Autumn House Press – förlag

Poems that imagine a world beyond the prevailing public speculation on Black death.  Shayla Lawz’s debut collection, speculation, n., brings together poetry, sound, and performance to challenge our spectatorship and the reproduction of the Black body. It revolves around a central question: what does it mean—in the digital age, amidst an inundation of media—to be a witness? Calling attention to the images we see in the news and beyond, these poems explore what it means to be alive and Black when the world regularly speculates on your death. The speaker, a queer Black woman, considers how often her body is coupled with images of death and violence, resulting in difficultly moving toward life. Lawz becomes the speculator by imagining what might exist beyond these harmful structures, seeking ways to reclaim the Black psyche through music, typography, and other pronunciations of the body, where expressions of sexuality and the freedom to actively reimagine is made possible. speculation, n. contends with the real—a refracted past and present—through grief, love, and loss, and it speculates on what could be real if we open ourselves to expanded possibilities.  speculation, n. won the 2020 Autumn House Poetry Prize, selected by Ilya Kaminsky.

Cho A.’s poetry wonders at small everyday delights.  Sean Cho A.’s debut poetry chapbook directs a keen eye on everyday occurrences and how these small events shape us as individuals. This collection is filled with longing for love, understanding, and simplicity. But these poems also express great pleasure in continued desire. With exuberant energy that flows through the collection, the speaker announces: “I won’t apologize for the smallness of my delights.” Filled with questions and wonder, these poems revel in the unknowing and liminal spaces, and we as readers are invited to join in this revelry. Cho A.’s poetry reminds and allows us to pause, to wonder, and enjoy our many pleasures.  American Home was selected by Danusha Laméris for the 2020 Autumn House Chapbook Prize.

A debut collection featuring formally diverse poems that address topics from misogyny and mental health to race and identity.  Alexis Sears’s debut collection, Out of Order, is a collage of unapologetic intimacy, risk-taking vulnerability, and unwavering candor. A biracial millennial woman, Sears navigates the challenges of growing out of girlhood and into womanhood with its potential dangers, interrogating the male gaze, beauty standards, and confidence and identity. Pop culture references run through the collection, with rock icons David Bowie and Prince and poets like Kenneth Koch offering windows into desire and adaptation. In these poems, Sears works through heavy topics, such as loneliness, mental illness, chronic pain, the legacies of race and racism, and the aftermath of a father’s suicide. As she writes, “I’m learning something every ravishing day / and none of it is easy.”  This young poet demonstrates an uncommon mastery of craft, writing in forms including the sonnet redoublé, sestina, canzone, and villanelle. With all her linguistic skills, Sears’s work remains approachable, offering readers a striking blend of honesty, humor, anguish, joy, and surprise. Drawing influence from contemporary poets like Mark Jarman, Erica Dawson, and Tiana Clark, Sears cuts a path of her own.  Out of Order was the 2021 winner of the Donald Justice Poetry Prize.

Poems considering self, masculinity, and culture through the spectacle of professional wrestling.  In this stunning debut, John Belk looks at the world of professional wrestling to excavate the real within the artificial and explore the projections we create, run from, and delight in. In The Gardens of Our Childhoods, the distance between spectacle and reality blurs.  Belk uses the spectacle of wrestling to stare deeply into American culture and masculinity, parsing the intersecting threads of patriarchy and gender, and unpacking identity formation and performance. As Belk pries into toxic masculinities, he leaves space also for tenderness, queerness, and resistance to normative structures, opening the potential for love and admiration. Populated by classic and contemporary wrestlers like André the Giant, Hulk Hogan, “Stone Cold” Steve Austin, Ricky Steamboat, Bruno Sammartino, Marcus “Buff” Bagwell, and more, this book is ultimately about the constant deconstruction and reconstruction of our identities that smudge fiction and reality. Like wrestlers in their operatic and winding storylines, we learn how to project and inhabit identities while growing into and fighting against the scripts we write for ourselves and those that are imposed on us.  The Gardens of Our Childhoods is the winner of Autumn House Press’s Rising Writer Prize in Poetry.

An anthology of queer nature poetry spanning three centuries.  This anthology amplifies and centers LGBTQIA+ voices and perspectives in a collection of contemporary nature poetry. Showcasing over two hundred queer writers from the nineteenth to the twenty-first century, Queer Nature offers a new context for and expands upon the canon of nature poetry while also offering new lenses through which to view queerness and the natural world.   In the introduction, editor Michael Walsh writes that the anthology is “concerned with poems that speak to and about nature as the term is applied in everyday language to queer and trans bodies and identities . . . Queer Nature remains interested in elements, flora, fauna, habitats, homes, and natural forces—literary aspects of the work that allow queer and trans people to speak within their specific cultural and literary histories of the abnormal, the animal, the elemental, and the unnatural.” The anthology features poets including Elizabeth Bishop, Richard Blanco, Kay Ryan, Jericho Brown, Allen Ginsberg, Natalie Diaz, and June Jordan, as well as emerging voices such as Jari Bradley, Alicia Mountain, Eric Tran, and Jim Whiteside.

Poems reflecting on contemporary political issues, mythological origins, and the capacity for hope in the face of uncertain futures.    This collection weaves together themes of motherhood, immigration, social transformation, and interrogation. Throughout Seed Celestial, Sara R. Burnett writes haunting reflections on origins—of myth and memory, language and country, earth and mothers—as she looks to an uncertain future.  Bringing together contemporary issues of climate change, gun violence, and feminism while working from her own experience of raising a young daughter, she writes, “You were inside my body / while I was outside; / outside was everything else.” Burnett vividly renders her own origin story as an immigrant’s daughter using the myths of Demeter and Persephone. This book is a love letter to the earth the way only a mother can write it: appreciating all its faults while seeing its beauty. Burnett offers a poetry collection that is tender, and honest, akin to having an intimate conversation with a friend who tells us what we know to be true about ourselves, our twin capacities for love and violence, and what we don’t. She intertwines our violent, complicated world with the uncanny human capacity for hope and describes the awe of a world recreating itself again and again while wondering about all we lose and leave behind, especially for the next generation.  Seed Celestial is the winner of the 2021 Autumn House Press Poetry Prize, selected by Eileen Myles.

A memoir of addiction, body image, and healing, through the lens of a long-distance runner.  Emily Pifer’s debut memoir, The Running Body, wrestles and reckons with power and agency, language and story, body dysphoria and beauty standards, desire and addiction, loss and healing. Pifer employs multiple modes of storytelling—memoir, meditation, and cultural analysis—interweaving research, argument, and experience as she describes how, during her time as a collegiate distance runner, she began to run more while eating less. Many around her, including her coaches, praised her for these practices. But as she became faster, and as her body began to resemble the bodies that she had seen across start-lines and on the covers of running magazines, her bones began to fracture. Pifer tells her story alongside the stories of her teammates, competitors, and others as they all face trouble regarding their bodies.Through the lens of long-distance running, Pifer examines the effects of idolization and obsession, revealing the porous boundaries between what counts as success and what is considered failure. While grounded in truth, The Running Body interrogates its relationship to magical thinking, the stories we tell ourselves, and the faultiness of memory. Fractures, figurative and literal, run through the narrative as Pifer explores the ways bodies become entangled in stories.  The Running Body was selected by Steve Almond as the winner of the 2021 Autumn House Nonfiction Prize.

Tales of characters trying to find their way through the struggles of underemployment.  Wendy Wimmer’s debut short story collection, Entry Level, contains a range of characters who are trying to find, assert, or salvage their identities. These fifteen stories center around the experience of being underemployed—whether by circumstance, class, gender, race, or other prevailing factors—and the toll this takes on an individual. Wimmer pushes the boundaries of reality, creating stories that are funny, fantastic, and at times terrifying. Her characters undergo feats of endurance, heartbreak, and loneliness, all while trying to succeed in a world that so often undervalues them. From a young marine biologist suffering from imposter syndrome and a haunting to a bingo caller facing another brutal snowstorm and a creature that may or not be an angel, Wimmer’s characters are all confronting an oppressive universe that seemingly operates against them or is, at best, indifferent to them. These stories reflect on the difficulties of modern-day survival and remind us that piecing together a life demands both hope and resilience.  Entry Level was selected by Deesha Philyaw as the winner of the 2021 Autumn House Fiction Prize.

Stories of characters who face tragedies alongside their canine companions.  Noley Reid’s fourth book, Origami Dogs, is a testament to her mastery of the form. Here, dogs rove the grounds of their companions’ emotions. The creatures in this short story collection often act subtly, serving as witnesses without language, exacerbating tension and providing relief to the human characters. Sometimes they are central to the stories’ plots, such as in the lead story, “Origami Dogs,” which focuses on Iris Garr, a dog breeder’s teenage daughter, as she begins noticing odd birth defects in new litters and realizes she must confront her mother, whom she loves yet cannot help but resent. In some stories, teens struggle toward womanhood or wrestle with sexuality and queerness, confronting parents who are unable to provide the care or support they need. In other stories, Reid’s characters are adults striving to be better spouses, parents, or both, and are often grappling with life-changing events—like a new disability or the loss of a child. Despite the gravitas of these tragedies, with Reid’s touch, they feel alive, present, and painfully close. Reid brings us to her characters in the fierce damp aftermath of calamity and asks us to dwell with them until new possibilities arrive.At these tipping points, the characters of Origami Dogs stand ready with their dogs (or memories of them), to take the next step. By turns tender, moving, and devastating, this story collection is a celebration of the bond of devotion possible between humans and dogs, and it presents an intimate rendering of the lives we share.

A formally inventive debut collection of poetry driven by narrative and character.  In this poetry collection, JD Debris focuses on characters who live on society’s outskirts and demand greater visibility in the face of marginalization. At the book’s heart are extended narrative elegies for two musicians. First, the poet follows Mexican singer and songwriter Chalino Sánchez as he avenges his sister’s sexual assault, and then he turns to Gato Barbieri, an influential Argentine tenor saxophonist who is haunted by a shadowy “man in dusk-colored glasses.” As these musicians question their purpose, we as readers are invited to reflect on our lives, our legacies, and ourselves.  The Scorpion’s Question Mark is personal and mythological, representational and abstract. These formally inventive and metrically attuned poems compose a range of contrasts—boxers Manny Pacquiao and Marvelous Marvin Hagler appear alongside Tupac and Herman Melville, and apparitions of the Virgin Mary manifest in both human and mirage-like forms on public beachfronts. Looking to the scorpion’s tail that forms the shape of a question mark, Debris seeks to occupy uncertain space within the poems, bending forms to find both expansiveness and tension.  The Scorpion’s Question Mark was the winner of the 2022 Donald Justice Poetry Prize.

A tender poetry collection considering home, family, and personal and ecological loss.  Liza Katz Duncan’s debut collection is a poignant exploration of the unpredictable shifts that shape our lives. Given considers the notions of home and family and how to survive the changes and losses associated with both. Duncan conjures her home, the New Jersey Shore, in clear and unsentimental lines: “Call of the grackle, / whine of the turkey vulture. Blighted clams, // raw and red in their half-shells.” Duncan’s poems also explore the devastation brought to this place and its community by Superstorm Sandy and the continued impacts of climate change.  Interwoven into this thread is the narrator’s miscarriage; the parallels between the desecrated landscape and the personal catastrophe further contribute to the layers of tenderness in this collection, as Duncan urges us to remember and to witness. Despite tragedy and loss, Given is imbued with persistent, dogged hope, showing how survival persists amongst the wreckage, and from this debris is a path towards healing our grief.Given was the winner of 2022 Autumn House Rising Writer Prize in Poetry.

Poems that consider the instability of identity through fictional and religious characters.  In Ishmael Mask, Charles Kell reminds us that identity is precarious. Kell’s collection is a collage of the journeys and interior lives of various wanderers—from Ishmael, the son of Hagar, to Melville’s Ishmael, and from Pierre of The Ambiguities to Pierre Guyotat. Each poem strips back the mask and beckons us to witness humanity in its barest forms. Captain Ahab’s leg, Ishmael’s arm, and Pierre’s severed head serve as invitations to consider hunger and hope. The inspirations behind these poems—the Bible, Heraclitus, Melville, Guyotat, Tomaž Šalamun—are transformed by Kell, conjuring dreamscapes both dazzling and haunting.  Ishmael Mask masterfully allows a glimpse into the human experience of feeling lost—even when right at home, even in our own bodies.

Lyrical poetry offering multilayered examinations of injustices—from mass incarceration to failing schools and right-wing fascism.  Richard Hamilton’s second poetry collection, Discordant, is a searing examination of injustice both within the United States and abroad, from criticisms of the US military-industrial complex and failing healthcare system to multilayered observations of marginalization through the lenses of race, class, gender, and sexuality. Hamilton’s poems look closely at increased austerity measures, commitment to mass incarceration and private prisons, disdain for workers and labor resistance, the expansion of the US military budget, the disappearance of federal subsidies for the working poor, failing schools and teacher shortages, market inflation and price gouging, and the rising tide of right-wing fascism.Hamilton’s lyrical writing brings together free-form essays and personal narratives full of keen-eyed and urgent observations. Told from the perspective of a speaker who is unemployed and pensive, Hamilton shows how history haunts us while keeping the present in the foreground, constantly challenging oppression that has long been commonplace.Discordant won the 2022 CAAPP Book Prize, selected by Evie Shockley.

A debut collection of poems that question gender and embrace queerness through the natural world of North Carolina.  A tender imagining and devastating reckoning, Jennifer Conlon’s debut presents a poetry collection of gender questioning, concerned with the survival of trans and nonbinary kids who live in places that do not allow them to thrive. The speaker of these poems wrestles with and envisions a life beyond their traumatic childhood as a genderqueer child in a small Southern Bible Belt town. Through retelling and reinterpreting moments of sexual shame and religious oppression, while navigating impossible expectations from a gender-binary society, Conlon shows readers that queerness and the natural world are inseparable. In their poems, Conlon comes to reject oppressive patriarchal figures, turning their gaze toward the natural world that catalyzes dreams of possibility, transformation, and safety—wasps protect them, an oak tree contains a new god, and flathead catfish guide them to a newly imagined body. Through thick North Carolina woods, Conlon searches for a language to celebrate queerness, finding it in ponds, hillsides, and within themselves.Taking to Water was selected by Carl Phillips as the winner of the 2022 Autumn House Poetry Prize.

Eleven short stories following Italian characters exploring life in an era of media oversaturation.  Salvatore Pane’s The Neorealist in Winter is a collection of eleven short stories that explore what it means to be human in an age of media oversaturation. Utilizing methods of speculative, historical, and postmodern storytelling, Pane grapples with legacies of immigration, poverty, toxic masculinity, and moral failures, while focusing on working-class issues, family drama, and PTSD. Following eleven Italian narrators, Pane builds a cast of cinematic characters across disparate times and places—a struggling director attends a house party in the la dolce vita of 1960s Rome, gangsters chase a low-level lottery runner in coal valley Scranton, a woman contemplates experimental surgery to purge memories of her childhood trauma in Minnesota, and a pro wrestling promoter descends into self-denial through his autobiography.The Neorealist in Winter was selected by Venita Blackburn as the winner of the 2022 Autumn House Fiction Prize.

A debut poetry collection centered on strained family relationships and the search for new homes.  Erica Reid’s debut collection, Ghost Man on Second, traces a daughter’s search for her place in the world after estrangement from her parents. Reid writes, “It’s hard to feel at home unless I’m aching.” Growing from this sense of isolation, Reid’s poems create new homes in nature, in mythology, and in poetic forms—including sestinas, sonnets, and golden shovels—containers that create and hold new realizations and vantage points. Reid stands up to members of her family, asking for healing amid dissolving bonds. These poems move through emotional registers, embodying nostalgia, hurt, and hope. Throughout Ghost Man on Second, the poems portray Reid’s active grappling with home and confrontation with the ghosts she finds there. Ghost Man on Second is the winner of the 2023 Donald Justice Poetry Prize, selected by Mark Jarman.

Short stories that follow unexpected connections and tell of queer life in America.  Winner of the 2023 Autumn House Fiction Prize, Near Strangers is a collection of eight tightly crafted short stories filled with unexpected connections and set against the backdrop of everyday life. These stories center on resilient female protagonists and offer a view into queer life in America outside of its major coastal cities. The characters in Marian Crotty’s collection are searching—for understanding, acceptance, or forgiveness. In the title story, an elderly rape crisis volunteer’s advocacy for a survivor leads her to reexamine her role in estrangement from her son; in “Halloween,” a queer teen is counseled through heartbreak by her unlucky-in-love grandmother; and in “Family Resemblance,” a group of families whose children share the same sperm donor is disrupted by the arrival of a minor celebrity. While marginalization, loneliness, and bigotry hover in the distance of Near Strangers, the book’s tone is hopeful and invites readers to reflect on our shared human experience with empathy.

Notable Reads for the 2026 Utah Book Awards Longlisted for the PEN/Voelcker Award for Poetry CollectionWinner of the 2024 Donald Justice Poetry Prize, selected by Patricia SmithSunni Brown Wilkinson’s second full-length collection, Rodeo, is a stunning collection of formalist poetry, part ode, part elegy, and serves as a heartfelt journey in overcoming grief and falling back in love with the world.Personal yet expansive, Wilkinson's poems carry her readers through sorrow and confusion, reckoning with seismic losses such as a stillborn son and strained relationships, alongside more abstract and existential pains. In the rural and wild western mountains of northern Utah and throughout the American West, Wilkinson finds solace, uncovering startling moments of hope and healing in the aftermath of suffering.Throughout Rodeo, Wilkinson masterfully employs forms like the sonnet, sestina, abecedarian, and epistle to bring wholeness in the midst of fracture. Even while staring clear-eyed at its wounds, the collection resists being swallowed by grief, instead celebrating and meditating on the natural world and its vibrancy, including skunks and owls, horses and cows, wildflowers and grasses. The collection presents a full cycle of mourning and healing, beginning “Sometimes you hold your own hand. / That’s all there is to take” and concludes by reaching out from isolation toward connection with “a hand / for one moment holding / another hand.Drawing from the traditions of poets like Theodore Roethke and Mary Oliver and embodying the interconnectedness between land and spirit, individual and community, Rodeo is a powerful rekindling of hope.

The Worried Well, selected by Eduardo C. Corral as the winner of the 2024 Autumn House Rising Writer Prize, is a tragicomic collection that explores the intersection of anxiety and safety in a chaotic world.Anthony Immergluck balances the thin lines between healing and ailing, between humor and tragedy throughout this exceptional debut poetry collection. Reveling at precipices of imminent disaster while grieving at thresholds of relief, The Worried Well asks, how do we live loving and full lives while being confronted with our mortality? How does language carry us between liminal spaces?The “worried well” is a term often used pejoratively by medical professionals to describe a group of patients who may be lacking visible symptoms but opt for testing and preventative interventions, who seek treatments for ailments that don’t manifest readily in medical diagnostics. Immergluck unpacks the term by writing in the spaces where worry and wellness meet.Despite the profound subjects explored, the collection carries us with a keen sense of humor, grounds us in the everyday, and rises to meet us with unexpected ruptures or sutures of language on each page. Summoning the restless dybbuk of Jewish mythology as well as David and Goliath, navigating hospital rooms, and surviving economic precarity, Immergluck creates a voice that is utterly new and needed in the literary landscape, a voice that reflects, “I don’t / know why I told a worry / child not to worry when / surely the trick is to give / the worry a name and then / to call it again and again.”

New flash fiction collection by Sherrie Flick, coeditor of Flash Fiction America and author of Thank Your Lucky Stars and Whiskey, Etc., a Foreword INDIES bronze prize for best story collection.I Have Not Considered Consequences delves into the complexities of grief, desire, and a peculiar intersection between humans and bears. Flick’s evocative and thought-provoking stories follow characters like Bobby, a local home inspector who zips into a bear suit on his daily rounds, and a Gen-X couple, Matty and Trudy, navigating the ups and downs of their adult lives, from a dead fish named Patti Smith to dashed dreams of indie rock stardom. Women wander through small-town streets as they ponder love, allegiance, and Edith Wharton.In Flick’s world, bears don’t just roam the wild—they play basketball, dance, and even work as midlevel business professionals. Through this memorable cast of characters, Flick reveals intriguing secrets about humanity and yearning with her signature blend of stark honesty and humor.

Finalist for the 2026 Firecracker Award in Creative Nonfiction Shortlisted for the 2026 William Saroyan International Prize for Writing Featured on The Millions’ Great Fall 2025 Book Preview Winner of the 2024 Autumn House Nonfiction Prize, this large-hearted personal essay collection by Ren Cedar Fuller invites us to imagine a more generous way of being in the world, drawing on Fuller’s experiences as a daughter, sister, mother, teacher, and patient. A father’s hurtful rigidity becomes slightly more comprehensible when viewed through a lens of neurodivergence, and a mother’s well-timed lie allows her children to see an escape from fundamentalist strictures. Parents build support systems for their transgender child, and a disability that makes it impossible for the author to cry tears opens up new paths for expressing emotions. With disarming charm and good humor, Fuller charts a clear-eyed path for not only accepting but celebrating differences of all kinds. Bigger explores how we want the world to be as large and open as possible for the people we love—and how this kind of love expands our own world too.

Winner of the Texas Institute of Letters' Sergio Troncoso Award for Best First Book of Fiction Longlisted for the 2026 PEN/Robert W. Bingham Prize for Debut Short Story Collection Finalist for the 2025 Foreword INDIE Award for Short Stories Featured on The Millions’ Great Fall 2025 Book Preview Featured in Electric Lit's "15 Small Press Books You Don’t Want to Miss This Winter" Winner of the 2024 Autumn House Fiction Prize, these lyrical, haunting stories invite us to question the stories we tell ourselves and to imagine other paths—joyful, whimsical, even absurd—through the world. A wife finds herself literally shrinking in her house, day by day; a mother recalls the surreal day when her infant daughter survives a close encounter with a bear; and, inside her lover’s heart, a woman discovers a secret nightclub populated by all the women he’s loved and left. In the worlds Woods conjures, childhood memories ripple through adult lives, and characters test the limits of their self-created realities. The Great Grown-Up Game of Make-Believe urges us to contemplate how we can escape loneliness and heartbreak and live on our own terms.

"Feminist and humanist, the vision here is both passionate and compassionate. It's a pageturner to be sure." —Kazim AliBetsy Fagin’s self-driving reimagines the American road trip through the lens of a contemporary woman’s journey. Rooted in the tradition of the on-the-road narrative, Fagin’s poems interrogate the foundations of freedom, representation, and privilege while dismantling romanticized myths of Western expansion and the cis, white, male-dominated tales of the open road. Through sharp, playful, and incisive verse, Fagin celebrates Black, queer, feminist presence and futures, confronting the erasures and delusions in America’s frequently told stories. Using images of the great American West and the highways that connect it, she charts a path through landscapes of disenfranchisement toward self-determination and agency. Throughout the collection, self-driving redefines freedom as both a state and a mindset. In a bold declaration, Fagin writes: “I knew my rights / were all the rights, my freedoms all the freedoms,” embodying a call for expansive liberation. This collection is a powerful exploration of identity, impermanence, and the boundless possibilities of reimagined narratives.

“Jasmine Reid writes a shapeful, theoretical work involved in the rigorous attending to emergent selves and the languages made in calling them into being.” —aracelis girmayInterlocutor Goddess explores the creation of a trans language for selfhood within an exilic state of "ecstatic grief."Reid's experimental work challenges societal norms, particularly the family as a political construct while reflecting on the trans experiences of a queer Black woman. The poems grapple with oppressive systems of separation and colonial legacies, rejecting extractive, empire-driven paradigms, and gender essentialism. Within her collection, Reid envisions alternative, ethical ways of being, rooted in unity and wholeness and finds kinship with the rhythms and lifeways of the natural world—soil, stars, and water. Her poetry employs a trans-lyricism, weaving together dual meanings through homonyms, homophones, and portmanteaus to create a layered, fugitive language that resists rigid classifications. At its core, Interlocutor Goddess is an act of transfiguration, a celebration of girlhood, and a reclamation of wholeness for all who exist beyond imposed boundaries.

"With care and attention to its brilliantly complicated and kaleidoscopic characters, Magdalena Is Brighter Than You Think is a breathtaking collection that is rooted in place, people, and the full scope of who you are and who you get to be. Exploring queerness, gender, poverty, generational trauma, and the ways in which we are formed and form others, the stories in this collection have the scope of sagas and the intimacy of untold secrets." —K-Ming Chang, author of Exhausted Monsters“Our Most Anticipated Queer Books for April 2026,” Autostraddle“Our Most Anticipated Books of 2026,” Chicago Review of Books“Reads for the Rest of Us: The Most Anticipated Feminist Books of 2026,” Ms. Magazine “The Small Press Titles You Don’t Want To Miss This Summer,” Electric LitInventive and emotionally nuanced, Grace Spulak’s debut story collection explores the complexities of gender, queerness, trauma, and resilience through characters who live in the margins and imagine new ways to survive there. Pushing the boundaries of traditional narratives and forms, these stories suggest paths for picking up our pieces—and for transforming and escaping the realities that constrain us. A social worker becomes entangled in the life of a woman she’s meant to investigate, blurring the line between empathy and obsession. A veterinary student communes with a yak that seems to speak to her—if only she could understand its message. And a separating couple embarks on one last errand together to unburden themselves of an unsettling memento. Set in rural New Mexico—a place of isolation, strange beauty, and potential transformation—this collection offers unexpected flashes of grace and hope.

". . . formally various and deliciously propulsive." —Kaveh AkbarA love letter to Miami and a meditation on fatherhood, Self-Portrait as the “i” in Florida paints a vivid picture of contemporary South Florida in all its contradictions and beauty. Selected by Major Jackson as the winner of the Donald Justice Poetry Prize, Cunningham’s second collection weaves together ecological and familial landscapes, capturing both the spectacle—burning sugarcane fields, snake farms, chaotic highways—and the daily rituals that bind a family: school drop-offs, sick days, and small kindnesses. Blending formalist and free verse, the book becomes both an inquiry into belonging and a celebration of the essential everyday moments that define a life. At once panoramic and deeply personal, Cunningham writes with a documentarian’s eye and a father’s heart.

Winner of the 2025 CAAPP Book Prize, selected by Cameron Awkward-Rich, and named a "Best Poetry of 2025 and 2026” by Ms. Magazine, Les Portes traces how harm against women and femmes takes root, recurs, and reshapes itself across generations. Unfolding in three movements—Le Début, Le Passé, and Le Présent—all of which rupture conventional domestic abuse narratives, and drawing heavily from zuihitsu, ekphrasis, erasure, and found forms to mirror the fractured experience of living through and after harm, these poems serve as radical meditations on the power to reflect as resistance. A queer woman caught in an abusive marriage begins to reimagine justice not as punishment but as something restorative, collective, and deeply non-carceral. In her debut book, Nnoka poses the question that propels the collection: “Where is the path forward / that ensures no recurrence?” Rather than gesture toward resolution, Les Portes dwells inside this question, and what emerges is not consolation but an immense reckoning.

Winner of the Autumn House Press Fiction Prize, selected by Alexandra Kleeman, Adam O’Fallon Price’s unflinchingly honest and deliciously existential stories explore the ways our deepest hunger teases us toward both our best selves and endings we should have avoided. Objects of Desire, Price's debut short story collection, is filled with people driven by restless longings and unattainable desires—pushed to act by needs only half-understood—all the while picking up unintended bedfellows and conspirators: A resentful brother grapples with the responsibility of bone marrow donation for his dying sibling. A down-on-his-luck artist chases his dog through a cornfield and into the home of dangerous strangers. A college women's soccer goalie takes her pain out on her opponents, as she struggles to process her childhood and forgive her mother. Price shows us how the aching, often desperate, pull of wanting can unsettle our lives. The characters in this collection are consistently reaching for something more, only to miss the mark in quiet but irreversible ways.

Spanning more than thirty years of work, Frank X. Gaspar’s Poem Fire: New and Selected maps an American landscape suspended between the luminous and the familiar.In a voice both bold and vulnerably intimate, these poems meditate on longing through an attention to the world’s smallest gestures—an attention that is not mere sentimentality but an act of resistance against erasure and disappearance. Gaspar turns with equal care to overlooked lives: waitresses, truck drivers, travelers—figures encountered at the edges of intimacy, briefly illuminated in the midst of their routines. As Gaspar writes, “Lights winking among the shuffling cornstalks. And my lantern hissing. My loneliness was my own doing, but I didn’t know.” “Frank Gaspar's poems are agile and forceful, their narratives clear and absorbing" (Mary Oliver), and are carried by a speaker unconfined by time yet anchored in the sublimity of the everyday. Including work from five previous collections, Poem Fire captures the quiet radiance of lived experience; this collection celebrates the life of a poet with a warm, keen eye.