No&#235l Carroll – författare

Pack includes 2 titles from the popular Blackwell Philosophy Anthologies Series:Philosophy of Literature: Contemporary and Classic Readings - An AnthologyEdited by Eileen John and Dominic McIver LopesISBN: 9781405112086Essential readings in the philosophy of literature are brought together for the first time in this anthology. Contains forty-five substantial and carefully chosen essays and extractsProvides a balanced and coherent overview of developments in the field during the past thirty years, including influential work on fiction, interpretation, metaphor, literary value, and the definition and ontology of literatureIncludes an additional historical section featuring generous selections of the writings of early pioneers such as Plato, Aristotle, Nietzsche, and HumeServes as an ideal introduction to the philosophy of literature or the philosophy of art, as well as a handy compilation of contributions to the field by its leading figuresPhilosophy of Film and Motion Pictures: An AnthologyEdited by Noël Carroll and Jinhee ChoiISBN: 9781405120272Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theoryEight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and moralityIssues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornographyReplete with examples and discussion of moving pictures throughout

Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with illustrative examples including works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels, and suspense films.

Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with illustrative examples including works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels, and suspense films.

Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examplesExplores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address

Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examplesExplores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address

Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theoryEight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and moralityIssues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornographyReplete with examples and discussion of moving pictures throughout

Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theoryEight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and moralityIssues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornographyReplete with examples and discussion of moving pictures throughout

Utilizing a series of essays examining the broad philosophical concepts embedded in Rod Serling's series, The Twilight Zone, Philosophy in The Twilight Zone provides a platform for further philosophical discussion. Features essays by eminent contemporary philosophers concerning the over-arching themes in The Twilight Zone, as well as in-depth discussions of particular episodesFuses popular cult entertainment with classical philosophical perspectivesActs as a guide to unearthing larger questions - from human nature to the nature of reality and beyond - posed in the seriesIncludes substantial critical and biographical information on series creator Rob Serling

Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film.

The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film''s relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography Replete with examples and discussion of moving pictures throughout

COMEDY INCARNATE COMEDY INCARNATEBuster Keaton, Physical Humor and Bodily Coping “Buster Keaton was an engineer of the comic, a craftsman of gags, a mechanic of humor. While Carroll does not aspire to be as funny as Keaton, he can match (and follow) him in intricate and brilliant analysis, providing a logic of illogic. A book that will change how we think about slapstick and film style.”Tom Gunning, University of Chicago “Comedy Incarnate is a brilliant, inventive and lucid examination of Buster Keaton’s The General. Through close textual analysis, Carroll opens up a wide expanse of historical and theoretical territory – positioning The General in relation to the writings of Merleau-Ponty, Bergson, and Poulet, as well as to the films of Chaplin, Lloyd, and Langdon.”Lucy Fischer, University of Pittsburgh “Building on Keaton’s directorial practice as a sort of civil engineer who engaged a mechanical universe, Carroll . . . investigates how Keaton’s emphasis on gags and their intelligibility characterize the film in specific ways. In so doing he opens up an understanding of how Keaton’s comedy of body intelligence works, especially in contrast to contemporaries like Charlie Chaplin and Harold Lloyd, and he shows how intelligence – the artist’s and the viewer’s – informs laughter.”CHOICE Comedy Incarnate explores the intricacies of Buster Keaton’s unique visual style to discover what provokes laughter in his timeless films, paying special attention to The General. Keaton’s precise body comedy, coupled with his unconventional directorial decisions, suggests a new way of analyzing the film in terms of its visual elements as opposed to its narrative. Written by one of America’s foremost film theorists, this in-depth examination of the comedy of the steam, steel, and railroad era will provide a fresh vantage point for analysis of film and comedy itself.

COMEDY INCARNATE

COMEDY INCARNATEBuster Keaton, Physical Humor and Bodily Coping

“Buster Keaton was an engineer of the comic, a craftsman of gags, a mechanic of humor. While Carroll does not aspire to be as funny as Keaton, he can match (and follow) him in intricate and brilliant analysis, providing a logic of illogic. A book that will change how we think about slapstick and film style.”Tom Gunning, University of Chicago

“Comedy Incarnate is a brilliant, inventive and lucid examination of Buster Keaton’s The General. Through close textual analysis, Carroll opens up a wide expanse of historical and theoretical territory – positioning The General in relation to the writings of Merleau-Ponty, Bergson, and Poulet, as well as to the films of Chaplin, Lloyd, and Langdon.”Lucy Fischer, University of Pittsburgh

“Building on Keaton’s directorial practice as a sort of civil engineer who engaged a mechanical universe, Carroll . . . investigates how Keaton’s emphasis on gags and their intelligibility characterize the film in specific ways. In so doing he opens up an understanding of how Keaton’s comedy of body intelligence works, especially in contrast to contemporaries like Charlie Chaplin and Harold Lloyd, and he shows how intelligence – the artist’s and the viewer’s – informs laughter.”CHOICE

Comedy Incarnate explores the intricacies of Buster Keaton’s unique visual style to discover what provokes laughter in his timeless films, paying special attention to The General. Keaton’s precise body comedy, coupled with his unconventional directorial decisions, suggests a new way of analyzing the film in terms of its visual elements as opposed to its narrative. Written by one of America’s foremost film theorists, this in-depth examination of the comedy of the steam, steel, and railroad era will provide a fresh vantage point for analysis of film and comedy itself.

COMEDY INCARNATE COMEDY INCARNATEBuster Keaton, Physical Humor and Bodily Coping “Buster Keaton was an engineer of the comic, a craftsman of gags, a mechanic of humor. While Carroll does not aspire to be as funny as Keaton, he can match (and follow) him in intricate and brilliant analysis, providing a logic of illogic. A book that will change how we think about slapstick and film style.”Tom Gunning, University of Chicago “Comedy Incarnate is a brilliant, inventive and lucid examination of Buster Keaton’s The General. Through close textual analysis, Carroll opens up a wide expanse of historical and theoretical territory – positioning The General in relation to the writings of Merleau-Ponty, Bergson, and Poulet, as well as to the films of Chaplin, Lloyd, and Langdon.”Lucy Fischer, University of Pittsburgh “Building on Keaton’s directorial practice as a sort of civil engineer who engaged a mechanical universe, Carroll . . . investigates how Keaton’s emphasis on gags and their intelligibility characterize the film in specific ways. In so doing he opens up an understanding of how Keaton’s comedy of body intelligence works, especially in contrast to contemporaries like Charlie Chaplin and Harold Lloyd, and he shows how intelligence – the artist’s and the viewer’s – informs laughter.”CHOICE Comedy Incarnate explores the intricacies of Buster Keaton’s unique visual style to discover what provokes laughter in his timeless films, paying special attention to The General. Keaton’s precise body comedy, coupled with his unconventional directorial decisions, suggests a new way of analyzing the film in terms of its visual elements as opposed to its narrative. Written by one of America’s foremost film theorists, this in-depth examination of the comedy of the steam, steel, and railroad era will provide a fresh vantage point for analysis of film and comedy itself.

Utilizing a series of essays examining the broad philosophical concepts embedded in Rod Serling''s series, The Twilight Zone, Philosophy in The Twilight Zone provides a platform for further philosophical discussion. Features essays by eminent contemporary philosophers concerning the over-arching themes in The Twilight Zone, as well as in-depth discussions of particular episodes Fuses popular cult entertainment with classical philosophical perspectives Acts as a guide to unearthing larger questions - from human nature to the nature of reality and beyond - posed in the series Includes substantial critical and biographical information on series creator Rob Serling

In Comedy Incarnate, Noel Carroll surveys the characteristics of Buster Keaton's unique visual style, to reveal the distinctive experience of watching Keaton's films. * Bold and provocative thesis written by one of America's foremost film theorists * Takes a unique look at the philosophies behind Keaton's style * Weighs visual elements over narrative form in the analysis of the Keaton's work * Provides a fresh vantage point for analysis of film and comedy itself