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LONGLISTED FOR THE BOOKER PRIZE 2026From the Women’s Prize-shortlisted author of First Love, The Palm House is a sharply observed, slyly funny novel of enduring friendships and small mercies.‘This goes straight onto my list of favourite modern novels’ – The Times‘One of our finest novelists of constrained fury: nobody writes better’ – The Observer‘Mesmerising . . . confirms Riley as one of Britain’s best’ – The Telegraph‘A slim, impeccably controlled story that contains multitudes’ – The GuardianLaura and Putnam have been friends for a long time. Theirs is a happy meeting of minds, with long evenings spent huddled in an ancient pub by the Thames, where they share office gossip, reflect on their teenage passions, and lament the state of the world.Recently, though, Putnam has been harder to reach: he has lost his father, and the magazine to which he has dedicated his life has been hijacked by an insufferable new editor, Simon ‘call me Shove’ Halfpenny.Laura has her own problems: with a prickly mother and a tricky past, and in a beautiful and indifferent city, her day-to-day life is precarious. But as Putnam starts to sink into despondency, she must try to bring him back.The Palm House offers us Gwendoline Riley’s trademark keen observation and wit, and leaves us - somehow - with a curious sense of possibility. It is a slender masterpiece from one of Britain’s finest prose stylists. ‘I love this book’ – Sarah Perry, award-winning author of The Essex Serpent‘Outstandingly brilliant’ – Claire-Louise Bennett, award-winning author of Big Kiss, Bye-Bye‘Riley’s prose is so electric, so alive with humour and insight and passion, that by the end you will want to stand up and cheer’ – Paul Murray, author of The Bee StingNamed a Most Anticipated Book for 2026 by: Financial Times, The Times, The Observer, The Guardian, The Telegraph, The Sunday Times, New Statesman, Good Housekeeping, Country & Town House, Shortlist, The New York Times, Irish Times, Vulture, LitHub and BBC Culture.

SHORTLISTED FOR THE RATHBONES FOLIO PRIZE'What a phenomenal ear she has, and how remorselessly funny she is - My Phantoms is unmissably good' Kevin Barry, author of Night Boat to TangierHelen Grant has always been a mystery to her daughter. A twice-divorced mother-of-two she has sought intimacy in all the wrong places. Her daughter Bridget sees her once a year and considers the problem contained. But as she looks back over their fractious relationship, she is forced to confront cruelties inflicted on both sides. My Phantoms is an insightful and painfully funny account of a family strained to breaking point, and a reckoning with the damage we do over the course of a life. My Phantoms was a Book of the Year in the Observer, the Daily Telegraph, the Irish Times, the Guardian, The White Review, the Evening Standard, the Big Issue, the TLS, the Week and the New Statesman.

'A singular, devastating journey into the ungovernable reaches of the heart' ObserverSHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017Neve is a writer in her mid-30s married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and her self-involved mother to a musician who played her and a series of lonely flights from place to place.Drawing the reader into the battleground of her relationship, Neve spins a story of helplessness and hostility, an ongoing conflict in which both husband and wife have played a part. But is this, nonetheless, also a story of love?

Longlisted for the Booker Prize 2026From the Women’s Prize-shortlisted author of First Love, The Palm House is a sharply observed, slyly funny novel of enduring friendships and small mercies.'This goes straight onto my list of favourite modern novels’ – The Times'One of our finest novelists of constrained fury: nobody writes better' – The Observer'Mesmerising . . . confirms Riley as one of Britain’s best' – The Telegraph‘A slim, impeccably controlled story that contains multitudes’ – The GuardianLaura and Putnam have been friends for a long time. Theirs is a happy meeting of minds, with long evenings spent huddled in an ancient pub by the Thames, where they share office gossip, reflect on their teenage passions, and lament the state of the world.Recently, though, Putnam has been harder to reach: he has lost his father, and the magazine to which he has dedicated his life has been hijacked by an insufferable new editor, Simon ‘call me Shove’ Halfpenny.Laura has her own problems: with a prickly mother and a tricky past, and in a beautiful and indifferent city, her day-to-day life is precarious. But as Putnam starts to sink into despondency, she must try to bring him back.The Palm House offers us Gwendoline Riley’s trademark keen observation and wit, and leaves us – somehow – with a curious sense of possibility. It is a slender masterpiece from one of Britain’s finest prose stylists.‘I love this book’ – Sarah Perry, award-winning author of The Essex Serpent‘Outstandingly brilliant’ – Claire-Louise Bennett, award-winning author of Big Kiss, Bye-Bye‘Riley’s prose is so electric, so alive with humour and insight and passion, that by the end you will want to stand up and cheer’ – Paul Murray, author of The Bee Sting

'A singular, devastating journey into the ungovernable reaches of the heart' ObserverSHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2017Neve is a writer in her mid-30s married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and her self-involved mother to a musician who played her and a series of lonely flights from place to place.Drawing the reader into the battleground of her relationship, Neve spins a story of helplessness and hostility, an ongoing conflict in which both husband and wife have played a part. But is this, nonetheless, also a story of love?

LONGLISTED FOR THE BOOKER PRIZE 2026From the Women’s Prize-shortlisted author of First Love, The Palm House is a sharply observed, slyly funny novel of enduring friendships and small mercies.‘This goes straight onto my list of favourite modern novels’ – The Times‘One of our finest novelists of constrained fury: nobody writes better’ – The Observer‘Mesmerising . . . confirms Riley as one of Britain’s best’ – The Telegraph‘A slim, impeccably controlled story that contains multitudes’ – The GuardianLaura and Putnam have been friends for a long time. Theirs is a happy meeting of minds, with long evenings spent huddled in an ancient pub by the Thames, where they share office gossip, reflect on their teenage passions, and lament the state of the world.Recently, though, Putnam has been harder to reach: he has lost his father, and the magazine to which he has dedicated his life has been hijacked by an insufferable new editor, Simon ‘call me Shove’ Halfpenny.Laura has her own problems: with a prickly mother and a tricky past, and in a beautiful and indifferent city, her day-to-day life is precarious. But as Putnam starts to sink into despondency, she must try to bring him back.The Palm House offers us Gwendoline Riley’s trademark keen observation and wit, and leaves us - somehow - with a curious sense of possibility. It is a slender masterpiece from one of Britain’s finest prose stylists. ‘I love this book’ – Sarah Perry, award-winning author of The Essex Serpent‘Outstandingly brilliant’ – Claire-Louise Bennett, award-winning author of Big Kiss, Bye-Bye‘Riley’s prose is so electric, so alive with humour and insight and passion, that by the end you will want to stand up and cheer’ – Paul Murray, author of The Bee StingNamed a Most Anticipated Book for 2026 by: Financial Times, The Times, The Observer, The Guardian, The Telegraph, The Sunday Times, New Statesman, Good Housekeeping, Country & Town House, Shortlist, The New York Times, Irish Times, Vulture, LitHub and BBC Culture.

Hard Rain ranges over thirty years of Bob Dylan's recordings, films, and concerts to deliver astute insights into,and sometimes heretical judgements of,his prodigious corpus of work. This updated edition includes a new epilogue that examines Dylan's thirtieth anniversary celebration in 1992 his albums Good As I Been to You, World Gone Wrong, and Time Out of Mind his 1997 performance before the Pope and his 1998 Grammy Award comeback. The result is unparalleled rock criticism.

Carmel McKisco is wry, volatile and full of longing: a twenty-year-old girl working nights in a Manchester dive bar. Cut off from her family, and from Tony, her carefree ex, she forges strange alliances with her customers, and daydreams, half-heartedly, about escaping to Cornwall. Cold Water is a poignant picaresque of barmaids and barflies; eccentric individuals all somehow tethered to their past - not least Carmel herself, who is nurturing mordant fixations on both her lost love, Tony, and her washed-up adolescent hero: a singer from Macclesfield. As she spins out the days and nights of an unrelentingly rainy winter she finds herself compelled to confront her romantic preoccupations, for better or worse.

At thirty, Aislinn Kelly is an occasional novelist with a near-morbid attunement to the motives of those around her. Isolated, restless and stuck, she decamps to America - a default recourse - this time to an attic room in Indianapolis, to attempt once again the definitive act of self-salvage. There are sharp memories to contend with as the summer heats up, and not least regarding her family history, now revealed as so botched and pitiful it seems it might yet cancel her out. She's spent years evading the attentions of her unstable, bullying father, only to find her mother now cowering in a second rancid marriage. There are also friendships lost or ailing: with bibulous playwright Karl, sly poet Erwin, depressed bookshop-wallah Bronagh, and Aislinn's best friend Cathy, who has recently found God... Finally her thoughts turn to her last encounter with Jim Schmidt, a man she's loved for ten years, hasn't seen for five, yet still has to consider her opposite number in life.Opposed Positions is a startlingly frank novel about the human predicament, about love and its substitutes, disgraceful or otherwise. Some of these people want to be free - of themselves, of each other - and some have darker imperatives. Wry, shocking, perfectly observed and utterly heart-breaking, the novel moves towards its troubling conclusion: a painful appreciation of what it is we've come from, and what we might be heading for.

This new edition of International Acquisition Finance builds on the success of the first edition in providing a comprehensive and comparative analysis of the law and practice of acquisition finance from the viewpoint of leading lawyers in over 20 different jurisdictions including the UK, China, France, Germany, the Netherlands, and the USA. New jurisdictions for this edition include Hong Kong, India and Poland.The work contains an overview of the relevant issues to provide the reader with an understanding of structuring cross-border acquisition finance transactions and solutions to relevant legal problems. Each chapter deals with the stages of the proposed transaction and its financing and the related issues which need to be considered in the different jurisdictions.This fully updated new edition reflects recent changes to the law in all jurisdictions, including the implementation in England of the Companies Act 2006 whose effects include the abolition of the prohibition of financial assistance for private companies and changes to the way in which charges are registered.Also included is new coverage of acquisitions from insolvency practitioners, regulation affecting financial institution investment practices and other changes brought about by the current economic conditions, as well as a new chapter on public company acquisitions written by Stephen Powell of Slaughter & May. In addition relevant legal and practical considerations involved in public company acquisitions are considered in each jurisdictional chapter.

Struggles to define the soul of America roil the nation's politics. Debates over the roles of gays, lesbians, women, immigrants, racial and religious minorities, and disputes over reproductive and abortion rights serve as rallying points for significant electoral groups and their representatives in government. Although the American family lies at the core of these fierce battles, the alignment of family with social or cultural issues is only a partial picture-a manifestation of the new right's late twentieth-century success in elevating "family values" over family economics.Gwendoline Alphonso makes a significant contribution to the prevailing understanding of party evolution, contemporary political polarization, and the role of the family in American political development by placing family at the center of political and cultural clashes. She demonstrates how regional ideas about family in the twentieth century have continually shaped not only Republican and Democratic policy and ideological positions concerning race and gender but also their ideals concerning the economy and the state. Drawing on extensive data from congressional committee hearings, political party platforms, legislation sponsorship, and demographic data from the Progressive, post-World War II, and late twentieth-century periods in the United States, Polarized Families, Polarized Parties offers an intricate and sophisticated analysis of how deliberations around the ideal family became critical to characterizations of party politics. By revealing the deep historical interconnections between family and the two parties' ideologies and policy preferences, Alphonso reveals that American party development is more than a story of the state and its role in the economy but also, at its core, a debate over the political values of family and the social fabric it embodies.

Struggles to define the soul of America roil the nation's politics. Debates over the roles of gays, lesbians, women, immigrants, racial and religious minorities, and disputes over reproductive and abortion rights serve as rallying points for significant electoral groups and their representatives in government. Although the American family lies at the core of these fierce battles, the alignment of family with social or cultural issues is only a partial picture-a manifestation of the new right's late twentieth-century success in elevating "family values" over family economics.Gwendoline Alphonso makes a significant contribution to the prevailing understanding of party evolution, contemporary political polarization, and the role of the family in American political development by placing family at the center of political and cultural clashes. She demonstrates how regional ideas about family in the twentieth century have continually shaped not only Republican and Democratic policy and ideological positions concerning race and gender but also their ideals concerning the economy and the state. Drawing on extensive data from congressional committee hearings, political party platforms, legislation sponsorship, and demographic data from the Progressive, post-World War II, and late twentieth-century periods in the United States, Polarized Families, Polarized Parties offers an intricate and sophisticated analysis of how deliberations around the ideal family became critical to characterizations of party politics. By revealing the deep historical interconnections between family and the two parties' ideologies and policy preferences, Alphonso reveals that American party development is more than a story of the state and its role in the economy but also, at its core, a debate over the political values of family and the social fabric it embodies.