Simone, and Only the Sound Remains; Purcell’s The Indian Queen; and Bach’s passions of Saint Matthew and Saint John. Approaching Sellars’s theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera.

With her usual combination of erudition, innovation, and spirited prose, Susan McClary reexamines the concept of musical convention in this fast-moving and refreshingly accessible book. Exploring the ways that shared musical practices transmit social knowledge, "Conventional Wisdom" offers an account of our own cultural moment in terms of two dominant traditions: tonality and blues. McClary looks at musical history from new and unexpected angles and moves easily across a broad range of repertoires - the blues, eighteenth-century tonal music, late Beethoven, and rap. As one of the most influential trailblazers in contemporary musical understanding, McClary once again moves beyond the borders of the 'purely musical' into the larger world of history and society, and beyond the idea of a socially stratified core canon toward a musical pluralism. Those who know McClary only as a feminist writer will discover her many other sides, but not at the expense of gender issues, which are smoothly integrated into the general argument.In considering the need for a different way of telling the story of Western music, "Conventional Wisdom" bravely tackles big issues concerning classical, popular, and postmodern repertoires and their relations to the broader musical worlds that create and enjoy them.

In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself - the principal site of the genre's self-fashionings.In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.

In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states - desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians - whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice - were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.

In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself—the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.

This provocative volume of essays is now available in paperback. The contributors to this volume - musicologists, sociologists, cultural theorists - all challenge the view that music occupies an autonomous aesthetic sphere. Recently, socially and politically grounded enterprises such as feminism, semiotics and deconstruction have effected a major transformation in the ways in which the arts and humanities are studied, leading in turn to a systematic investigation of the implicit assumptions underlying the critical methods of the last two hundred years. Influenced by these approaches, the writers here question a prevailing ideology that insists there is a division between music and society and examine the ways in which the two do in fact interact and mediate one another within and across socio-cultural boundaries.

Bizet's Carmen is probably the best known opera of the standard repertoire, yet its very familiarity often prevents us from approaching it with the seriousness it deserves. This handbook explores the opera in a number of contexts, bringing to the surface the controversies over gender, race, class and musical propriety that greeted its premiere and that have been rekindled by the recent spate of film versions. Beginning with a study of the Mérimée story by Peter Robinson and an examination of the social tensions in nineteenth-century France that inform both that story and the opera, the book traces the latter through its genesis and reception. The central core of the book presents a close reading of the opera that offers new interpretive possibilities. The handbook concludes with discussions of four films based on the opera: Carmen Jones and the versions of Carmen by Carlos Saura, Peter Brook, and Francesco Rosi. The volume contains a bibliography, music examples, and a synopsis.