Bill Ivey – författare

In Folklore, Bill Ivey, former chairman of the National Endowment for the Arts, argues that the world today is being reshaped by the end of the Enlightenment. In the 18th and 19th century, imperialism and colonialism spread Enlightenment values around the world. Through the 20th century, civilization believed this universal commitment to human rights would be permanent. Today that assumption is under threat everywhere. Contemporary public intellectuals have entirely missed this truth, leading them to offer incomplete or unhelpful analyses of the current global situation, and inadequate prescriptions for a way forward. In truth, at the Enlightenment's end, ISIS, the Taliban, the Tea Party, and Donald Trump are linked—science is denigrated, tribal resentments come to the fore, religious fundamentalism shapes belief and action, and social justice, women's rights, and democracy itself are threatened. Ivey argues that in the United States folklore scholars have spent the past 150 years observing, documenting, and seeking to understand the communities and community life that support the artistry, tradition, beliefs, and values that sustained mankind for centuries before the Enlightenment advanced a new vision of humanity, one that brought all people into the mainstream of history. Through their observational and nuanced research, folklorists have come to understand the complex borderland separating the literacy, manners, sophistication, and politics of civilization from the world of orality, tradition, tribe, and ethnicity. If leaders wish to nurture a world order that again places overarching, universal human rights at the center of international affairs, we must advance enlightened policy from a new perspective, grounding ideas and action in the hard-won insights of folklorists, honoring a new, vitalized respect for the habits and traditions that sustain ordinary people.

Engaging Art explores what it means to participate in the arts in contemporary society – from museum attendance to music downloading. Drawing on the perspectives of experts from diverse fields (including Princeton scholars Robert Wuthnow and Paul DiMaggio; Barry Schwartz, author of The Paradox of Choice; and MIT scholars Henry Jenkins and Mark Schuster), this volume analyzes key trends involving technology, audience demographics, religion, and the rise of "do-it-yourself" participatory culture. Commissioned by The Wallace Foundation and independently carried out by the Curb Center at Vanderbilt University, Engaging Art offers a new framework for understanding the momentous changes impacting America’s cultural life over the past fifty years.This volume offers suggestive glimpses into the character and consequence of a new engagement with old-fashioned participation in the arts. The authors in this volume hint at a bright future for art and citizen art making. They argue that if we center a new commitment to arts participation in everyday art making, creativity, and quality of life, we will not only restore the lifelong pleasure of homemade art, but will likely seed a new generation of enthusiasts who will support America’s signature nonprofit cultural institutions well into the future.

Engaging Art explores what it means to participate in the arts in contemporary society – from museum attendance to music downloading. Drawing on the perspectives of experts from diverse fields (including Princeton scholars Robert Wuthnow and Paul DiMaggio; Barry Schwartz, author of The Paradox of Choice; and MIT scholars Henry Jenkins and Mark Schuster), this volume analyzes key trends involving technology, audience demographics, religion, and the rise of "do-it-yourself" participatory culture. Commissioned by The Wallace Foundation and independently carried out by the Curb Center at Vanderbilt University, Engaging Art offers a new framework for understanding the momentous changes impacting America’s cultural life over the past fifty years.This volume offers suggestive glimpses into the character and consequence of a new engagement with old-fashioned participation in the arts. The authors in this volume hint at a bright future for art and citizen art making. They argue that if we center a new commitment to arts participation in everyday art making, creativity, and quality of life, we will not only restore the lifelong pleasure of homemade art, but will likely seed a new generation of enthusiasts who will support America’s signature nonprofit cultural institutions well into the future.

In this impassioned and persuasive book, Bill Ivey, the former chairman of the National Endowment for the Arts, assesses the current state of the arts in America and finds cause for alarm. Even as he celebrates our ever-emerging culture and the way it enriches our lives here at home while spreading the dream of democracy around the world, he points to a looming crisis. The expanding footprint of copyright, an unconstrained arts industry marketplace, and a government unwilling to engage culture as a serious arena for public policy have come together to undermine art, artistry, and cultural heritage - the expressive life of America. In eight succinct chapters, Ivey blends personal and professional memoir, policy analysis, and deeply held convictions to explore and define a coordinated vision for art, culture, and expression in American life.