Simon Louvish - Böcker

Man on the Flying Trapeze is the first biography in decades — and the only accurate one — of the beloved cinematic curmudgeon and inimitable comic genius W. C. Fields. Simon Louvish brilliantly sifts through evidence of Fields's own self-creation to illuminate the vaudeville world from which Fields sprang and his struggles with studios and censors to make his hilarious films-in the process confirming suspicions (yes, he did drink) and confounding them (he doted on his grandchildren). "One of the best movie biographies to come along in quite some time. . . . [A] book to cherish."—Film Review "[Man on the Flying Trapeze] nicely regales us with many vaudevillian stories. . . . Louvish does a heroic job."—Katharine Whittemore, New York Times Book Review "A rapturous, giddy, and irrepressible book. . . . Let us be clear: this is a delight, a marvel of research . . . and a superb argument for the case that William Claude Dukenfield was, and is, the greatest comic the movies have given us."—David Thomson "At last 'the Great Man' (as Fields called himself, accurately) has a great biography."—Kirkus Reviews (starred review)

This is the first full and properly researched biography of all five Marx Brothers - Chico, Harpo, Groucho, Gummo and Zeppo. It features the first authentic account of their origins, of the roots of their comedy, and their twenty-four years on the stage prior to the shooting of their first movie, The Cocoanuts, in 1929. Never-before-published scripts, well-minted Marxian dialogue, and much madness and mayhem feature in this tale of the Brothers' battles with Hollywood, their loves and marriages, and the story of the forgotten brother Gummo, who never appeared on screen. Spicing up the anarchic brew are accounts of Salvador Dali's 'missing' script for Harpo, the true identity of the long-suffering Margaret Dumont, and the FBI's verdict on Groucho's particular brand of Marxism.

To most people W. C. Fields is an instantly recognisable figure, aclassic icon of film comedy. But the full and true tale of the life and art of the clown who dubbed himself 'The Great Man' has, astonishingly, never been told. This is the first book to relate in detail William Claude Dukenfield's artistic path to the cinema, disentangling the facts from the pack of lies and myths mischievously nurtured by Fields himself. Following meticulous research in a host of archives, including the personal scrapbooks of Fields himself, Simon Louvish lovingly traces the origins of Fields' comedy in his self-authored vaudeville sketches, then follows his career from stage to silent screen, revealing the sources of his great talkie routines, and highlighting his later tragic struggle, against studio heads,censorship, alcohol addiction and illness, to create some of the greatest gems of screen humour.

Stan Laurel and Oliver Hardy both passed away in the 1950s, yet their films still have the power to reduce audiences old and new to helpless laughter. There has been no comprehensive account of their lives and work, until now. The roots of their comic greatness lay in 19th century variety theatre. Lancashire-born Stan Laurel was steeped in the traditions of the music hall, and found himself touring the USA in the 1910s as Charlie Chaplin's understudy. American Oliver Hardy had established himself as a 'fat funny man' by the time he and Laurel were first paired in 1927. Laurel inspired Hardy to forge their famous double act, in which Laurel played the eternal comic fool, Hardy his temperamental master. Both men were devoted to their professional partnership, which outlasted multiple marriages. They saw themselves only as jobbing comedians, but their great work in the years 1927-1938 ensured that they remain recognisable in the furthermost corners of the globe. Stan and Ollie completes Louvish's trilogy of definitive biographies of the great clowns of screen comedy, following his books on W. C. Fields and the Marx Brothers.