Madalina Diaconu – författare

In an age of rife consumption and increasing need for consideration of sustainable social practices, an exploration of the aesthetics of weather from various angles becomes vital in shedding light on its importance to our experience of the changing world.In response, offering the first in-depth and nuanced examination of the aesthetics of weather, this book underlines the relevance the concept has for scientific communication, for fostering sustainable patterns of behaviour and for rejecting the environmentally-damaging “consumption” of landscapes and fine weather. In addition, it provides examples taken from global, contemporary popular culture whilst calling attention to the socioeconomic and political dimensions of individual experience, demonstrating and analysing our fascination with, and cultural interpretations of, weather phenomena in our everyday lives.Within its three sections, the volume reinvents traditional phenomenological methods to create socially, politically and historically embedded ‘phenomenographies’ and explore the importance of aesthetic practices in shaping our experience of weather and climate. It also provides a deeper engagement with general topics, such as the relationship between perception, emotion, imagination, and cognition in our aesthetic experience of the weather, combining these with aesthetic analyses of the so-called “fine weather”.With its broad scope of inquiry ranging from Aristotle to eco-phenomenology, from the pioneers of scientific meteorology to contemporary art, and from everyday aesthetics to geoengineering, this book argues that an aesthetics of weather inflected by greater knowledge and the taking of a critical stance towards aestheticism can become a valuable ally to climate ethics in the Anthropocene.

In an age of rife consumption and increasing need for consideration of sustainable social practices, an exploration of the aesthetics of weather from various angles becomes vital in shedding light on its importance to our experience of the changing world.In response, offering the first in-depth and nuanced examination of the aesthetics of weather, this book underlines the relevance the concept has for scientific communication, for fostering sustainable patterns of behaviour and for rejecting the environmentally-damaging “consumption” of landscapes and fine weather. In addition, it provides examples taken from global, contemporary popular culture whilst calling attention to the socioeconomic and political dimensions of individual experience, demonstrating and analysing our fascination with, and cultural interpretations of, weather phenomena in our everyday lives.Within its three sections, the volume reinvents traditional phenomenological methods to create socially, politically and historically embedded ‘phenomenographies’ and explore the importance of aesthetic practices in shaping our experience of weather and climate. It also provides a deeper engagement with general topics, such as the relationship between perception, emotion, imagination, and cognition in our aesthetic experience of the weather, combining these with aesthetic analyses of the so-called “fine weather”.With its broad scope of inquiry ranging from Aristotle to eco-phenomenology, from the pioneers of scientific meteorology to contemporary art, and from everyday aesthetics to geoengineering, this book argues that an aesthetics of weather inflected by greater knowledge and the taking of a critical stance towards aestheticism can become a valuable ally to climate ethics in the Anthropocene.

In an age of rife consumption and increasing need for consideration of sustainable social practices, an exploration of the aesthetics of weather from various angles becomes vital in shedding light on its importance to our experience of the changing world. In response, offering the first in-depth and nuanced examination of the aesthetics of weather, this book underlines the relevance the concept has for scientific communication, for fostering sustainable patterns of behaviour and for rejecting the environmentally-damaging “consumption” of landscapes and fine weather. In addition, it provides examples taken from global, contemporary popular culture whilst calling attention to the socioeconomic and political dimensions of individual experience, demonstrating and analysing our fascination with, and cultural interpretations of, weather phenomena in our everyday lives.Within its three sections, the volume reinvents traditional phenomenological methods to create socially, politically and historically embedded ''phenomenographies'' and explore the importance of aesthetic practices in shaping our experience of weather and climate. It also provides a deeper engagement with general topics, such as the relationship between perception, emotion, imagination, and cognition in our aesthetic experience of the weather, combining these with aesthetic analyses of the so-called “fine weather”. With its broad scope of inquiry ranging from Aristotle to eco-phenomenology, from the pioneers of scientific meteorology to contemporary art, and from everyday aesthetics to geoengineering, this book argues that an aesthetics of weather inflected by greater knowledge and the taking of a critical stance towards aestheticism can become a valuable ally to climate ethics in the Anthropocene.

In an age of rife consumption and increasing need for consideration of sustainable social practices, an exploration of the aesthetics of weather from various angles becomes vital in shedding light on its importance to our experience of the changing world. In response, offering the first in-depth and nuanced examination of the aesthetics of weather, this book underlines the relevance the concept has for scientific communication, for fostering sustainable patterns of behaviour and for rejecting the environmentally-damaging “consumption” of landscapes and fine weather. In addition, it provides examples taken from global, contemporary popular culture whilst calling attention to the socioeconomic and political dimensions of individual experience, demonstrating and analysing our fascination with, and cultural interpretations of, weather phenomena in our everyday lives.Within its three sections, the volume reinvents traditional phenomenological methods to create socially, politically and historically embedded ''phenomenographies'' and explore the importance of aesthetic practices in shaping our experience of weather and climate. It also provides a deeper engagement with general topics, such as the relationship between perception, emotion, imagination, and cognition in our aesthetic experience of the weather, combining these with aesthetic analyses of the so-called “fine weather”. With its broad scope of inquiry ranging from Aristotle to eco-phenomenology, from the pioneers of scientific meteorology to contemporary art, and from everyday aesthetics to geoengineering, this book argues that an aesthetics of weather inflected by greater knowledge and the taking of a critical stance towards aestheticism can become a valuable ally to climate ethics in the Anthropocene.

The purpose of this work is to assess the current regulation of international trade in gambling services. Departing from different national definitions, “gambling”represents, in this study, all services which involve wagering a stake with monetary value in uncertain events driven (at least partially) by chance, including lotteries, casino and betting transactions. International trade” of such services implies that the provider, the beneficiary or the service itself must cross a national border. Therefore, notwithstanding a brief evocation of selected national legal frameworks on five continents, this research has striven to focus on international regulations governing – principally or incidentally –provision of such services. In this context, Internet-provided gambling services were granted special attention. To this purpose, this work has been constructed in an Introduction and two main parts. The Introduction lays the basic frame by exposing the historical, economic and legal background surrounding games of chance in numerous countries on the five continents, which are essentially divided into “gambling – restrictive” or “gambling – liberal” jurisdictions. It also gives a definition of “gambling” services in this study, and it endeavors to classify such services in different categories (lotteries, betting, casino-type gambling, other types including media gambling and sales promotion services, examined from a “land-based” or “remote” perspective). The First Part (Global Trade in Gambling Services) is dedicated to international instruments regulating trade in services with a global reach. It is further divided in two main subparts, as unequal in importance as the instruments they analyze. The first relates to the prominent General Agreement on Trade in Services (GATS), signed by 153 countries under the auspices of the World Trade Organization. The second, more modest, examines the services liberalization framework established by the Organization for Economic Co-operation and Development (OECD) for its 30 member countries. The Second Part (Regional Trade in Gambling Services) scrutinizes gambling trade with a regional vocation. To this purpose, it analyzes the framework of the most successful preferential trade agreements to date, which have created a closer cooperation with respect to services between regional partners. This part is thus further divided in subparts dedicated to the following integrated trade areas: the European Union (EU), the European Free Trade Agreement (EFTA), the North American Free Trade Agreement (NAFTA), the Central American Free Trade