Rion Amilcar Scott – författare

A dazzling selection of short fiction spanning all of American history, from Edgar Allan Poe and Nathaniel Hawthorne to Ursula K. Le Guin and Danielle Evans, curated by a contemporary master of the form."There are things in life that it pays to contemplate with the sheen of magic rather than with cool sensible logic. A short story is a matter of the heart." —from the introductionFor Rion Amilcar Scott, author of the prizewinning collections The World Doesn't Require You and Insurrections, the short story is a quintessentially American art form. It has found some of its highest use in the hands of writers of a young nation struggling to define itself: writers who have explored questions of identity and meaning in a rich tapestry of work, a kind of unfinished, and unfinishable, collage.From America's first generation of masters—William Irving, Edgar Allan Poe, Nathaniel Hawthorne—to today's Kirstin Valdez Quade, Lesley Nneka Arimah, Stephen Graham Jones, and many more, Scott shares some of the gems that have moved and inspired him over years of reading, writing, and teaching. Each story is a marvel of narrative beauty, a brilliant window into human emotion and experience in spite of (or in fact, because of) its brevity.Taking up the mantle of Milton Crane's classic volume, Scott offers an entirely new selection of stories, ranging from America's earliest history to the present and featuring more women, BIPOC, and LGBTQ+ writers, as well as a wider array of genres (fantasy, science fiction, horror). The result is a truly great selection of the best writing America has to offer.

A suicidal father looks to an older neighbor -- and the Cookie Monster -- for salvation and sanctuary as his life begins to unravel. A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: "Now hold on little girl.... Chess is like real life. The white pieces go first so they got an advantage over the black pieces."These are just a few glimpses into the world of the residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807 after the only successful slave revolt in the United States. Raw, edgy, and unrelenting yet infused with forgiveness, redemption, and humor, the stories in this collection explore characters suffering the quiet tragedies of everyday life and fighting for survival.In Insurrections, Rion Amilcar Scott's lyrical prose authentically portrays individuals growing up and growing old in an African American community. Writing with a delivery and dialect that are intense and unapologetically current, Scott presents characters who dare to make their own choices -- choices of kindness or cruelty -- in the depths of darkness and hopelessness. Although Cross River's residents may be halted or deterred in their search for fulfillment, their spirits remain resilient -- always evolving and constantly moving.

A suicidal father looks to an older neighbor -- and the Cookie Monster -- for salvation and sanctuary as his life begins to unravel. A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: "Now hold on little girl.... Chess is like real life. The white pieces go first so they got an advantage over the black pieces."These are just a few glimpses into the world of the residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807 after the only successful slave revolt in the United States. Raw, edgy, and unrelenting yet infused with forgiveness, redemption, and humor, the stories in this collection explore characters suffering the quiet tragedies of everyday life and fighting for survival.In Insurrections, Rion Amilcar Scott's lyrical prose authentically portrays individuals growing up and growing old in an African American community. Writing with a delivery and dialect that are intense and unapologetically current, Scott presents characters who dare to make their own choices -- choices of kindness or cruelty -- in the depths of darkness and hopelessness. Although Cross River's residents may be halted or deterred in their search for fulfillment, their spirits remain resilient -- always evolving and constantly moving.

Established by the leaders of the country’s only successful slave revolt in the mid-nineteenth century, Cross River still evokes the fierce rhythms of its founding. In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master. As the book builds to its finish with Special Topics in Loneliness Studies, a fully-realized novella, two unhinged professors grapple with hugely different ambitions, and the reader comes to appreciate the intricacy of the world Scott has created—one where fantasy and reality are eternally at war.Contemporary and essential, The World Doesn’t Require You is a “leap into a blazing new level of brilliance” (Lauren Groff) that affirms Rion Amilcar Scott as a writer whose storytelling gifts the world very much requires.

Set in the mythical Cross River, Maryland, The World Doesn’t Require You heralds “a major unique literary talent” (Entertainment Weekly). Established by the leaders of America’s only successful slave revolt in the mid-nineteenth century, the town still evokes the rhythms of its founding. With lyrical prose and singular dialect, Rion Amilcar Scott pens a saga that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet death.Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless, yet charismatic Ph.D. candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who obeys his Master. Culminating with an explosive novella, The World Doesn’t Require You is a “leap into a blazing new level of brilliance” (Lauren Groff) that affirms Rion Amilcar Scott as a writer whose storytelling gifts the world very much requires.

Welcome to Cross River, Maryland. Established by the leaders of the country's only successful slave revolt in the mid-nineteenth century, its residents thump out a beat that echoes its violent founding. Among them – spanning decades, perspectives, and species – are David Sherman, a struggling musician who just happens to be God's last son; Tyrone, a ruthless Ph.D student channelling the insurrections of his forebears through a childhood game; Jim, a Robot Personal Helper desperate to escape the master who enslaves him; and James-my-man, who travels the path of the Underground Railroad year after year.Not to forget the water women who lure men to their watery graves and the screecher birds who cry out for sacrificial flesh...Contemporary and essential, The World Doesn't Require You announces the arrival of a generational talent, as Rion Amilcar Scott shatters rigid genre lines to explore larger themes of race, violence, and love – all told with sly humour and a dash of magical realism.PRAISE FOR THE WORLD DOESN'T REQUIRE YOU: 'I wandered into Cross River, not knowing a damn thing. Now I'm shuddering, gasping in wonder, reading stories over and over, and doing just about anything so that I never leave' MARLON JAMES'A musical and visceral explosion. The book makes you laugh even as it stabs. The truth told in a completely new way' NANA KWAME ADJEI-BRENYAH'Flat-out unputdownable' LAURA VAN DEN BERG'Rion Amilcar Scott doesn't hold back or tiptoe around issues about race. He's the most courageous writer I know; and this collection is an excellent example and significant achievement. He's now made his mark as a force to reckon with' NICOLE DENNIS-BENN'Surreal, intertextual, and darkly comical ... With breathtaking cruelty and devastating humor, Scott adduces the whole world in one community' NAFISSA THOMPSON-SPIRES