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Two books by Maurice Rajsfus, a French activist and former investigative journalist for Le Monde, who shares his research and personal recollections in order to shed new light on France's role in the Holocaust.
In the first volume, "Operation Yellow Star," Rajsfus meticulously analyzes archival documents, demonstrating the extent of police collaboration with the Vichy regime and how it facilitated the persecution, deportation, and ultimately the death of hundreds of thousands of Jews. Examining long-unseen arrest records and transcripts, Rajsfus seeks to understand how and why many average French citizens resisted Nazi occupation while others were willingly complicit. In the second book, "Black Thursday," Rajsfus recounts his own experiences of July 16, 1942, when he and his family were arrested as part of the Vel’ d'Hiv roundup, the largest ever in France, of 13,000 Jews. While most of those detained during the two-day sweep eventually died in Auschwitz, the author survived and has spent the rest of his life grappling with his country's betrayal. Together, the two volumes by Rajsfus offer a damning exposé of the bureaucracy of genocide, laying bare how cultural bias, political self-interest, and the influence of right-wing media led to the implementation of the Yellow Star as a segregationist device and determined France’s culpability in the Holocaust.
Maurice Rajsfus is the author of thirty books and from 1994–2012 he created and circulated "Que fait la police," a "Cop Watch" bulletin detailing human rights abuses. He lives in Paris with his wife, sons and grandchildren.
Phyllis Aronoff has won the Jewish Literary Award for translation and the translation prize from the Quebec Writers' Federation. She was president of the Literary Translators' Association of Canada and from 2007–2015 represented translators on the Public Lending Right Commission of Canada.
Mike Mitchell (b. 1941) is an award-winning translator of French and German who has been active as a translator for over thirty years. In 2012 the Austrian Ministry of Education, Art and Culture awarded him a lifetime achievement award as a translator of literary works. He lives in Scotland.
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An intimate, often humorous exploration of the intertwining cycles of death, rebirth and coincidence through the eyes of an existential artist.
An amazing game of mirrors. […] Original and promising.—Le Monde
2014 Anton Wachter Prize for Best First Novel; Golden Book Owl Reader''s Choice Award; Opzij Feminist Literature Prize; 2014 Lucy B. & C.W. van der Hoogt Prize; Nominated for the John Leonard Prize, National Book Critics Circle
Meet Minnie Panis, a young and talented conceptual artist navigating love affairs, her unexpected success in the art world, and her relationship with an emotionally distant mother. After surviving a near-death experience falling through the ice during her ultimate artwork, Minnie begins to uncover the truth behind her premature birth with the help of the doctor who saves her life—as it turns out—twice. Entering into his clinic, whose motto is All the fish needs is to get lost in the water, Minnie arrives at the border of life’s ebb, where meaningful art and revelations occur.
Niña Weijers’ remarkable, inventive novel depicts a contemporary conceptual artist at the height of her fame, whose blasé art project has unintended consequences. Weijers invokes Kurt Vonnegut in the course of the narrative, and this novel shares Vonnegut’s sense of how things can be simultaneously real and absurd. Movies and books notoriously fail to capture the social and spiritual atmosphere of the contemporary art world, but Weijers nails it. Her book is beautifully written, surprising and often profound.—Chris Kraus
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Beginning in the early morning hours of July 16, 1942, and lasting for two days, the French police went beyond Nazi ordinances and took it upon themselves to arrest and imprison more than 13,000 Jews at a Paris sporting arena, the Vélodrome d'Hiver.
For most of the Jews, this detention without water, food, or sleep was the first horrific step toward death in the concentration camps. Using recently opened police files, Maurice Rajsfus details the internal organization of the police, showing the mechanisms of this raid in particular and of raids in general, making the book an indispensable micro-history of the Holocaust. A uniquely detailed study of a notorious incident of cooperation between xenophobic and anti-Semitic forces. Shocking, large compilation of published articles in the collaborationist press that promoted social discord and hatred of Jews, distorted or obscured the raids on immigrant Jews in Paris under Nazi occupation, and used emotional appeals to nationalism to justify persecution. A companion piece to Rajsfus's Operation Yellow Star / Black Thursday (DoppelHouse Press, 2017), The Vél d'Hiv Raid, is the only contemporary analysis of the roundup, its precursors and its aftermath, including witness and police reports, shocking excerpts from the collaborationist press, and speeches by contemporary French politicians whose official apology is still not complete and terribly overdue.
With a foreword by Israeli activist and author Michel Warschawski.
Maurice Rajsfus (b. 1928), a former investigative journalist for Le Monde, survived the Vél d'Hiv roundup. He has written thirty books, including many examining the Vichy regime and its legacy in French police culture. Several of his books about his World War II experiences are the basis of a YA comic published by Tartamudo editions, as well as a theatrical production and a film. He lives in Paris with his family.
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The oral history of a renowned Czech writer, whose optimism and faith in people survived grueling experiences under authoritarian regimes.
Heda Margolius Kovály (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street—based on her own experiences living under Stalinist oppression—was named an NPR Best Book in 2015.
In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovály and award-winning filmmaker Helena Treštíková. In it, Kovály recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slánsky Trial and executed for treason. Remarkably, Kovály, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996.
Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda''s life directly with maximum intensity. Nevertheless, she remained an optimist.
Helena Treštíková has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan.
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282 kr
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The abandoned daughter of Pablo Neruda speaks through “incandescent poetic prose full of magical realism, biographical details and psychological insight."
Winner of the Fintro Prize for Literature
Malva, a precocious eight-year-old ghost, is running amok in the afterlife with a cadre of other lost children. She searches for her father, the famous poet Pablo Neruda, and wants him to know the details of her small, but not insignificant life. Why did he abandon her, and her mother Maria? And what became of him? Who was he before he had a child? And what did she, his only child, mean to him?
From her omniscient perspective, the once disabled and mute Malva now travels through the world and through time, seeing her father as a young boy, later as he courted her mother in Dutch-Indonesia, and how his political passions drove his life. She scrutinizes every moment, seeking to understand and resolve her loss. With the wisdom of a child, she picks up her father’s pen and conducts literary mischief, courting the great poets of our time and bringing her chosen ghostwriter, Hagar Peeters, news of her own father, who was a journalist in Chile during the coup and Neruda’s mysterious death.… Startling, profound, and graceful, Peeters brings to readers the world Malva could not describe in life, an extraordinary story of love that spans earth and heaven.
Hagar Peeters (b. 1972), nominee for Dutch Poet Laureate, has won numerous prizes and published several volumes of poetry: Enough Poems Written About Love Today (1999), Suitcases of Sea Air (2003), Runner of Light (2008) and Maturity (2011). She spent ten years researching the life of Malva in The Netherlands and Chile. She lives in Amsterdam with her son.
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A memoir by an American who almost single-handedly introduced Soviet rock to the free world, [...] Stingray, who wrote this memoir with her daughter, Madison, nicely captures her daring amid an atmosphere of liberation and fear, and she''s a study in moxie and enthusiasm.—Kirkus Reviews
As one of the first American musicians to break through the Soviet scene, and one of the few women to be seen as an equal amongst Leningrad’s pantheon of rock superstars, Stingray’s perspective on the development of late Soviet rock is probably the single most important source for those who want a birds-eye view of late Soviet youth culture, and Stingray’s stories are as entertaining as they are relevant and illuminating.—Alexander Herbert, author of What About Tomorrow?: An Oral History of Russian Punk from the Soviet Era to Pussy Riot
Wild and vivid — a rollicking memoir of romance and rock ‘n’ roll in an era of upheaval and transition. From Los Angeles to Leningrad and back again, Joanna’s story is borne along by her infectious, headlong enthusiasm. It’s quite a ride.—Patrick Radden Keefe, creator of the Wind of Change podcast and author of Say Nothing: A True Story of Murder and Memory in Northern Ireland
The history of Russian rock music could have been very different without Joanna Stingray. Joanna was friends with rock musicians, recorded songs with them, shot their videos and brought them clothes and instruments from the West. Her video footage, capturing young icons of Russian rock like Viktor Tsoi, Sergei Kuryokhin, Timur Novikov and Boris Grebenshchikov, is rare evidence of the golden era of the Soviet underground.—The Moscow Times
Red Wave is a warm and conversational autobiography about a lost world, peopled with courageous artists risking their freedom for the ideas of expression, art, and rock ‘n’ roll. [...] We root for her and her friends to overcome bureaucracy, oppression, isolation, deprivation, and the heavy footsteps of the KGB. [...] In a readable and personable way, Red Wave helps shine some light into this remarkable corner of rock history. —Tim Sommer, Guernica
Joanna Stingray''s appearance in St. Petersburg in the early 1980s must have been God''s response to our unconscious prayers. Her naive bravery, curiosity and generosity created a kind of a lifeline for us rockers: she brought in things we needed to play our music, and took out not only our recordings but the very message of our existence. Had it not been for her and her Red Wave, it would have taken Aquarium many more years to have official records on Melodiya and Kino to start touring Europe. This fearless maiden broke through the siege that looked hopelessly unbreakable. She threw a life-saver into our waters and she changed everything. No matter how many times we thank her — it''s never enough.—Boris Grebenshchikov (Aquarium), 2018141 kr
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A poet''s hiking vacation turns deadly in soaring Mojave heat; his true survival story leaves you with chills. Rosenthal’s shocking ordeal was covered on The Discovery Channel and on "Fight to Survive" with Bear Grylls.
A real estate broker in Downtown Los Angeles, Ed Rosenthal''s passion is poetry, writing about the historic buildings he sells and advocates to preserve. He hates slumlords, is fed up with his buyers, and finally escapes to the Mojave to bathe at a natural spring and take his favorite hiking trip in Joshua Tree National Park. But his vacation soon turns into a nightmare. Over six grueling days without water, food, or hope, he discovers a well of perseverance in the snippets of his life that play over the deadly but inspiring landscape, in which he finds himself utterly and inexplicably lost. The God of Random Chance has, despite his best efforts his whole life, finally caught up to him. He describes his ordeal and its setting in intimate, vivid detail: surreal visions mix with wayfinding and intuitive wisdom in a poet’s-eye view of the life-lessons and magic that the desert can hold.
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A daughter breaks the family silence about her mother’s schizophrenia, reframing hospitalizations, paranoia, illness, and caregiving through a feminist lens.
Claire Phillips’ elegantly written and unflinching memoir about her mother, an Oxford-trained lawyer diagnosed in mid-life with paranoid schizophrenia, challenges current conceptions about mental illness, relapse and recovery, as well as difficulties caring for an aging parent with a chronic disease. Told in fragments, the work also becomes a startling reflection on the evolution of feminism as seen through mother-daughter relationships.
Only with her mother’s final relapse at age 73 did the author begin to tell this story, first in Black Clock magazine, an essay for which she received a Pushcart nomination and notable mention in The Best American Essays 2015.
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