Patrick Kragelund – författare

The Octavia is the only surviving historical drama from ancient Rome. With a plot rich in sex, dynastic intrigue, riots, and murder, the play''s characters include the philosopher Seneca, the emperor Nero, the ghost of his murdered mother, his wife Octavia, and his mistress and empress-to-be Poppaea. For centuries dismissed as a feeble, rhetorically overblown closet-drama written without consideration for the demands of plot or stage, the Octavia''sdynamic changes of time and setting, its startling interplay of the verbal and visual, and its integration of issues pervading the politics of the period in which it was written, reflect scenic conventions and a notion of the dramatic that radically transforms and expands our knowledge of ancient theatre and the Romanstage.Roman Historical Drama is the first comprehensive interpretation of ancient historical drama in relation to this exciting play, revealing how the Octavia mirrors the genre''s traditions by mixing formats and stock characters from traditional tragedy with elements drawn from new developments of the Hellenistic and Roman stage. The volume explores the role and impact of historical (and political) drama in Rome, offering a pioneering reading of the Octavia in relation toancient performance practice, as well as to the politics of those who in AD 68 brought down the tyrant Nero. In its final section, the volume provides a panoramic survey of the revival and reinvention of classical tragedy in the Renaissance period, tracing the impact of the Octavia from Italy through France to ElizabethanEngland.

The Octavia is the only surviving historical drama from ancient Rome. With a plot rich in sex, dynastic intrigue, riots, and murder, the play's characters include the philosopher Seneca, the emperor Nero, the ghost of his murdered mother, his wife Octavia, and his mistress and empress-to-be Poppaea. For centuries dismissed as a feeble, rhetorically overblown closet-drama written without consideration for the demands of plot or stage, the Octavia's dynamic changes of time and setting, its startling interplay of the verbal and visual, and its integration of issues pervading the politics of the period in which it was written, reflect scenic conventions and a notion of the dramatic that radically transforms and expands our knowledge of ancient theatre and the Roman stage.Roman Historical Drama is the first comprehensive interpretation of ancient historical drama in relation to this exciting play, revealing how the Octavia mirrors the genre's traditions by mixing formats and stock characters from traditional tragedy with elements drawn from new developments of the Hellenistic and Roman stage. The volume explores the role and impact of historical (and political) drama in Rome, offering a pioneering reading of the Octavia in relation to ancient performance practice, as well as to the politics of those who in AD 68 brought down the tyrant Nero. In its final section, the volume provides a panoramic survey of the revival and reinvention of classical tragedy in the Renaissance period, tracing the impact of the Octavia from Italy through France to Elizabethan England.

This book chronicles the 1606 diary of Christian IV's historic journey to England, providing a detailed, day-by-day account (July 13–August 11) of a visit that profoundly influenced Danish architectural history. Inspired by his experiences, Christian IV would go on to design the magnificent Frederiksborg Castle.The scholarly edition features a rigorous analysis of the manuscripts, authorship, and related contemporary sources. It includes an English translation alongside the original Danish texts and is enriched by twenty commentary sections exploring topics of particular interest. The publication is beautifully illustrated, complemented by maps and detailed indexes of people and places for easy reference.Aimed at history enthusiasts, this publication is a must-read for anyone captivated by Christian IV's unparalleled influence on Danish art, architecture, and history. His reign remains a cornerstone of Denmark's cultural heritage, and this new primary source promises to ignite curiosity both at home and abroad.

A semiotic interpretation of the dreams of Aeneas and Turnus.

Painter Nicolai Abildgaard (1743-1809) is the only Danish artist of the 18th century to obtain a position in the European art history of the period. His works range from the Pre-Romantic sublime to Enlightenment history painting, anonymous satire and Neo-Classical allegory. This book studies Abildgaard's oeuvre.