Visar resultat för..."vieville"

An illustrated guide to the history and symbolism of colors, as used in artworks throughout the ages, from prehistory to the present day.Color, which has the power to impart meaning or express emotion, has fascinated humans for millennia. This comprehensive, illustrated guide demonstrates how color—through different periods, cultures, and artistic movements—has been used in art: from the black, red, and white pigments first used in prehistoric cave paintings to the muted tones of Gabonese Punu masks replete with spiritual significance, or from Andy Warhol’s Gold Marilyn Monroe with its flashy hues borrowed from the advertising world to the signature outrenoir (beyond black) of the late Pierre Soulages.From oil painting to optical art, this international history of color unfurls over thirty major periods in the development of color in the arts, elucidating their characteristics, key works, and exponents. The symbolism given to a particular color and how such associations have evolved over time is revealed. A gallery of sixty works that are remarkable for their extraordinary use of color includes the explosion of light emanating from Joseph Mallord William Turner’s Light and Colour (Goethe’s Theory), the fleeting moments of dawn depicted with broken brushstrokes and colorful intensity in Monet’s Impression, Sunrise, and the acidulous tones of David Hockney’s portrait My Parents. A final chapter examines the materials and techniques used to achieve chromatic effects. Complete with extensive cross-references, this accessible guide allows readers to discover more about a particular movement, theme, or technique, and offers an enlightening and polychromatic overview to the history of color in art.

Traversing decades and continents, these 50 gorgeously illustrated profiles celebrate pioneering women who at once fought against and transformed the male- dominated artistic establishment of their time.From mystic and groundbreaking color theorist Hilma af Klimt to the multi-disciplinary storyteller Megan Rooney, this thoughtfully curated and stunningly illustrated collection celebrates the rich tapestry of creativity and perseverance of women artists of the twentieth and twenty-first centuries. Organized chronologically by year of birth, this book features multi-page spreads that include an introductory text accompanied by dazzling full-color reproductions of each artist's work.Readers will discover the enormous variety of contributions from women of color such as Elizabeth Catlett, Saloua Raouda Choucair, Bertina Lopes, and Faith Ringgold; women from non-western cultures, including Kubra Khademi, Irene Chou, Zarina, Wook-Kyung Choi, and Nairy Baghramian; work that explores the female body by Marlene Dumas, Rebecca Horn, Valie Export, and Ana Mendieta; and the radical, groundbreaking work of Judy Chicago, Lygia Clark, and the Guerilla Girls.Throughout, readers will gain an understanding of the enormous struggles women artists have faced; of the incredible accomplishments they have achieved in the face of sexism, ageism, and racism; and how, despite these advancements, they continue to fight for recognition in a culture and climate dominated by men.

T. Viéville: A Few Steps Towards 3D Active Vision appears as Vol. 33 in the Springer Series in Information Sciences. A specific problem in the field of active vision is analyzed, namely how suitable is it to explicitly use 3D visual cues in a reactive visual task? The author has collected a set of studies on this subject and has used these experimental and theoretical developments to propose a synthetic view on the problem, completed by some specific experiments. With this book scientists and graduate students will have a complete set of methods, algorithms, and experiments to introduce 3D visual cues in active visual perception mechanisms, e.g. autocalibration of visual sensors on robotic heads and mobile robots. Analogies with biological visual systems provide an easy introduction to this subject.

T. Viéville: A Few Steps Towards 3D Active Vision appears as Vol. 33 in the Springer Series in Information Sciences. A specific problem in the field of active vision is analyzed, namely how suitable is it to explicitly use 3D visual cues in a reactive visual task? The author has collected a set of studies on this subject and has used these experimental and theoretical developments to propose a synthetic view on the problem, completed by some specific experiments. With this book scientists and graduate students will have a complete set of methods, algorithms, and experiments to introduce 3D visual cues in active visual perception mechanisms, e.g. autocalibration of visual sensors on robotic heads and mobile robots. Analogies with biological visual systems provide an easy introduction to this subject.