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The American police novel emerged soon after World War II and by the end of the century it was one of the most important forms of American crime fiction. The vogue for either Holmesian genius or the plucky amateur detective dominated mystery fiction until mid-century; the police hero offered a way to make the traditional mystery story contemporary. The police novel reflects sociology and history, and addresses issues tied to the police force, such as corruption, management, and brutality. Since the police novel reflects current events, the changing natures of crime, court procedures, and legislation have an impact on its plots and messages. An examination of the police novel covers both the evolution of a genre of fiction and American culture in general.

This work traces the emergence of the police officer as hero and the police novel as a significant popular genre, from the cameo appearances of police in detective novels of the 1930s and 1940s through the serial killer and forensic novels of the 1990s. It follows the ways in which professional writers and police officers turned writers view the police individually and collectively. The work chronicles the ways in which changes in the law and society have affected the actions of the police and shows how the protagonists of police novels have changed in gender, race, nationality, sexual orientation, and age over the years. The major writers examined begin with Julian Hawthorne in the nineteenth century, and include such writers as S.S. van Dine, Ellery Queen, Erle Stanley Gardner, Ed McBain, Chester Himes, MacKinley Kantor, Hillary Waugh, Dorothy Uhnak, Joseph Wambaugh, Bob Leuci, W.E.B. Griffin, and Carol O''Connor.

Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public''s hunger for a yarn.

Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes.

Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction.

Instructors considering this book for use in a course may request an examination copy here.

Traditionally, the history of detective stories as a literary genre begins in the 19th century with the works of Edgar Allan Poe, Charles Dickens, Wilkie Collins, Emile Gaboriau and a handful of other writers. The 19th century was actually awash in detective stories, though many, like the so-called detective notebooks, are so rare that they lay beyond the reach of even the most dedicated readers. This volume surveys the first 50 years of the detective story in 19th century America and England, examining not only major works, but also the lesser known--including contemporary pseudo-biographies, magazines, story papers, and newspapers--only recently accessible through new media. By rewriting the history of the mystery genre, this study opens up new avenues for literary exploration.

Instructors considering this book for use in a course may request an examination copy here.

The appearance of Sherlock Holmes in The Strand Magazine in 1891 began a stampede of writers who wanted to emulate, build upon or even satirize Arthur Conan Doyle''s work. This book explores the development of detective fiction during the critical period between Conan Doyle''s creation of Holmes and the advent of the Golden Age of the detective story during World War I. Both British and American detective writers of the period are surveyed--as well as writers who turned to gentleman burglars and master criminals.

Until recently, only a privileged few could read the rare, early writings that formed the basis of detective fiction in America and made it one of the most popular literary genres of the 19th century. Drawing on the unprecedented access provided by digital collections of period newspapers and magazines, this book examines detective fiction during its formative years, focusing on such crucial elements as setting, lawyers and the law, physicians and forensics, women as victims and heroes, crime and criminals, and police and detectives.