Katharina Rüppell - Böcker
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German-english edition The question of identity has always preoccupied artists. Louisa Clement is no different, her central theme is the human being and the human in the digital. In her art, she starts out from herself, but ventures much further, asking how identity will be shaped in the future and examining forms of transformation. In the series of works Repräsentantinnen (Representatives), she creates AI-equipped, adaptive images of herself, with which visitors can converse. In photographic works, the master pupil of Andreas Gursky continues this examination of the body and its possible optimisations and deals with military legacies under the aspect of transformation. This publication is appearing for an exhibition at the Paula Modersohn-Becker Museum - both artists are united in their search for self-expression, as Paula Modersohn-Becker's Self-portrait on 6th wedding anniversary from 1906 demonstrates in a succinct manner. Look inside https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_human_error_louisa_clement?fr=xKAE9_zU1NQ Louisa Clement (born 1987 in Bonn) completed her studies at the Kunstakademie Düsseldorf in 2015 as a master pupil of Andreas Gursky. She has already exhibited in various institutions and museums, including e.g.: Museum Frieder Burda, Baden-Baden (2022); Casino Luxembourg – Forum d'art contemporain (2022); Ludwig Forum Aachen (2019); Sprengel Museum Hanover (2019) One of today’s most popular young artists Current social issues such as AI, questions about body and self-image, and possibilities of digital storage Exhibition, 2 September 2023 to 21 January 2024, Paula Modersohn-Becker Museum, Bremen
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Edward Hopper’s world-famous paintings articulate an idiosyncratic view of modern life. With his impressive subjects, independent pictorial vocabulary, and virtuoso play of colors, Hopper continues to influence to this day the image of the United States in the first half of the twentieth century. He began his career as an illustrator and became famous around the globe for his oil paintings. They testify to his great interest in the effects of color and his mastery in depicting light and shadow. The Fondation Beyeler is devoting its large exhibition in the spring of 2020 to Hopper’s iconic images of the vast American landscape. The catalogue gathers together all of the paintings, watercolors, and drawings from the 1910s to the 1960s on display in the exhibition, and supplements them with essays focused on the subject of depicting landscape.