Kap Luk Chan – författare

This book constitutes the conference proceedings of the 10th Pacific Rim Symposium on Image and Video Technology, PSIVT 2022, held in Bintan Island, Indonesia, in November 2022.A total of 15 papers were carefully reviewed and selected from 18 submissions. The main conference focuses on theoretical advances or practical implementations in image and video technology.

This book constitutes the conference proceedings of the 10th Pacific Rim Symposium on Image and Video Technology, PSIVT 2022, held in Bintan Island, Indonesia, in November 2022.

A total of 15 papers were carefully reviewed and selected from 18 submissions. The main conference focuses on theoretical advances or practical implementations in image and video technology.

This book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground to background organisation and the depth planes. These are analysed using a range of computational approaches and clear observations are made. New generations of image-capture devices such as Google goggles and the light field camera, promise a future in which the formal attributes of a photograph are made available for editing to a degree that has hitherto been the exclusive territory of painting. In this sense paintings and photographs are converging, and it therefore seems an opportune time to study the comparisons between them. In this context, the book includes cutting-edge work examining how some of the aesthetic attributes of a painting can be transferred to a photograph using the latest computational approaches.

This book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground to background organisation and the depth planes. These are analysed using a range of computational approaches and clear observations are made. New generations of image-capture devices such as Google goggles and the light field camera, promise a future in which the formal attributes of a photograph are made available for editing to a degree that has hitherto been the exclusive territory of painting. In this sense paintings and photographs are converging, and it therefore seems an opportune time to study the comparisons between them. In this context, the book includes cutting-edge work examining how some of the aesthetic attributes of a painting can be transferred to a photograph using the latest computational approaches.