Visar resultat för..."son Eugénie"

-- Scottish Affairs (of the First Edition)

Best known for his sculpture and earthworks, Robert Smithson was a revolutionary and influential post-World War II artist. This volume surveys his works on paper from 1957 until his death in 1973, presenting a large number of reproductions of little-known works from his early career.

Reconstructing Empress Eugénie's position as a private collector and a public patron of a broad range of media, this study is the first to examine Eugénie (1826-1920), whose patronage of the arts has been overlooked even by her many biographers. The empress's patronage and collecting is considered within the context of her political roles in the development of France's institutions and international relations. Empress Eugénie and the Arts: Politics and Visual Culture in the Nineteenth Century also examines representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics. Based on extensive research at architectural sites and in archives, museums, and libraries throughout Europe, and in Britain and the United States, this book offers in-depth analysis of many works that have never before received scholarly attention - including reconstruction and analysis of Eugénie's apartment at the Tuileries. From her self-definition as empress through her collections, to her later days in exile in England, art was integral to Eugénie's social and political position.

Reconstructing Empress Eugénie's position as a private collector and a public patron of a broad range of media, this study is the first to examine Eugénie (1826-1920), whose patronage of the arts has been overlooked even by her many biographers. The empress's patronage and collecting is considered within the context of her political roles in the development of France's institutions and international relations. Empress Eugénie and the Arts: Politics and Visual Culture in the Nineteenth Century also examines representations of the empress, and the artistic transformation of a Hispanic woman into a leading figure in French politics. Based on extensive research at architectural sites and in archives, museums, and libraries throughout Europe, and in Britain and the United States, this book offers in-depth analysis of many works that have never before received scholarly attention - including reconstruction and analysis of Eugénie's apartment at the Tuileries. From her self-definition as empress through her collections, to her later days in exile in England, art was integral to Eugénie's social and political position.

This first comprehensive bibliography of the life and work of colonial women helps to foster an historical understanding of the rights, privileges, and functions of women in today's society. The Syllabus, containing 1082 items, is organized to provide an inclusive picture of the colonial woman in all aspects of her life and work. It includes references giving insight into home life with its manifold problems and dangers, the evolution of the colonial woman's status as owned property to being an independent owner of property, the leadership she gave to the religious life of the colonies, the contributions she made to cultural life, her part in the developing political life, and the extent of her participation in economic life.The Bibliography contains 765 books 309 magazine articles, and eight pictorial publications. To facilitate the study of individual women of note, the List of 104 Outstanding Women includes references.

This is the story of the glamorous French Empress who escaped from a vengeful mob in 1870 and spent the next fifty years in exile in England. With a broad brush approach to the political events it shows her life and times from a different angle, exploring subjects often relegated to mere footnotes. Aided by the increased digitalisation of sources which produced many new and interesting discoveries, the book features 53 images of the important people and places Eugenie was born in a makeshift tent during an earthquake in Southern Spain but this impetuous and beautiful young woman’s life changed dramatically when she married Napoleon III in 1853. She was to become a worldwide fashion icon but was much more than a trophy wife even though she suffered from a philandering husband. An early feminist with a social conscience, her achievements were negated by many because she wasn’t French, becoming the inevitable scapegoat for the ills of the Empire. Yet in November 1869 when Eugenie opened the Suez Canal she was the most famous woman in the world. Less than a year later she made a dramatic escape from those who blamed her for a disastrous war that caused the collapse of the Second Empire. Helped by her American dentist, Eugenie was smuggled out of Paris enroute to England and exile. The early death of her husband was followed a few years later by that of her son whilst with the British army in South Africa. A close friend of Queen Victoria, Eugenie lived in Farnborough, a small Hampshire town for 4 decades, building an Imperial Mausoleum for her husband and son and dressing in black for the rest of her days. Condemned in her own mind to live for a hundred years she then recovered her zest for life. Always keen to move with the times she embraced new technology, travelled extensively and maintained her links with the European royal circle whilst becoming a familiar and much respected figure in her neighbourhood. Eugenie remained remarkably loyal to France and never relinquished her sense of duty, giving up part of her home to be an army hospital during World War 1. She died in 1920, aged 94 and is buried alongside her husband and son in St Michael’s Abbey in Farnborough.

A romantic novella from the pen of the great Napoleon Bonaparte