R. N. Sandberg – författare

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. This volume in the Global Theatre Perspectives series presents a reconstructed ancient performance text, four one-act indigenous African plays and five modern dramas from various regions of Africa and the Caribbean Diaspora. Because these plays span centuries and are the work of artists from diverse cultures, readers can see elements that occur across time and space. Physicalized ritual, direct interaction with spectators, improvisation, music, drumming, and metaphorical animal characters help create the theatrical forms in multiple plays. Recurring themes include the establishment or challenging of political authority, the oppression or corruption of government, societal expectations based on gender, the complex and transformational nature of identity, and the power of dreams. Though each play is its own unique entity, reading them together allows readers to explore what theatrical elements and cultural concerns are perhaps essentially African. The Caribbean plays add further perspective to the questions of what values, theatrical and societal, are part of African drama, how these have influenced the Caribbean aesthetic, and what the relationships are between the old and new world. Among the creators of the pieces are two Nobel Laureates, those who have been exiled or jailed for the political nature of their work, and the author of his country’s first constitution. The volume can serve as the primary text for an intensive semester-long investigation of African drama and culture. But it is also possible to use this volume along with others in the series as texts for a single course on drama from around the world. The global perspectives approach, letting works from ancient, indigenous, and modern times resonate with each other, encourages thinking across boundaries and connective human understanding.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. This volume in the Global Theatre Perspectives series presents a reconstructed ancient performance text, four one-act indigenous African plays and five modern dramas from various regions of Africa and the Caribbean Diaspora. Because these plays span centuries and are the work of artists from diverse cultures, readers can see elements that occur across time and space. Physicalized ritual, direct interaction with spectators, improvisation, music, drumming, and metaphorical animal characters help create the theatrical forms in multiple plays. Recurring themes include the establishment or challenging of political authority, the oppression or corruption of government, societal expectations based on gender, the complex and transformational nature of identity, and the power of dreams. Though each play is its own unique entity, reading them together allows readers to explore what theatrical elements and cultural concerns are perhaps essentially African. The Caribbean plays add further perspective to the questions of what values, theatrical and societal, are part of African drama, how these have influenced the Caribbean aesthetic, and what the relationships are between the old and new world. Among the creators of the pieces are two Nobel Laureates, those who have been exiled or jailed for the political nature of their work, and the author of his country’s first constitution. The volume can serve as the primary text for an intensive semester-long investigation of African drama and culture. But it is also possible to use this volume along with others in the series as texts for a single course on drama from around the world. The global perspectives approach, letting works from ancient, indigenous, and modern times resonate with each other, encourages thinking across boundaries and connective human understanding.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. This volume in the Global Theatre Perspectives series presents a reconstructed ancient performance text, four one-act indigenous African plays and five modern dramas from various regions of Africa and the Caribbean Diaspora. Because these plays span centuries and are the work of artists from diverse cultures, readers can see elements that occur across time and space. Physicalized ritual, direct interaction with spectators, improvisation, music, drumming, and metaphorical animal characters help create the theatrical forms in multiple plays. Recurring themes include the establishment or challenging of political authority, the oppression or corruption of government, societal expectations based on gender, the complex and transformational nature of identity, and the power of dreams. Though each play is its own unique entity, reading them together allows readers to explore what theatrical elements and cultural concerns are perhaps essentially African. The Caribbean plays add further perspective to the questions of what values, theatrical and societal, are part of African drama, how these have influenced the Caribbean aesthetic, and what the relationships are between the old and new world. Among the creators of the pieces are two Nobel Laureates, those who have been exiled or jailed for the political nature of their work, and the author of his country''s first constitution. The volume can serve as the primary text for an intensive semester-long investigation of African drama and culture. But it is also possible to use this volume along with others in the series as texts for a single course on drama from around the world. The global perspectives approach, letting works from ancient, indigenous, and modern times resonate with each other, encourages thinking across boundaries and connective human understanding.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. This volume in the Global Theatre Perspectives series presents a reconstructed ancient performance text, four one-act indigenous African plays and five modern dramas from various regions of Africa and the Caribbean Diaspora. Because these plays span centuries and are the work of artists from diverse cultures, readers can see elements that occur across time and space. Physicalized ritual, direct interaction with spectators, improvisation, music, drumming, and metaphorical animal characters help create the theatrical forms in multiple plays. Recurring themes include the establishment or challenging of political authority, the oppression or corruption of government, societal expectations based on gender, the complex and transformational nature of identity, and the power of dreams. Though each play is its own unique entity, reading them together allows readers to explore what theatrical elements and cultural concerns are perhaps essentially African. The Caribbean plays add further perspective to the questions of what values, theatrical and societal, are part of African drama, how these have influenced the Caribbean aesthetic, and what the relationships are between the old and new world. Among the creators of the pieces are two Nobel Laureates, those who have been exiled or jailed for the political nature of their work, and the author of his country''s first constitution. The volume can serve as the primary text for an intensive semester-long investigation of African drama and culture. But it is also possible to use this volume along with others in the series as texts for a single course on drama from around the world. The global perspectives approach, letting works from ancient, indigenous, and modern times resonate with each other, encourages thinking across boundaries and connective human understanding.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures.India's dramatic literature demonstrates extraordinary range, depth, and sophistication. Thousands of years ago the theory and practice of how to make theatre was detailed in the Natyashastra. As a result, powerful plays were written; and, over time, a multiplicity of theatrical cultures have developed.Examining recurring themes such as the misuse of authority, the oppressive caste practices, the expression and legitimacy of romantic love, societal gender expectations, and the search for meaning in seemingly empty or destructive human endeavours, this anthology threads together diverse cultures, drawing connections across space and time. Though each play is its own unique entity, exploring them together allows readers to consider what theatrical techniques and cultural concerns may be significant aspects of Indian drama.Featuring work by the first Asian Nobel Laureate, acclaimed political writers, and a female gynaecologist who created startling drama from the women she had encountered, the range of playwrights speaks to the cultural diversity of the drama: with plays ranging from classical Sanskrit drama through major works from the beginning to the end of the 20th Century.Through taking an international perspective, Global Theatre Anthologies draws together work from ancient, indigenous, and modern times, encouraging thinking across boundaries and questioning what theatrical and societal values are part of India drama,, and what the relationships are between the old and new world.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures.India's dramatic literature demonstrates extraordinary range, depth, and sophistication. Thousands of years ago the theory and practice of how to make theatre was detailed in the Natyashastra. As a result, powerful plays were written; and, over time, a multiplicity of theatrical cultures have developed.Examining recurring themes such as the misuse of authority, the oppressive caste practices, the expression and legitimacy of romantic love, societal gender expectations, and the search for meaning in seemingly empty or destructive human endeavours, this anthology threads together diverse cultures, drawing connections across space and time. Though each play is its own unique entity, exploring them together allows readers to consider what theatrical techniques and cultural concerns may be significant aspects of Indian drama.Featuring work by the first Asian Nobel Laureate, acclaimed political writers, and a female gynaecologist who created startling drama from the women she had encountered, the range of playwrights speaks to the cultural diversity of the drama: with plays ranging from classical Sanskrit drama through major works from the beginning to the end of the 20th Century.Through taking an international perspective, Global Theatre Anthologies draws together work from ancient, indigenous, and modern times, encouraging thinking across boundaries and questioning what theatrical and societal values are part of India drama,, and what the relationships are between the old and new world.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. India''s dramatic literature demonstrates extraordinary range, depth, and sophistication. Thousands of years ago the theory and practice of how to make theatre was detailed in the Natyashastra. As a result, powerful plays were written; and, over time, a multiplicity of theatrical cultures have developed. Examining recurring themes such as the misuse of authority, the oppressive caste practices, the expression and legitimacy of romantic love, societal gender expectations, and the search for meaning in seemingly empty or destructive human endeavours, this anthology threads together diverse cultures, drawing connections across space and time. Though each play is its own unique entity, exploring them together allows readers to consider what theatrical techniques and cultural concerns may be significant aspects of Indian drama. Featuring work by the first Asian Nobel Laureate, acclaimed political writers, and a female gynaecologist who created startling drama from the women she had encountered, the range of playwrights speaks to the cultural diversity of the drama: with plays ranging from classical Sanskrit drama through major works from the beginning to the end of the 20th Century. Through taking an international perspective, Global Theatre Anthologies draws together work from ancient, indigenous, and modern times, encouraging thinking across boundaries and questioning what theatrical and societal values are part of India drama,, and what the relationships are between the old and new world.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. India''s dramatic literature demonstrates extraordinary range, depth, and sophistication. Thousands of years ago the theory and practice of how to make theatre was detailed in the Natyashastra. As a result, powerful plays were written; and, over time, a multiplicity of theatrical cultures have developed. Examining recurring themes such as the misuse of authority, the oppressive caste practices, the expression and legitimacy of romantic love, societal gender expectations, and the search for meaning in seemingly empty or destructive human endeavours, this anthology threads together diverse cultures, drawing connections across space and time. Though each play is its own unique entity, exploring them together allows readers to consider what theatrical techniques and cultural concerns may be significant aspects of Indian drama. Featuring work by the first Asian Nobel Laureate, acclaimed political writers, and a female gynaecologist who created startling drama from the women she had encountered, the range of playwrights speaks to the cultural diversity of the drama: with plays ranging from classical Sanskrit drama through major works from the beginning to the end of the 20th Century. Through taking an international perspective, Global Theatre Anthologies draws together work from ancient, indigenous, and modern times, encouraging thinking across boundaries and questioning what theatrical and societal values are part of India drama,, and what the relationships are between the old and new world.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. The third volume in the Global Theatre Anthologies series presents six of the most iconic classical and modern plays from China. By exploring the older works alongside important pieces from across the modern period, students gain insight to the theatrical and cultural values that seem to be foundational to Chinese drama. The volume makes use of a range of rich dramatic literature available to English language readers to show the many different ways theatre is conceived and operates around the world. Together the plays reveal how techniques and themes play out through particular theatrical cultures, stimulating students’ critical thinking and untapped imagination. With introductions to each play and an overall contextual essay, this volume can serve as the primary text for an intensive semester-long investigation of Chinese drama and culture. It is also possible to use the collection alongside others in the series as texts for a single course on global theatre and theatre-in-translation.The global perspectives approach of letting classical and modern works resonate with each other encourages thinking across boundaries and connective human understanding.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. The third volume in the Global Theatre Anthologies series presents six of the most iconic classical and modern plays from China. By exploring the older works alongside important pieces from across the modern period, students gain insight to the theatrical and cultural values that seem to be foundational to Chinese drama. The volume makes use of a range of rich dramatic literature available to English language readers to show the many different ways theatre is conceived and operates around the world. Together the plays reveal how techniques and themes play out through particular theatrical cultures, stimulating students’ critical thinking and untapped imagination. With introductions to each play and an overall contextual essay, this volume can serve as the primary text for an intensive semester-long investigation of Chinese drama and culture. It is also possible to use the collection alongside others in the series as texts for a single course on global theatre and theatre-in-translation.The global perspectives approach of letting classical and modern works resonate with each other encourages thinking across boundaries and connective human understanding.

The power of theatrical performance is universal, but the style and concerns of theatre are specific to individual cultures. The third volume in the Global Theatre Anthologies series presents six of the most iconic classical and modern plays from China. By exploring the older works alongside important pieces from across the modern period, students gain insight to the theatrical and cultural values that seem to be foundational to Chinese drama. The volume makes use of a range of rich dramatic literature available to English language readers to show the many different ways theatre is conceived and operates around the world. Together the plays reveal how techniques and themes play out through particular theatrical cultures, stimulating students' critical thinking and untapped imagination. With introductions to each play and an overall contextual essay, this volume can serve as the primary text for an intensive semester-long investigation of Chinese drama and culture. It is also possible to use the collection alongside others in the series as texts for a single course on global theatre and theatre-in-translation.The global perspectives approach of letting classical and modern works resonate with each other encourages thinking across boundaries and connective human understanding.