Ernst Grube – författare
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Ernst Grube's research on Islamic painting over more than three decades has dealt with materials, issues and problems ranging from 10th-century Egypt through Ottoman Turkey to 19th-century Persia. The studies collected in this volume represent the breadth of his scholarship: they collect and lay new materials before the reader, isolate and define schools of painting as thinking about them coalesces, and propose new interpretations of materials already well-known to scholars and students. Most of these studies are reprinted without major alterations, but additional notes at the end make some essential readjustments. Article 5, a study of a drawing on a so-called 'Fustat-Fragment', possibly of 9th-century date, has 50 pages of illustrations of such fragments, not included in the original article and most of them not published before. Professor Grube brings the methodological approach of a Western Medievalist to the study of a primary form of Islamic art. These articles are all essential reading for anyone interested in painting as a major form of art not only in the lands where Islam held sway but also in Late Classical Antiquity, Medieval Europe and Byzantium.
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Although Ernst Grube made the study of painting in the Muslim world a principal concern, he also dealt with other aspects of Islamic art in some depth. Over the last forty years he published a large number of studies dealing with specific materials: metal-work, stucco decoration, textiles, and especially pottery. Of the twelve selected articles from these areas of Professor Grube’s research published in this volume, six are concerned with pottery, one deals with Ilkhanid stucco work as represented in the mausoleum of the Shaykh Muhammad ibn Bakran, near Isfahan, and four deal with the decorative arts of the Timurid period. This last group is accompanied by an extensive bibliography on Timurid decorative arts which should be specially welcome as much of this material is difficult of access and much of it is in Russian.All articles are offered here with both additional notes and a considerably enhanced number of illustrations which greatly adds to the interest and value of the original publications.