Charles Hartman – författare

This work is a comprehensive study of Han Yu (768-824), a principal figure in the history of the Chinese Confucian tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This work is a comprehensive study of Han Yu (768-824), a principal figure in the history of the Chinese Confucian tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Charles Hartman presents an ambitious analysis of the workings of governance in Imperial China centered on the Song Dynasty (960–1279). Here he develops a new model for thinking about the deeper structures of governance in Song and pre-imperial China – the 'technocratic–Confucian continuum' – which challenges the prevailing perception of Confucian political dominance and offers a vehicle for expanding the definition and scope of Song political culture to embrace all its actors. Building on his acclaimed work The Making of Song Dynasty History: Sources and Narratives, 960–1279 CE (2021), this richly detailed exploration of the Song court is of significance beyond the immediate period of study both in rethinking the nature of monarchy in China and in examining the constructive possibility of political dissent.

Charles Hartman presents an ambitious analysis of the workings of governance in Imperial China centered on the Song Dynasty (960-1279). Here he develops a new model for thinking about the deeper structures of governance in Song and pre-imperial China - the 'technocratic-Confucian continuum' - which challenges the prevailing perception of Confucian political dominance and offers a vehicle for expanding the definition and scope of Song political culture to embrace all its actors. Building on his acclaimed work The Making of Song Dynasty History: Sources and Narratives, 960-1279 CE (2021), this richly detailed exploration of the Song court is of significance beyond the immediate period of study both in rethinking the nature of monarchy in China and in examining the constructive possibility of political dissent.

In this ambitious work of political and intellectual history, Charles Hartman surveys the major sources that survive as vestiges of the official dynastic historiography of the Chinese Song dynasty (960-1279). Analyzing the narratives that emerge from these sources as products of Song political discourse, Hartman offers a thorough introduction to the texts and the political circumstances surrounding their compilation. Distilling from these sources a 'grand allegory of Song history', he argues that the narratives embedded within reflect tension between a Confucian model of political institutionalism and the Song court's preference for a non-sectarian, technocratic model. Fundamentally rethinking the corpus of texts that have formed the basis of our understanding of the Song and of imperial China more broadly, this far-reaching account of historiographical process and knowledge production illuminates the relationship between official history writing and political struggle in China.

In this ambitious work of political and intellectual history, Charles Hartman surveys the major sources that survive as vestiges of the official dynastic historiography of the Chinese Song dynasty (960-1279). Analyzing the narratives that emerge from these sources as products of Song political discourse, Hartman offers a thorough introduction to the texts and the political circumstances surrounding their compilation. Distilling from these sources a 'grand allegory of Song history', he argues that the narratives embedded within reflect tension between a Confucian model of political institutionalism and the Song court's preference for a non-sectarian, technocratic model. Fundamentally rethinking the corpus of texts that have formed the basis of our understanding of the Song and of imperial China more broadly, this far-reaching account of historiographical process and knowledge production illuminates the relationship between official history writing and political struggle in China.