Visar resultat för..."Cordia"

The fabulous XIT Ranch has been celebrated in song, story, and serious history. This book of reminiscences of old XIT cowmen puts on record the everyday life of the individuals who made the ranch run. Their forthright, yet picturesque, discussion of ranching hardships and dangers dissipates Hollywood and TV glamorizing. They relate in honest cowboy language what actually happened inside the XIT's 6,000 miles of fence. Cordia Sloan Duke, wife of an XIT division manager, Robert L. Duke, many years ago realized that only those who had experienced ranch life could depict it with deep understanding. As the young wife of a rising young ranch hand, she kept in her apron pocket a notebook and pencil, recording all manner of interesting details as they caught her attention. This diary was the nucleus for the present book. Conceiving of an account of life on the XIT as presented by XIT cowboys, Mrs. Duke set about drawing from reticent, sometimes reluctant, ranch hands the impressions of the XIT (occasionally written down by their more literate wives or daughters) which they had retained through the years. Cordia Sloan Duke and Joe B. Frantz have organized the reminiscences around key aspects of ranch life, retaining the language of the cow hands.

DISCORDIA is a story of courage and collapse in a country and a culture struggling to map out its future. A short ebook combining a 24,000-word essay with 36 detailed drawings, DISCORDIA is a feminist-art-gonzo-journalism project conceived at Occupy Wall Street and created in the summer of debt and doubt after the euphoric street protests of 2011-2012.In July 2012, artist Molly Crabapple and journalist Laurie Penny travelled to Greece. There, they drew and interviewed anarchists, autonomists, striking workers and ordinary people caught up in the Euro crisis. DISCORDIA is the result. In an impassioned climate where ‘objective’ journalism is impossible, Penny and Crabapple offer a snapshot of a nation in the grip of a very modern crisis where young and old see little reason to go on, the left is scattered and the far right is assuming greater power and influence. Along the way they drink far too much coffee, become hypnotised by street art, and somehow manage not to get arrested or mugged.DISCORDIA is an experiment in form, using the illustrated ebook format to its fullest extent to tell a story unique to the wordlength and digital platform involved. Crabapple's intricate, Victorian-inspired ink drawings lend a timeless quality to what is a conscious foray into a new kind of journalism - inspired by the New Journalism of the 1970s, in particular the art-journalism collaborations of Hunter Thompson and Ralph Steadman, but reworking that tradition for a 21st century world where young women must still fight at every turn to be taken seriously.DISCORDIA weaves together the personal and political, picking out those elements of the Greek crisis that are recognisable across the West to a generation struggling to articulate its purpose in a world of spiralling unemployment, democratic collapse and civil unrest. The solutions to the failure of modern neoliberal statecraft are very different to the 'tune in, turn on, drop out' ethos of the sixties: these days the drugs are worse and rock 'n' roll can't save us. The future is a question in search of an answer.Available only digitally, with a foreword by economic journalist and writer Paul Mason, this beautifully illustrated ebook is part-polemic, part-travelogue and part-paean to the birthplace of civilization brought to its knees. Part of the Brain Shot series, the pre-eminent source of short form digital non-fiction.'This is the Next Big Thing in journalism: digital, visual, intelligent, heartfelt, post-political, female, alarming, and engaging. It's both an honest chronicle of one corner of the collapse of a civilization, and an inspiring demonstration of the kinds of thinking, craft, and collaboration that might yet get us through.' Douglas Rushkoff, author of LIFE INC.

Vilhelm Ekelund (1880-1949) tillhör en av de stora inom svensk litteratur. Mest känd är han för sin symbolistiska lyrik, men han skrev även en lång rad betydelsefulla essä- och aforismsamlingar. Poetiskt var Ekelund inspirerad av Ola Hansson, som han ansåg vara den mest betydelsefulla poeten i Sverige sedan Erik Johan Stagnelius. 1916 och 1924 tilldelades han Samfundet De Nios Stora Pris. Han tilldelades även Frödingstipendiet, Bellmanpriset och Tegnérpriset samt blev 1937 hedersdoktor vid Lunds universitet. Efter att Ekelund hade lämnat poesin och funnit ett nytt uttryck i prosan, essäistiken och i en genom åren alltmer koncentrerad och fragmentarisk aforistik – blev han mer ifrågasatt av förläggare, kritiker och läsare. Detta motstånd tog dock Ekelund som en bekräftelse på sin relevans: “Att ha uttalat något som ej väcker ett motstånd är att icke ha uttalat något”.