Bauhan (William L.),U.S. – förlag

Albert Duvall Quigley spent most of his life painting the people and landscapes of the Monadnock region. A self-taught musician, he built and repaired fiddles, wrote dance tunes, and played at local dances. He also made frames known for their beautiful workmanship and originality, and prized by many Monadnock artists. This catalog has been compiled for an exhibition celebrating Quigley’s life and work that will open at the Historical Society of Cheshire County (NH) in May 2017, and for the 250th anniversary celebration of the town of Nelson, NH, where Quigley lived for many years.

Francelia Clark finds and follows two of the oldest trails in New Hampshire’s Monadnock region into history—on horseback. Along the way she studies the cellar holes and rock remains of houses, wells, and walled cow paths, as well as old journals, to illuminate for readers the lives of the early settlers who made them.

This book focuses on a stream in New Hampshire and how it and other bodies of water have been affected by changes in technology, economic values, new forms of pollution, new ideas about nature and the occasionally unintended consequences of human action. The time period is from the industrial revolution to the present day. The geographic scope is largely New England but also includes recent experiences in other parts of the United States and the world.  The book is as much about people as it is water with stories about conservationists, artists, reservoir managers, government officials, water power people, fishermen, scientists and ordinary citizens around water.

Mimi Bull grew up secure and happy in the love of family, friends, and neighbors, never questioning the unusual circumstances that caused her to be adopted in the late 1930s by an older woman with an adult daughter. It was years before she learned the secret truth: the women were her grandmother and her biological mother, and the story of her adoption had been concocted not only to shield her mother’s reputation, but to hide the fact that her father was the gregarious young parish priest everyone adored. Only very recently has the Catholic Church  begun to acknowledge the existence of children of priests, and Bull writes candidly of the emotional toll that this policy of secrecy and denial took on her—“I should like to have lived a life with my loving parents, knowing who we all were, knowing my father’s family from the beginning, and without the forty years of depression that compromised me and those I loved.

DM Me, Mother Darling pulses with the confusion, elation, and shattering fear of 21st century parenthood. Through the eyes of Peter Pan’s Mother Darling and Doran’s own experience navigating modern motherhood, the struggles so often fought in silence come careening forward, electric as the light that defines them. Through a tangle of casinos, Lizzo, and gravel parking lots, Doran takes readers to a narcotized Neverland where the mire of grief and the desperation of joy burn with the same endless flame.

Parades tell us something important about American culture and almost every place has a parade tradition. The Best Ever! explores this tradition as enacted in the small cities and towns of New England, events that at once celebrated the skeleton of the American Story and amplified both the distinctive regional and the broader national cultures. Meticulously documented and lavishly illustrated with nearly 300 photographs, The Best Ever! offers never-before-seen pictures of actual parades, including floats and banners that have mostly disappeared and ranging from the Federal Ship carried in the 1788 Ratification parade at New Haven, Connecticut, to 1940 when the parade tradition largely halted at the onset of WWII. Copublished with Old Sturbridge Village.

In Essays from Essex, Sydney M. Williams III shares new musings on family, nature, and the miracles to be found in everyday life. The nearly two dozen entries in this, his third collection, range from stories of growing up in the 1940s and '50s, Christmases past, and remembrances of friends, to observations on the joys of motherhood and the return of Atlantic sturgeon to the Connecticut River. The book also includes a half-dozen drawings by Williams’s grandson, Alex.

Whiskey Boys: And Other Meditations from the Abyss at the End of Youth is a lively collection of literary essays about bars, booze, and traveling the American West. The book follows the author from small-town Illinois to the West Coast after he abandons a legal career to pursue writing. Much of the narrative concerns growing up and what’s gained and lost with maturity, while considering the challenges of living as a writer in a culture that’s skeptical of the creative arts. Other threads include travel, wanderlust, the psychological effect of place, and mortality.

Following up on his book, Claremont Boy, noted attorney Joseph D. Steinfield offers more thoughtful commentary in this new collection of essays. In Time for Everything, Steinfield first looks back at friends, heroes, family, travel, being Jewish, and, of course, sports. He then turns his thoughts to the law and offers insight into issues that are particularly relevant today, such as the right to vote, executive power, the internet, and Constitutional issues arising during the coronavirus pandemic.

In her new book, In Praise of Listening, Christian McEwen reflects on listening (silence, music, nature, prayer, &c.) in a series of thoughtful chapters, each one focused on a different theme. When an athlete speaks of “listening to his body,” or a gardener describes herself as “listening to the land,” when writers and artists explain that they are “listening” to their work-in-progress, they are using the word as she chooses to use it here—as an extended metaphor for openness and receptivity, rippling out from the self-centered human to the farthest reaches of the non-human world. In Praise of Listening is a kind of sister or first cousin to McEwen’s earlier, timely, and very popular, World Enough & Time (Bauhan Publishing, 2011), with the same emphasis on creativity and slowing down. As McEwen says: Most of us think of listening in fairly literal fashion: human beings listening (or not listening) to one another;the pleasure of attending to a familiar piece of music. But listening can have a far broader and more capacious meaning, moving out beyond the small apparatus of the ears to the hands or belly or enveloping spirit/mind.

More than twelve years ago, over the course of ten years training teachers to write their own poems in order to pass the craft along to students, McEwen realized that nothing comes easily when life is conducted at a high rate of speed.In this updated, second edition, she reflects on the experience of publishing World Enough & Time in 2011. In addition readers and the public comment on the impact World Enough has had on their lives. McEwen draws not only on personal experience, but on readings ranging from literary anecdote and poetry to Buddhism, anthropology, current news, and social history, all supplemented by interviews with contemporary writers and artists. This is a real reader's book, one that stands up as both sustained narrative and occasional inspiration.McEwen espouses the pleasure to be found in slowing down, both for the ease and comfort of the thing itself (taking time to go for a walk, to write down one's dreams, to read, to talk, to pray), and for its impact on creativity. There are chapters on walking, talking, drawing, dreaming, on making space, on pausing/praying, on telling stories. World Enough Time is aimed at the educated general reader, could be used as a creative primer, and will be of interest to creative writing students and artists in every genre.

Brad Crenshaw, in choosing the book for the May Sarton New Hampshire Poetry Prize, notes: “Heather Treseler is compelling. We immediately want to listen to her the way we might listen to a lyric singer full of melody and rhythm. . . But make no mistake, running through all her lyricism is a staring, unblinking intelligence that informs us about what she sees. Her vision is inclusive, generous, wide-ranging, and enthralling.”

While restorative justice refers to a set of principled responses to harm centered on healing, often in a legal context, and restorative practice extends those responses to other contexts such as schools and the workplace, restorative being embeds connection, compassion, belonging , and accountability into everyday life. "This book reflects not just on how restorative practices can re-shape our world but also on how each of us can be more restorative in our world. Weaving the doing with the being, the lessons learned with the frameworks, the poetry with the memoir, is both helpful and hopeful. On top of that, Leaf’s work on co-creating a restorative pedagogy is enlivening and expanding young people’s sense of safety, imagination, and community in these uncertain times. By connecting the practices of restoration with the challenging contexts of our world, Leaf is showing how possible it is to shift from an all-or-nothing, fear-based, punitive approach, to one that encompasses the both/and, the wholeness of life, and love for all." —Shilpa Jain

Judge David Blair writes: “This is a poet with range––sympathies, anger, tragedy, other people, love, humor. . . . Richards writes unsentimental poems that road-trip through our times and look around at who is with us when we stop to fill up our cars at gas stations, [who] has been with us in offices . . . she reminds us of what the country has gained in consciousness and freedom, . . . what sorrows and suicides we have left necessarily behind, as the bus pulls up at the curb in the don’t-you-get-it-yet years we have been motoring through lately.”