Ramon Jimenez – författare

Caesar Against Rome is an absorbing narrative of the four-year Roman Civil War that began with Caesar's crossing of the Rubicon in 49 BCE. Focusing always on Caesar, the book sketches a panorama of Roman society—the first society to display the ambition, greed, and intrigue of modern politics—in the last century before Christ. Caesar was a complex and contradictory figure, extraordinarily talented and extremely ambitious, but at the same time vain, careless, and inclined to be forgiving. While Caesar's unusual clementia was a major factor in winning popular support, soldiers, and towns to his side, it allowed virtually all enemy leaders to return to the battlefield against him.Supplemented by the writings of other ancient historians as well as the latest research, this book is based primarily on Caesar's own detailed Commentaries, written to explain and justify his military campaigns. Those interested in Roman history will find a wealth of information about every aspect of life in the late Roman Republic, including political issues, class divisions, marriage customs, travel, food, and entertainment. Military historians will discover details about every facet of Roman warfare from weaponry to personnel policy, to tactics, operations, and logistics. Single chapters are devoted to each campaign: Greece, Africa, Spain, and Egypt.

The contents of the Shakespeare canon have come into question in recent years as scholars add plays or declare others only partially his work. Now, new literary and historical evidence demonstrates that five heretofore anonymous plays published or performed during his lifetime are actually his first versions of later canonical works.Three histories, The Famous Victories of Henry the Fifth, The True Tragedy of Richard the Third, and The Troublesome Reign of John; a comedy, The Taming of a Shrew; and a romance, King Leir, are products of Shakespeare's juvenile years. Later in his career, he transformed them into the plays that bear nearly identical titles. Each is strikingly similar to its canonical counterpart in terms of structure, plot and cast, though the texts were entirely rewritten.Virtually all scholars, critics and editors of Shakespeare have overlooked or disputed the idea that he had anything to do with them. This addition of five plays to the Shakespeare canon introduces a new facet to the authorship debate, and supplies further evidence that the real Shakespeare was Edward de Vere, seventeenth Earl of Oxford.