Patrick O'Connor – författare

The faces of Che, Frida, Evita, Carmen Miranda, and other icons represent Latin America both to a global public that sees these faces constantly reproduced, and to Latin Americans themselves. They enter the circulation machines of Hollywood, or work as nostalgic definitions of a nation, or define a post-national condition. They become stereotypes as they go global, and the often melodramatic stories that cling to them give them a different sort of power than the one they had in their original contexts. Latin American Icons, from critics both in the United States and in Latin America, ask these faces questions; they describe the technologies and propaganda machines, whether the newspapers of Revolutionary Mexico (or Paris and New York) or the movie studios of Argentina and Mexico, which gave them power in their local context; and they return their original histories to those faces that have become abstract symbols of The Rebel or The Spitfire or The Tortured Artist. In equal parts idolatry and iconoclasm, Latin American Icons recognises and interrogates those Latin Americans who have become larger than life. In trying to understand the meaning of iconic figures in modern Latin America, this volume ranges across every realm of political and cultural life - populist politicos, jet-setting ambassador-playboys, soccer players and superstars - to examine the complex play at work in the making and re-making of celebrities within and across national borders.

The faces of Che, Frida, Evita, Carmen Miranda, and other icons represent Latin America both to a global public that sees these faces constantly reproduced, and to Latin Americans themselves. They enter the circulation machines of Hollywood, or work as nostalgic definitions of a nation, or define a post-national condition. They become stereotypes as they go global, and the often melodramatic stories that cling to them give them a different sort of power than the one they had in their original contexts. Latin American Icons, from critics both in the United States and in Latin America, ask these faces questions; they describe the technologies and propaganda machines, whether the newspapers of Revolutionary Mexico (or Paris and New York) or the movie studios of Argentina and Mexico, which gave them power in their local context; and they return their original histories to those faces that have become abstract symbols of The Rebel or The Spitfire or The Tortured Artist. In equal parts idolatry and iconoclasm, Latin American Icons recognises and interrogates those Latin Americans who have become larger than life. In trying to understand the meaning of iconic figures in modern Latin America, this volume ranges across every realm of political and cultural life - populist politicos, jet-setting ambassador-playboys, soccer players and superstars - to examine the complex play at work in the making and re-making of celebrities within and across national borders.

Derrida: Profanations presents a re-appraisal of Jacques Derrida's deconstruction. If philosophy articulates what it means to be human, then deconstruction, which Patrick O'Connor argues consigns all existence to a mortal, profane and worldly life remains radically philosophical. The assertion demands an analysis of Derrida's radicalisation of the key philosophers who influenced him, as well as a rebuttal of theological accounts of deconstruction. This book closely examines how the phenomenological lineage is received in deconstruction, especially the relation between deconstruction and Derrida's radical readings of Hegel, Husserl, Levinas and Heidegger. This book presents a theorisation of deconstruction as profane, atheistic and egalitarian. It reveals how deconstruction holds the resources to think ontology as a multiplicity of worlds through demonstrates the ways in which Derrida expresses a phenomenology' which disjoints humans' orientation to the world. Deconstruction is characterized as radically hubristic. For deconstruction, nothing is sacred. If nothing sustains itself as separate, exclusive or sacrosanct, then nothing can sustain the implementation of its own hierarchy.

Derrida: Profanations presents a re-appraisal of Jacques Derrida's deconstruction. If philosophy articulates what it means to be human, then deconstruction, which Patrick O Connor argues consigns all existence to a mortal, profane and worldly life remains radically philosophical. The assertion demands an analysis of Derrida's radicalisation of the key philosophers who influenced him, as well as a rebuttal of theological accounts of deconstruction. This book closely examines how the phenomenological lineage is received in deconstruction, especially the relation between deconstruction and Derrida's radical readings of Hegel, Husserl, Levinas and Heidegger. This book presents a theorisation of deconstruction as profane, atheistic and egalitarian. It reveals how deconstruction holds the resources to think ontology as a multiplicity of worlds through demonstrates the ways in which Derrida expresses a phenomenology which disjoints humans orientation to the world. Deconstruction is characterized as radically hubristic. For deconstruction, nothing is sacred. If nothing sustains itself as separate, exclusive or sacrosanct, then nothing can sustain the implementation of its own hierarchy.

This book explores Cormac McCarthy’s literature (novels, plays, screenplays, philosophical essays and unpublished archive material) to uncover a distinct literary philosophy. More specifically, this study elucidates how McCarthy articulates a philosophical perspective which pivots on philosophical themes of mortality, the political, education, nihilism, materialism and language. Tracing these themes from the publication of his earliest novels to his most recent philosophical essays, this book argues that McCarthy offers a unique synthesis of spiritual, ethical and materialist concerns, the understanding of which is essential for coming to terms with his literature.

Explains Cormac McCarthy's consistent philosophical preoccupations across the span of his literary outputProvides a vital interpretive framework for understanding Cormac McCarthy's literary and philosophical perspectivesOffers a systematic study of distinctly philosophical themes present in Cormac McCarthy's workAnalyses how Cormac McCarthy offers a unique synthesis of metaphysical and materialist themesExplains the intersection of philosophical and literary themes in McCarthy's work in an accessible wayThis book explores Cormac McCarthy's literature (novels, plays, screenplays, philosophical essays and unpublished archive material) to uncover a distinct literary philosophy. More specifically, this study elucidates how McCarthy articulates a philosophical perspective which pivots on philosophical themes of mortality, the political, education, nihilism, materialism and language. Tracing these themes from the publication of his earliest novels to his most recent philosophical essays, this book argues that McCarthy offers a unique synthesis of spiritual, ethical and materialist concerns, the understanding of which is essential for coming to terms with his literature.

Empire, Capitalism, and Democracy: The Early American Experience documents the history of the United States from the opening of the Atlantic World to the post-Civil War era. Featuring a curated collection of primary sources, the text illustrates three interdependent forces that animated the history of early America: empire, capitalism, and democracy.Part I explores the origins of European contact with America, Indigenous civilizations, and the Atlantic slave trade. In Part II, sources address American independence from British rule, early ideas of liberty and equality, the creation of the U.S. Constitution, and the first years of American government. The final part speaks to key issues that divided Americans in the nineteenth century, including market revolution, slavery, western expansion, and ideas of freedom and democracy after the Civil War.The second edition features an increased focus on Indigenous experiences and includes 10 new readings. The book also includes fully updated introductions for each chapter.Accessible and enlightening, Empire, Capitalism, and Democracy is an ideal collection for foundational courses in U.S. history.