Roy Underhill – författare

During an impassioned address to the U.N. General Assembly, Soviet Premier Nikita Khrushchev, irritated by the indifference of his audience, astounded his peers by taking off his shoe and pounding it vigorously on the podium. His indelible gesture not only captured the attention of the audience, but it also transformed their lack of interest into outrage.In Khrushchev's Shoe, Roy Underhill recounts this incident and offers dozens of other stories to illustrate how our efforts to engage an audience can make or break a presentation. With pointers that show you how to bring the intimacy of small-group interaction to every event, Khrushchev's Shoe reveals the principles that make interaction both more meaningful and more enjoyable. Filled with wit and insight, this thoughtful guide will seize readers' interest from start to finish because it practices what it preaches- it engages the readers' intelligence and rewards it generously.

Roy Underhill brings to woodworking the intimate relationship with wood that craftsmen enjoyed in the days before power tools. Combining historical background, folklore, alternative technololgy, and humor, he provides both a source of general information and a detailed introduction to traditional woodworking. Beginning with a guide to trees and tools, The Woodwright's Shop includes chapters on gluts and mauls, shaving horses, rakes, chairs, weaving wood, hay forks, dough bowls, lathes, blacksmithing, dovetails, panel-frame construction, log houses, and timber-frame construction. More than 330 photographs illustrate the text.

With The Woodwright's Companinon , Roy Underhill continues to demonstrate ""how to start with a tree and an axe and make one thing after another until you have a house and everything in it."" This volume features chapters on helves and handles, saws, the search for the whetstone quarry, crow chasers and turkey calls, hurdles, whimmy diddles, snaplines and marking gauges, candle stands, planes, window sash, riven shingles, and pit sawing. The final chapter offers a glimpse of traditional woodworking techniques still used by the Colonial Williamsburg housewrights. More than 260 photographs complement the text.

Roy Underhill is America's best-known master of traditional woodcraft. Creator of the popular PBS series The Woodwright's Shop , Roy has inspired millions--from professional craftsman to armchair woodworker--with his talent, knowledge, and enthusiasm. Roy returns here with his third book. The Woodwright's Workbook features step-by-step instructions for a selection of projects from his television series. All projects are illustrated with photographs and measured drawings. Included here are plans for tool chests, workbenches, lathes, and historical reproductions of items for the home: a six-board chest, rustic chairs with cattail seats, a churn for the kitchen, and the Rittenhouse hygrometer. Roy also explores building barns, forges, boats, and even colonial fortresses. A wonderful feature of this book is Roy's own translation of the humorous fifteenth-century poem The Debate of the Carpenter's Tools . He also provides a fascinating and useful 'field guide' to American tool marks that shows how to identify the specific tool used by the marks it left. Whether Roy is an old friend or a new acquaintance, let him be your guide to the world of traditional woodworking.

For more than ten years, Roy Underhill has taught the techniques of traditional woodcraft, or 'how to start with a tree and an axe and make one thing after another until you have a house and everything in it.' Through his popular PBS series, The Woodwright's Shop,' and his previous books, Roy has inspired millions--from professional craftspeople to armchair woodworkers--with his talent, knowledge, and enthusiasm. Roy returns now with his fourth book, The Woodwright's Eclectic Workshop . It features step-by-step instructions for many projects featured on the television series in recent years, including such popular projects as the Adirondack chair, tavern table, folding ladder, rocking horse, lathe, and kayak. All projects are illustrated with photographs and measured drawings. The book also includes colorful descriptions of what it was like to be a tradesperson who made a living by hand, working with the tools and methods Roy describes on television and in his books: carpenters, joiners, wheelwright, millwrights, chairmakers, and blacksmiths. As Roy puts it, he wants to examine 'the old paths in the way that they were originally taken: not as adventuresome recreations but a profession that put food on the table and clothes on the kids.'

For more than twenty years, Roy Underhill has taught the techniques of traditional woodcraft with muscle-powered tools. With his four previous books and his popular PBS series, The Woodwright's Shop, now in its sixteenth season, Roy has inspired millions to take up chisel and plane. The master woodwright returns here with instructions for handcrafting an appealing selection of projects from the American woodworking tradition. The Woodwright's Apprentice begins with directions for building a workbench. Each successive project builds new skills for the apprentice woodworker--from frame construction to dovetailing, turning, steam-bending, and carving. Among the twenty items featured are an African chair, a telescoping music stand, a walking-stick chair, a fireplace bellows, and a revolving Windsor chair. Designed both for woodworking novices and for more seasoned woodworkers looking for enjoyable projects, the book includes step-by-step directions, complete with easy-to-follow photographs and measured drawings, and an illustrated glossary of tools and terms. All of the pieces presented here are based on projects featured in past and upcoming seasons of The Woodwright's Shop television show. |Amidst the violent racism prevalent at the turn of the 20th century, African American cultural elites, struggling to articulate a positive black identity, developed a middle-class ideology of racial uplift. Insisting that they were truly representative of the race's potential, black elites espoused an ethos of self-help and service to the black masses and distinguished themselves from the black majority as agents of civilization; hence the phrase 'uplifting the race.' A central assumption of racial uplift ideology was that African Americans' material and moral progress would diminish white racism. But Kevin Gaines argues that, in its emphasis on class distinctions and patriarchal authority, racial uplift ideology was tied to pejorative notions of racial pathology and thus was limited as a force against white prejudice.