Visar resultat för..."monsters memoarer"

Jenny-May Hudson grew up in Pretoria, South Africa, the third child of an Afrikaner father and a British mother. Her childhood was horribly marred by her domineering father, who beat her mother, showered blows and insults on his children, and micro-managed the household with weapons, mind-games, and violence. Ironically, his tactics would come back to haunt him. The years of pain would leave Jenny-May with grim memories. Yet through the power of Christ a transformation was in store. Today Jenny-May is whole and happy. She and her husband Elmore, and their three children, have relocated to Perth, Australia. Jenny-May has developed a considerable speaking ministry, and her journey - from abuse to self-acceptance and joy - has become a source of inspiration to thousands. This book demonstrates that nothing can hold you captive without your consent.

The Greek myths are some of the oldest and most famous stories ever told. This striking comic book collection is the perfect introduction to the world of the gods - containing six tales full of love, loss, greed, envy and bravery.Journey down to the Underworld with Orpheus and join Theseus in his quest to defeat the dreaded Minotaur. Bursting with detail and humour, James Davies' retelling of the Greek myths will delight readers of all ages.

The incredible-yet-true story of celebrated South Korean actress Choi Eun-hee, abducted in 1978 by North Korean secret agents on the orders of their film-crazed future leader Kim Jong-il.Six months later, filmmaker Shin Sang-ok, Choi Eun-hee’s ex-husband, is abducted in turn. Choi and Shin remain unaware of each other’s fates until they meet again at a dinner hosted by Kim Jong-il in 1983.Kim forces Choi and Shin to make films, including the infamous kaiju cult classic Pulgasari (1985), all while convincing the world that they serve North Korea willingly. Choi and Shin’s love rekindles slowly in this reunited captivity. Only at the 1986 Vienna Film Festival do they escape, fleeing in a daring car chase to the American embassy.

The intimate memoirs of one of the most acclaimed and controversial artists of her generation.Here I am, a fucked, crazy, anorexic-alcoholic-childless, beautiful woman. I never dreamt it would be like this.'Frequently affecting...intriguing, almost incantatory' TelegraphTracey Emin's Strangeland is her own space, lying between the Margate of her childhood, the Turkey of her forefathers and her own, private-public life in present-day London. Her writings, a combination of memoirs and confessions, are deeply intimate, yet powerfully engaging. Tracey retains a profoundly romantic world view, paired with an uncompromising honesty. Her capacity both to create controversies and to strike chords is unequalled in British life. A remarkable book - and an original, beautiful mind.'As spare and poignant as one of Emin's line drawings' Marie Claire

‘Utterly gripping, enraging, entertaining — and important. I can't recommend it highly enough' Jennifer HiggieIn 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution – peopled and controlled almost entirely by men.Embracing the bohemian spirit of the Left Bank, Lijn built a life for herself in the city, befriending artists, poets and revolutionaries and creating ground-breaking sculptures with light, text and movement, despite being told again and again that there are no great women artists.Liquid Reflections is her sparkling memoir of these years of experiment and adventure. Based on personal diaries from the time, this is a riveting and revelatory portrait of the artist as a young woman.‘A whirlwind of encounters . . . a pioneer in melding art, poetry and science' Art Basel

The second volume of the ongoing Horizon Zero Dawn comic series, based on the hit video game by Guerrilla Games! Horizon: a far-future Earth full of epic natural beauty and forgotten ruins, where awe-inspiring, animal-like machines are the dominant species and humans struggle to survive in pre-industrial tribes.Collects issues #5-8 of the smash-hit Horizon Zero Dawn comic series.

Reigning king of horror manga Junji Ito presents a series of hiss-terical tales chronicling his real-life trials and tribulations of becoming a cat owner. Junji Ito, as J-kun, has recently built a new house and has invited his financée, A-ko, to live with him. Little did he know his blushing bride-to-be has some unexpected company in tow-Yon, a ghastly-looking family cat, and Mu, an adorable Norwegian forest cat. Despite being a dog person, J-kun finds himself purr-suaded by their odd cuteness and thus begins his comedic struggle to gain the affection of his new feline friends.  This comedic graphic memoir about becoming a cat owner is reissued in a deluxe hardcover featuring an exclusive interview with Ito and a new cover illustration by the author that glows in the dark!

Gris Grimly, the New York Times bestselling artist and creator of the beloved Edgar Allan Poe's Tales of Mystery and Madness, has long considered Mary Shelley's classic tale of terror to be one of his greatest inspirations. He is now paying homage to it with a lavishly illustrated full-length adaptation, the first of its kind in this or any format. The tale of the hubris of Victor Frankenstein, the innocence of his monstrous creation, and the darkest desires of the human heart have never been more vividly represented on the page. Using an abridged version of the original text, Gris has created an experience that is part graphic novel, part prose novel, and all Gris Grimly: a bold sewing-together of elements both classic and contemporary. Beautifully terrifying and terrifyingly beautiful, this is Frankenstein as you've never seen it before.

"Grimly enlivens the prose while retaining its power to both frighten and engage sympathy for the monster-creator Victor Frankenstein. This is a richly morose nightmare of a book, a primer for young readers on the pleasures and dangers of decadent languidness."-New York Times Book Review Gris Grimly's Frankenstein is a twisted, fresh, and utterly original full-length, full-color graphic-novel adaptation of Mary Shelley's original text, brought to life by acclaimed illustrator Gris Grimly. The first fully illustrated version to use the original 1818 text, this handsome volume is destined to capture the imagination of those new to the story as well as those who know it well. New York Times bestselling illustrator Gris Grimly has long considered Frankenstein to be one of his chief inspirations. From the bones and flesh of the original, he has cut and stitched Mary Shelley's text to his own artwork, creating something entirely new: a stunningly original remix, both classic and contemporary, sinister and seductive, heart-stopping and heartbreaking.

In this unusual, engaging, and intimate collection of personal essays, Lambda Literary Award finalist Tania De Rozario recalls growing up as a queer, brown, fat girl in Singapore, blending memoir with elements of history, pop culture, horror films, and current events to explore the nature of monsters and what it means to be different.Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to “banish the evil” from Tania. That day, the young girl realized that monsters weren’t just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you.Dinner on Monster Island is Tania’s memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic. As she pulls back the veil on life on the small island, she reveals the sometimes kind, sometimes monstrous side of all of us. Intertwined with her experiences is an analysis of the role of women in horror. Tania looks at films and popular culture such as Carrie, The Witch, and The Ring to illuminate the ways in which women are often portrayed as monsters, and how in real life, monsters are not what we think.Moving and lyrical, written with earnest candor, and leavened with moments of humor and optimism, Dinner on Monster Island is a deeply personal examination of one woman’s experience grappling with her identity and a fantastic analysis of monsters, monstrous women and the worlds in which they live.

‘A beautifully written memoir by one of the most important and original artists working today . . . utterly gripping, enraging, entertaining – and important. I can't recommend it highly enough’ Jennifer HiggieA sparkling memoir and portrait of trailblazing artist Liliane Lijn as a young womanIn 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution – peopled and controlled almost entirely by men.In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: ‘There never have been.’Liquid Reflections is her memoir of these years of experiment and adventure – years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother.And she sought – and found – radical pleasure in the act of creative expression and in the living, sensuous world around her.Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman.'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity…’ Liliane Lijn

'A wonderfully fluent account of how the strange magic of water and the beings that inhabit it can enchant and intoxicate' Chris Yates'[Will Millard] writes with a genuine sense of humility (...) humour and reflection' Kevin Parr, Countryfile ***Growing up on the Cambridgeshire Fens, Will Millard never felt more at home than when he was out with his granddad on the riverbank, whiling away the day catching fish. As he grew older his competitive urge to catch more and bigger fish led him away from that natural connection between him, his grandfather and the rivers of his home. That is, until the fateful day he let a record-breaking sand eel slip through his fingers and he knew that he had lost the magic of those days down by the river, and that something had to change. The Old Man and the Sand Eel is at its heart the story of three generations of men trying to figure out what it is to be a man, a father and a fisherman. It plots Will's scaly stepping stones back to his childhood innocence, when anything was possible and the wild was everywhere.***'Delightful and informative (...) beautifully drawn' The Spectator '[Will Millard] is a master wordsmith and his first book is a joyful testament to that' Isabelle Broom, Heat'The writing is sharp and clever (...) I loved all of it and would as happily read it again as I would sit beside the river waiting for the evening rise of trout to begin' Tom Fort, Literary Review'This is post-modern nature writing that embraces beauty where it finds it and marvels at nature's tenacity (...) But there's more here than just fish. This is also a book about growing up, about how to retain a connection with those who raised you while forging your own identity - what to keep and what to discard. And it's about men. The strong surges of emotion that both draw them together and keep them apart, and the shared pastimes which recognise that intimacy and meaning aren't always accompanied by words' Olivia Edward, Geographical

'Like nothing else you will read' Hilary MantelTop 25 History Books of the Year, The Times - the perfect gift for book lovers this Christmas!Every day a beloved father dies. Every day a lover departs. Every day a woman turns forty.All three happening together brings a moment of reckoning.Medieval historian Elizabeth Boyle made sense of these events the best way she knew how - by immersing herself in the literature that has been her first love and life's work for over two decades.Fierce Appetites is the exhilarating and deeply humane result. Not only does Elizabeth Boyle write dazzling accounts of ancient stories, familiar and obscure, from Ireland and further afield, but she uses her historical learning to grapple with the raw and urgent questions she faces, questions that have bedevilled people in every age. She writes on grief, addiction, family breakdown, the complexities of motherhood, love and sex, memory, class, education, travel (and staying put) with unflinching honesty, deep compassion and occasional dark humour.Fierce Appetites is captivating and original - as an insight into the mind and heart of a groundbreaking scholar, and as a wise and reassuring account of what it is to be human._____________________'Wonderful . . . I laughed. I cried. I was blown away' The Times'Pure nectar for the imagination' Irish Examiner 'Unusual, arresting and genuinely enriching' Irish Times'I loved this luminous, radical book about bodies in time. It is a deeply personal history, that simultaneously brings medieval myth and poetry to breathing, bleeding life. An education for the mind and the heart' Clare Pollard'Highly original . . . engagingly candid [and] thought-proviking' Irish Independent'An eloquent plea for the value of curiosity and the life of the mind, standing up the robustness of scholarship against the frailty of individuals, the resilience of myth against brittle daily preoccupations. It's an agile story, irreverent, capacious and constantly surprising: like nothing else you will read' Hilary Mantel'Bracingly honest, fiery, funny, scholarly, Fierce Appetites really is a wildly good book' Hilary Fannin'Extremely intriguing . . . I found myself completely absorbed' Ryan Tubridy'I absolutely loved this utterly original book. Immersing myself in Elizabeth Boyle's considerable brain was a true privilege, and the way she uses medieval narratives to unpick her own present was endlessly surprising and beautiful. I read it in two sittings, devouring her perspective on life, love, loss' Clover Stroud'Fiercely smart, strange, surprising, unsettling, unflinching' Jennifer O'Connell, Irish Times'An outstanding achievement. Fierce Appetites defies easy categorization, is brilliantly written and simply deserves to be read' Darach Ó Séaghdha'Everything is illuminated, magnified, revisioned: sexual desire, motherhood, family. Her writing is unorthodox, unnerving, and very exciting' Tanya Shadrick

Eddie ‘The Beast’ Hall is the first Brit in 24 years to win the World’s Strongest Man competition, beating The Mountain from Game of Thrones. Everything about Eddie is huge. Standing at 6’3 he weighs almost 30 stone, and to make it through his hellish four-hour gym sessions he needs to eat a minimum of 10,000 calories a day. He eats a raw steak during weight sessions. His right eyeball once burst out of its socket under the strain. He put it back in.In his remarkable autobiography, Eddie takes you inside the world of the professional strongman – the nutrition, the training and competitions themselves. This is a visceral story of sporting achievement, an athlete pushing himself to the limits, and the personal journey of a man on the path to becoming being the best of the best.Contains strong language.

On the June 6, 2004, while on assignment in Riyadh, BBC security correspondent Frank Gardner and cameraman Simon Cumbers were ambushed by Islamist gunmen. Simon was killed outright. Frank was hit in the shoulder and leg. As he lay in the dust, a figure stood over him and pumped four more bullets into his body at point-blank range...Against all the odds, Frank Gardner survived. Today, although partly paralysed, Frank continues to travel the world, reporting and making documentaries for the BBC. This acclaimed memoir was brought up to date with a new chapter that recounted his return to Saudi Arabia for the first time since he was shot and the story he tells continues to move and inspire, and remains an affirmation of his deep understanding of - and affection for - the Islamic world in these uncertain times.___'Gardner tells his remarkable tale well and bravely, with an astonishing lack of anger and enduring love and respect for the Islamic world' SUNDAY TIMES'Brave, unsentimental and genuinely inspiring' EVENING STANDARD 'What makes Gardner's moving, often humorous, deeply personal story so important is the fact that he has woven into it a brilliantly dispassionate, clear-eyed account of the Islamic world' SCOTSMAN'A witty, self-deprecating, inspiring testament' DAILY TELEGRAPH

'Honest and extraordinary' GUARDIAN'A remarkable book - and an original, beautiful mind' EVENING STANDARDHere I am, a fucked, crazy, anorexic-alcoholic-childless, beautiful woman. I never dreamed it would be like this.Welcome to Strangeland.The incandescent world of Tracey Emin.Encompassing the Margate of her childhood, the Turkey of her forefathers and the art-filled chaos of her thirty-something life in London. Intimate and original, these confessions are deeply moving. In spite of the challenges she faces, Tracey remains profoundly romantic and uncompromisingly honest. Here is her life on the page.This twentieth-anniversary edition, with a new introduction from Emin herself, celebrates the formative memories of one of Britain's greatest contemporary artists.'Beautiful . . . unguarded, open-hearted, shocking' DAILY TELEGRAPH'Painfully honest' JEANETTE WINTERSON, THE TIMES

OUT NOW. Join TikTok sensation Kyle Thomas and his much-loved meerkat Mylo as they embark on their most epic adventure yet - to an alternate dimension filled with beautiful creatures some good . . . and some that will threaten our entire existence. Kyle Thomas and his beloved meerkat Mylo have always been inseparable. But now they're about to be worlds away from life as they know it . . . Stumbling upon an extraordinary and magical alternate world, they enter a land filled with strange and wonderful wild creatures. Everything seems perfect here, but danger is lurking.A dark creature has found its way through an open portal and is wreaking havoc in the real world.People are frightened for their lives. And now it is down to Kyle and Mylo to save the world. _____Kyle and his incredible team: the No. 1 Sunday Times Bestselling Comic Book Artist, Amrit Birdi and scriptwriting powerhouse Leah Moore and John Reppion, who have written for the likes of 2000 AD, Channel 4, Dark Horse and DC Comics, have come together to create Kyle's first ever graphic novel that will transport you to an incredible animal dimension like no other . . .

This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

'Packed with war stories from a golden age of rock, and insights into the stars that made that music' CLASSIC ROCK MAGAZINE'On reading Getcha Rocks Off you realise just how drastically things have changed in the rock industry but books like this perfectly evoke what they were like. Good times...' RECORD COLLECTORHanging out with rock stars, trying to steal their chicks, or throwing up over their guitars after launching into the hospitality a little too enthusiastically, Mick Wall spent much of the 1980s sprawled in limos and five-star hotels with the biggest rock bands in the world, including Led Zeppelin, Guns N' Roses, Metallica, Black Sabbath, Mötley Crüe, Thin Lizzy, Deep Purple, Alice Cooper, Van Halen, Motörhead and more. He was Kerrang! magazine's star writer and the presenter of Monsters of Rock, his own weekly show on Sky TV, and the decade passed in a blur of hard drugs, hot women, and some of the heaviest people your mother definitely would not like. Depicting a world where vague concepts like 'the future' are disdained in favour of nights that last a week and weeks that last forever, Getcha Rocks Off is a rock apocalypse Cider With Roadies, and a more frank and disturbing Apathy for the Devil. It is the kind of book you need to put on your leather jacket to read, open that bottle of Jack and reach for the Charlie. And let the good times roll...

'By the end of the book, I fully expect that to many people I'm going to look like a right ***t.' Paul Hartnoll, Orbital The Gallagher brothers of the rave scene, Paul and Phil Hartnoll together make Orbital - one of the biggest-selling and most recognisable techno acts on the planet. They have sold millions of albums, played to an audience of 10 million people at the Closing Ceremony of the London 2012 Paralympics, and headlined their 'spiritual home' on The Other Stage at Glastonbury Festival three times. Glastonbury founder Michael Eavis even credits their first headline, in 1994, as almost singlehandedly bringing rave to the masses. Between them Phil and Paul have survived addictions, tragedy and marriages, plus two splits and reunions. Now, on the 30th anniversary of the debut single that launched them to fame, Orbital are telling this extraordinary and explosive story for the first time. Alongside the pioneering music, the Hartnoll's tale is about brotherhood, and like most brothers they are as often at war as peace. No matter how bitterly they fight and deeply they resent each other, however, their shared history has forged an us-against-the-world bond that only they themselves can break. Which they do. Often.Halcyon and On and On rivals the greatest rock 'n' roll stories, but without any actual rock 'n' roll. Their biggest problem, however, is that they both remember most of their history rather differently...

“Jesse McManus [can], draw in a beautifully cartoony way with great lines and fun sense and sensibilities.” —Vice MagazineImagine comics created from the DNA of John Kricfalusi, Charles Burns with a dash of Jim Woodring. You’d end up with animated, visionary comics by Jesse McManus. His fluid, hyper-kinetic, and lush brush strokes delineate a surreal visionary world of feral children, rubber y animals, and constantly-mutating monsters. The Whistling Factory is an audacious debut from the sui generis frenetic imagination of Jesse McManus.Jesse McManus has been drawing comics for a long time. He was the youngest contributor to the now legendary oversize Kramer’s Ergot #7. His comics were featured in many different publications including Vice Magazine. Jesse lives and works in Portland, OR.