Antenne Publishing – förlag

A collection of iconic Princess Diana outfits matched with mushrooms, all foraged and photographed by the artist, Lulu Williams.

The second volume of Princess Diana as Mushrooms, a collection of iconic Lady Di outfits matched with mushrooms, all foraged and photographed by the artist Lulu Williams.

Antenne Publishing presents its second publication in the ESTATE OF series, a publication that offers artists a space to realise projects in a specified format. Loops is Anders Edström’s narrative chronology, from front to back covers. Shot during walks driving, during his travels, always looking, noticing, then stopping when the light and circumstance synthesize for him. He doesn’t look for the spectacular or unusual, but rather for the preternatural union of light and circumstance. For this reason, they may seem mundane, but each is a statement about this union of light, time, and energy. Interspersed are reflective paint puddles, which he poured at home, getting the light to work for him. Each is a study in “light, form, and texture” — to use E. H. Gombrich’s words from his essay on15th century paintings north and south of the Alps. In Loops, they are the creative investigations during this chronology. In Vladimir Nabokov’s Bend Sinister, the novel before writing Lolita, one of his tropes was a puddle, which his main character, Adam Krug, first notices gazing out a window, a recent widower. Puddles distort reflections in reverse, like a “bend sinister,” a heraldic shield with the band going from top left to bottom right instead of the reverse, a bend dexter. The puddle motif reappears as an inkblot, a footprint, an ink stain. Nabokov was a lucky sufferer of synesthesia, the crossing of one sensory modality into another, with words revealing different meanings. He played with language as sound and image, “caressing” details, as he called it, looking for the unnoticed, infusing his stories with undercurrents of his special intuition. Anders Edström was first discovered by the fashion industry, and first by Martin Margiela, who changed the look of fashion by being unspectacular, for example, simply covering boots, jeans, and backpacks in white gesso. Like Margiela, Anders Edström has always avoided the transcendent, spectacular, or highly stylized in preference for unaffected naturalism, but also for an alternative enlightenment in his synesthetic photography. Loops is a time capsule of his research. - Jeff Rian

Estate Of is the new publication series from Antenne Publishing. Published twice a year in a magazine-like stapled format, each edition is given to a single artist working with photographs as a space to realise projects. Estate Of aims to become a meeting point between an informal physical object, and a substantial body of work from an individual artist. Kronos by Victor Boullet is the first publication in the Estate Of series. Victor Boullet’s title refers to the Greek god Kronos, a deity known for its doublesidedness, a concept closely connected to his project The Institute of Social Hypocrisy. The publication Kronos is a means to carry his work forward into a newer form of expression, whilst maintaining a constant sense of dichotomy. The act of art production becomes a performance. The photographs serve as a documentation of performances made in the artist’s private domain; his apartment in Paris, a holiday home on the Scottish coast. Spaces that are so personal as to allow the work to become an existential exploration. The works themselves, invariably, seem to hold no meaning with a rawness and naivety that could be perceived as covertly provocative. When asked to discuss the content and concept of this publication, Boullet declined, saying it was all too personal and to make of it what we will. Boullet uses text as a means for miscommunication and confusion where personal musings are incomprehensible and impenetrable. Where elements of commercial branding are integrated into painting, performance and text works, Boullet considers the pretense and affectation brought about by wearing brands, thus creating a product of himself. Questions are raised as to whether the works are entirely serious or whether there is an element of fun being poked at the notion of what it is to be an artist. The imagery is presented as an imperfect document not to be taken at face value. The very question of truth underpins Kronos.

A collection of New York Rave Flyers from 1991 to 1995. Courtesy of Ernie Villalobos.

A collection of Los Angeles Rave Flyers from 1991 to 1994. Courtesy of Victor Stapf.

A collection of San Francisco Rave Flyers from 1991 to 1993. Courtesy of Dano Lepez.

100 WHANZINES is an anthology of five years of my own fanzine publications. The book includes 552 pages of reproductions from each of the 100 zine releases. The book offers a comprehensive photographic exploration of a diverse range of objects. These come from a variety of sources, such as my commercial projects, holiday snaps and my own and borrowed collections. As a commercial photographer, having the freedom to produce new images through these fanzines has been deeply gratifying. The book is being launched in June 2023, and will be available from Antenne Books as well as shops in London, Paris and New York.

A collection of San Francisco Rave Flyers from 1990 to 1993. Courtesy of Sioen Roux.

A collection of New York Rave Flyers from 1990 to 1995.

A collection of London Rave Flyers from 1990-1996Courtesy of Matt Acornley www. clubravepartyart. uk

A collection of Detroit Rave Flyers 1993 - 1999

A collection of Paris Rave Flyers from 1991-1994