Conor Cruise O'brien – författare

"All my life," writes Conor Cruise O'Brien, "I have been fascinated and puzzled by nationalism and religion; by the interaction of the two forces, sometimes in unison, sometimes antagonistic." In these wide-ranging and penetrating essays, O'Brien examines how throughout the world today these age-old forces are once again threatening democracy, the rule of law, and freedom of expression -- particularly in the United States, the nation founded on Enlightenment values. He weaves together beautifully written discussions on these and other timely, related topics. Enlivening his grim predictions with dry wit, he nevertheless conveys an apocalyptic sense of the threats facing democracy as we approach the third millennium.

This is an examination of Thomas Jefferson as both man and icon through the critical lens of the French Revolution. The book offers a provocative analysis of the supreme symbol of American history and political culture and challenges the traditional perceptions of both Jefferson and his legacy.

The first literary phase in the brilliant and protean career of Conor Cruise O'Brien was his work as critic for Dublin literary magazine The Bell, which begat this collection of essays first published in 1952 (under the pseudonym 'Donat O'Donnell', as O'Brien was then a working civil servant). In it, O'Brien set himself to a study of 'the patterns of several exceptionally vivid imaginations which are permeated by Catholicism' - from Graham Greene and Evelyn Waugh to Francois Mauriac and Paul Claudel - and to analyse 'what those patterns might share'. The originality and flair of Maria Cross won O'Brien many vocal admirers, among them Dag Hammarskjöld, cerebral Secretary-General of the United Nations.'A most interesting and at times brilliant book, admirably and wittily written.' New Statesman'One of the most acute and stimulating books of literary criticism to be published for some years.' Spectator

Conor Cruise O'Brien's second book, published in 1957, grew out of the doctoral thesis he had submitted at Dublin's Trinity College that, in 1954, duly earned him his PhD. In Parnell and His Party, 1880-1890, O'Brien applied a finessing scholarly eye to the figure of Charles Stewart Parnell, leader of the Irish Parliamentary Party and formidable proponent of Home Rule whose career was abruptly ruined by the 'Mrs O'Shea' divorce scandal of 1890 that split his party and dominated Irish politics for a generation. For O'Brien this schism was of more than academic interest: his maternal grandfather David Sheehy was among the MPs who repudiated Parnell.'An indispensable classic half a century after its first publication . . . a profound analysis of power and charisma in democratic politics.' Roy Foster, Standpoint'One of the essential books of modern Irish history, a shrewd and clarifying study.' Thomas Flanagan

Arguably Conor Cruise O'Brien's most influential and admired book was this brilliant collection of essays - on history, literature and public affairs - first published in 1965. 'I can still remember the excitement with which I discovered a copy of Writers and Politics, in a provincial library in Devonshire thirty years ago. Nobody who tries to write about either of those subjects, or about "the bloody crossroads" where they have so often met, can disown a debt to the Cruiser.' Christopher Hitchens, London Review of Books'When a liberal can write such pieces as "Mercy and Mercenaries", "Journal de Combat", "Varieties of Anti-Communism", "A New Yorker Critic", and "Generation of Saints", an important voice has returned to our culture.' Raymond Williams, Guardian

Essential reading for old fans and new admirers of Albert Camus' classic quarantine novel THE PLAGUE - a new bestseller amidst the coronavirus pandemic.'Brilliant.' The Times'Joyous ... A unique critical talent.' TLSAlbert Camus is one of the most famous French writers of the twentieth century, a Nobel Laureate celebrated for his classic existentialist novel The Outsider and urgently relevant allegory of a pandemic, The Plague. But what about his controversial attitudes to race, especially his portrayal of Arabs versus Europeans, and French colonialism in Algeria?As provocative and brilliantly argued as it was in 1970, Conor Cruise O'Brien's Camus is a groundbreaking postcolonial critique which revolutionised how Camus was viewed by a new generation.

Written in 1972 in the wake of Bloody Sunday and direct rule, States of Ireland was Conor Cruise O'Brien's searching analysis of contemporary Irish nationalism: part-memoir, part-history, part-polemic.'If The Great Melody (1992) is O'Brien's major academic work, States of Ireland is the one that will endure as a vital moment in Irish intellectual and political history.' Roy Foster, Standpoint'States of Ireland [is] a book which influenced a generation. [O'Brien] saw that partition, while scarcely desirable in itself, recognized the reality of two different communities in the island, and that the Dublin state's formal irredentist claim on Northern Ireland was undemocratic and even imperialistic, as well as insincere. The republican ideology to which most Irish people paid lip service was a shirt of Nessus, he later wrote: "it clings to us and burns".' Geoffrey Wheatcroft, Oxford Dictionary of National Biography

The Suspecting Glance (first published in 1972) collects Conor Cruise O'Brien's four T. S. Eliot Memorial Lectures as delivered at the University of Kent, Canterbury, in November 1969. The lectures were inspired by O'Brien's experience of holding the Albert Schweitzer Chair in Humanities at New York University from 1965-9, and there teaching students in whom he noted burning radical convictions but also a disconcerting 'lack of suspicion in those bright, young eyes'. Whereas to O'Brien's mind the 'suspecting glance' was a mark of political maturity that had to be first directed at one's own opinions prior to decrying another's.Brien's Eliot lectures were, as his friend Frank Callanan noted, a 'corrective gesture' toward his New York experience. In them he considers four writers - Machiavelli, Burke, Nietzsche, Yeats - whom he reads as being 'profoundly aware of the resource and versatility of violence and deception in man, in society, and in themselves'.

In Herod: Reflections on Political Violence (first published in 1978) Conor Cruise O'Brien collects a number of essays alongside three short plays that dramatise political arguments through the infamous figure of the Roman king of Judaea for whom the collection is named.'A great book. In it, O'Brien not only denounces IRA terrorism, as you would expect from a mainstream politician, but - in a sense quite different from the rationalisations offered by ideological apologists for political violence - seeks to understand it. I mean, really understand it - not extenuate it by equivocation and non sequitur. And his thinking leads him to attack the republican mythology at the heart of the Irish state. Few writers have analysed terrorism so acutely or been as effective in undermining its ideological justifications.' Oliver Kamm, from his preface to this edition

'Highly recommended . . . The title of the book reflects its focus: the international, political, religious, social, and diplomatic forces affecting the history of the Jews who identified with Zionism and later with the state of Israel.' Library Journal'As Ireland's representative to United Nations discussions of Palestinian refugees, Conor Cruise O'Brien sat between Israel and Iraq . . . O'Brien now suggests that a solution to Middle East anguish may not even be possible. That so bleak a view is the basis for so enlightening a book can be attributed to the author's capabilities as a historian, journalist and political analyst, not to mention storyteller.' Time'One is hard pressed to recall another [book] which deals in depth with this vast and prickly subject that is as bold or as readable.' Publishers Weekly'It bears the mark of a restless, original, idiosyncratic mind.' Abba Eban, Los Angeles Times'A fine work of scholarship whose analysis stands up well in the light of later events.' Oliver Kamm, from his preface to this edition

Conor Cruise O'Brien's brilliant and hugely controversial 1965 essay on the political convictions of W. B. Yeats is the title-piece for this superb 1988 collection of pieces on politics, religion, nationalism and terrorism.'O'Brien is a man of strong views, and he writes with verve and wit. Agree with him or not, one reads him with enjoyment.' Foreign Affairs'[Passion and Cunning] displays once again [O'Brien's] wonderful range of talents: a beautiful command of the language, gentle wit and coruscating satire, shrewd political judgment and a raking critical power. O'Brien is, moreover, a critic against all-comers, his spiky guns pointing in all directions: woe betide anyone incautious enough to presume that O'Brien is on their 'side'. . . O'Brien believes in all manner of good causes, but his own independence is finally what he cares about most.' R. W. Johnson, London Review of Books

Conor Cruise O'Brien's majestic meditation on the life and writings of Burke was originally published in 1992.'O'Brien [had] been brooding on Edmund Burke for decades. First he worked on a narrative approach and came to a standstill, he knew not why. Then, in the light of much painful observation of the world and its wickedness, he turned to a thematic treatment, inspired by Yeats's elliptic lines: "American colonies, Ireland, France and India / Harried, and Burke's great melody against it." "It", he decided, was the abuse of power.' Paul Johnson, Independent on Sunday'The best book about Edmund Burke ever written . . . It succeeds in liberating this remarkable, tormented and brilliant man from those confusing and confining details of British high political life . . . O'Brien's version of Burke's career is a self-reflective and immensely personal one, but its authenticity penetrates to the core.' Linda Colley, Observer

'A spirited attack on Thomas Jefferson . . . a quietly devastating foray into the scripture of the American Revolution.' Frank Callanan, Irish TimesThomas Jefferson, American Minister to France 1785-9, was an enthusiast for the French Revolution and believed its virtues could be exported back to an America that had waned morally since its own great revolutionary 'moment'. In this conviction Jefferson was both championing a cause and playing good populist politics. But Conor Cruise O'Brien proposes - in this magisterial 1998 work - that Jefferson's own passions waned in the America of the 1790s once French egalitarian ideals ran up against the slave-based Southern economy he supported.'His thesis will seem like heresy to many people in America . . . but O'Brien makes out a good case.' Sunday Telegraph'The Long Affair should be read by anyone interested in Jefferson - or in a good fight.' New York Times Book Review