Featherproof Books – förlag

In this striking novel-in-stories, a series of strange apocalypses have hit America. Entire neighborhoods drown in mud, glass rains from the sky, birds speak gibberish, and parents of young children disappear. Millions starve while others grow coats of mold. But a few are able to survive and find a light in the aftermath, illuminating what we've become. In "The Disappeared," a father is arrested for missing free throws, leaving his son to search alone for his lost mother. A boy swells to fill his parents' ransacked attic in "The Ruined Child." Rendered in a variety of narrative forms, from a psychedelic fable to a skewed insurance claim questionnaire, Blake Butler's full-length fiction debut paints a gorgeously grotesque version of America, bringing to mind both Kelly Link and William H. Gass, yet imbued with Butler's own vision of the apocalyptic and bizarre.

Hiding Out is a collection of hilarious, sparkling stories about people avoiding the consequences of their poor decisions. A jilted lover dresses as a robot to win back the heart of an ex-girlfriend. A man builds a time machine to embrace the identity he always denied. Playful and empathic, these misadventures feature lonely hearts failing terribly to make a connection.

If anything's going to save the characters in Amelia Gray's debut from their troubled romances, their social improprieties, or their hands turning into claws, it's a John Mayer concert tee. In AM/PM, impish humor and cutting insight are on full display. Readers tour the lives of 23 characters across 120 stories full of lizard tails, Schrodinger boxes, and volcano love. June wakes up one morning covered in seeds; Leonard falls in love with a chaise lounge; Betty insists everything except flowers are a symbol of her love for her husband; Andrew talks to his house in times of crisis. Written every morning and night for two months, these brief vignettes (50 to 100 words) recall Donald Barthelme in their whimsy and subtle yet powerful emotions. An intermittent love story as seen through a darkly comic lens, AM/PM mixes poetry and prose, humor and hubris to create a truly original work of fiction.

After three novels, dynamic and masterful young writer Christian TeBordo, has finally collected his best short stories in The Awful Possibilities. A girl among kidney thieves masters the art of forgetting. A motivational speaker skins his best friend to impress his wife. A man outlines the rules and regulations for sadistic child-rearing. A teen in Brooklyn, Iowa, deals with the fallout of his brother's rise to hip hop fame. Populated with the people we've all heard whispering in hallways, mumbling in diners, shouting in the apartment next door, these brilliantly strange set pieces explode the boundaries of short fiction and locate the awe in the awful possibilities we could never have imagined.

Lindsay Hunter tells the stories no one else will in ways no one else can. In this down and dirty debut she draws vivid portraits of bad people in worse places. A woman struggles to survive her boyfriend's terror preparations. A wife finds that the key to her sex life lies in her dog's electric collar. Two teenagers violently tip the scales of their friendship. A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read.

In this genre-busting book from award-winning novelist Patrick Somerville characters, stories, and stray thoughts revolve around the "The Machine of Understanding Other People," the story of a Chicago man who is bequeathed a supernatural helmet that allows him to experience the inner worlds of those around him. Through his lonely lens we peer into the mind of an art student grappling with ennui, ethics and empathy as she comes to terms with her own beliefs in a godless world. We telescope out to the story of idiot extraterrestrials struggling to pilot a complicated spaceship. We follow a retired mercenary as he tries to save his marriage and questions his life abroad. Mind-bending and cracklingly new, Somerville's broadly appealing and uniquely imaginative constructions probe the outer reaches of sympathy, death, and love in a world seen from the inside out.

In this striking novel-in-stories, a series of strange apocalypses have hit America. Entire neighborhoods drown in mud, glass rains from the sky, birds speak gibberish, and parents of young children disappear. Millions starve while others grow coats of mold. But a few are able to survive and find a light in the aftermath, illuminating what we’ve become. In “The Disappeared,” a father is arrested for missing free throws, leaving his son to search alone for his lost mother. A boy swells to fill his parents’ ransacked attic in “The Ruined Child.” Rendered in a variety of narrative forms, from a psychedelic fable to a skewed insurance claim questionnaire, Blake Butler’s full-length fiction debut paints a gorgeously grotesque version of America, bringing to mind both Kelly Link and William H. Gass, yet imbued with Butler''s own vision of the apocalyptic and bizarre.

After three novels, dynamic and masterful young writer Christian TeBordo, has finally collected his best short stories in The Awful Possibilities. A girl among kidney thieves masters the art of forgetting. A motivational speaker skins his best friend to impress his wife. A man outlines the rules and regulations for sadistic child-rearing. A teen in Brooklyn, Iowa, deals with the fallout of his brother''s rise to hip hop fame. Populated with the people we''ve all heard whispering in hallways, mumbling in diners, shouting in the apartment next door, these brilliantly strange set pieces explode the boundaries of short fiction and locate the awe in the awful possibilities we could never have imagined.

Lindsay Hunter tells the stories no one else will in ways no one else can. In this down and dirty debut she draws vivid portraits of bad people in worse places. A woman struggles to survive her boyfriend''s terror preparations. A wife finds that the key to her sex life lies in her dog’s electric collar. Two teenagers violently tip the scales of their friendship. A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read.

From award-winning novelist Patrick Somerville comes this genre-busting novel-in-stories that leaps between small-town suburbs and the outer reaches of outer-space. A cast of outcasts—including the world''s angriest mercenary, a sad surrealist, and a messianic alcoholic lawyer—bind together in this surprisingly warm exploration of love and identity in the post-millennial world.

Reunited for a funeral and leery of one another, a family compares splintered memories. Will bathes his grandmother. Mel gives her wig a haircut. Norman is not prepared to take over his father's club. Jesse has never known how old he is. They each cope with limited options and murky desires. An irreducible collage, as intuitive as it is formal, The Karaoke Singer's Guide to Self-Defense drifts between story lines and perspectives. Long bus rides through a post-industrial Gothic Midwest, Classic Rock, and compulsive brawls hum a requiem for the late night life of Stone Claw Grove.

In a purgatory at the banks of the Hiwasee River in southeastern Tennessee, two teenagers -- the garrulous John Stone and the young Jenny Evenene -- barrel through an endless night in a Firebird Trans Am. Jenny wakes each morning, the same morning, and chronicles the events of her final day, her memory reaching back into the recesses of mythical time, recollecting cosmogonies, eschatologies, and metamorphoses that mingle with the details of her violent end. As the two heroes drive through the night, drinking cold American beer and listening to the soothing tunes of the country music station, the dramatis personae of the process of decomposition encroach upon them from the darkness beyond the headlights: the turkey vultures that soar above them, baited by decaying corpses, are at once the successors of the sacred buzzard whose talons first massaged the earth into being and the double of the screaming chicken emblazoned on the hood of the Firebird, which is itself at once the illustrious automobile of teenage dreams, vehicle of transmigrating souls, and ancient phoenix, millennial sigil of the sun, of biochemical resurrections, and Heraclitean thunderbolt who steers all things.

MAKE X collects memorable work published throughout the last ten years by beloved Chicago literary magazine MAKE. Through fiction, nonfiction, poetry, and reviews, alongside new visual art portfolios, interviews, and stories from the editors, MAKE X honors a decade of storytelling and literary rabble-rousing in Chicago.

See You In the Morning is a book about three 17-year-olds, Rosie, John, and the narrator, who take care of each other one summer in a small Midwestern town. Rosie is a mystic romantic whose dad earned so much money writing screenplays that she doesn’t need an after-school job. John, Rosie’s ex, works at the roller rink in a rabbit costume and takes care of his mom when she''s tired after a day cutting hair. The narrator works at a bookstore and sometimes focuses so hard on their reading that they see polka dots take over the room. John is the narrator''s best and oldest friend, so now the two of them must be in love, right? Because if they aren''t, why stay in town? But if they aren''t, who else will ever understand? What is love and how does it work? See You In the Morning happens at diners and house shows, in paragraph-shaped poems, and the narrator''s angry, tender, colorful voice.

Erratic Fire, Erratic Passion is a collection of found poems composed of the words of professional athletes.The content of post-game interviews and sports chatter is so often meaningless, if not insufferable, and yet there are athletes like Metta World Peace who transcend lame clichés and rote patter, who use language in surprising ways, who can be funny and shocking and insightful and alarmingly sincere — pure poetry. Muhammad Ali offered dazzling displays of lexical wizardry, and Allen Iverson’s infamous “practice” rant shifted the post-game press conference from the banal to the absurd.This book is a celebration of these rare and exceptional moments. Various poetic forms and line-breaks highlight — or, in the words of Deion Sanders, “deem to set a candor on” — the sophisticated, sublime, and surprising performances of language made by professional athletes.

Set in fall 1988, Sunshine On An Open Tomb shuttles between two storylines: the creation of The CIA as a result of the Texas/Kingdom oil connection, and a love triangle involving the moon. Our narrator is the brooding runt of a political dynasty whose father is about to be appointed Prez. He is thoughtful, but has trouble expressing himself due to his many physical defects as a result of inbreeding. Desperate for content at the advent of the 24-hour news cycle, even our narrator is suddenly of interest to The Media. So after years of living freely among The Barbarians, The Family hides him away in one of its secret hideouts. Exhausted by the shape-shifting estate and his irresolvable love life, our narrator cloisters himself deep in the estate’s bunker and constructs a tomb around himself out of soup cans. Here he gets to work correcting the best-selling, so-called objective biography of The Family.

In a purgatory at the banks of the Hiwasee River in Southeastern Tennessee, two teenagers—the garrulous John Stone and the young Jenny Evenene—barrel through an endless night in a Firebird Trans Am. Jenny wakes each morning, the same morning, and chronicles the events of her final day, her memory reaching back into the recesses of mythical time, recollecting cosmogonies, eschatologies, and metamorphoses that mingle with the details of her violent end. As the two heroes drive through the night, drinking cold American beer and listening to the soothing tunes of the country music station, the dramatis personae of the process of decomposition encroach upon them from the darkness beyond the headlights: the turkey vultures that soar above them, baited by decaying corpses, are at once the successors of the sacred buzzard whose talons first massaged the earth into being and the double of the screaming chicken emblazoned on the hood of the Firebird, which is itself at once the illustrious automobile of teenage dreams, vehicle of transmigrating souls, and ancient phoenix, millennial sigil of the sun, of biochemical resurrections, and Heraclitean thunderbolt who steers all things.

From the Inside is the autobiographical account of a rebellious adolescent''s run-ins with—and attempted escapes from—the law, an abusive and uninterested family, the Menninger Clinic sanitarium, budding teenage sexuality, and, among the many other expected consequences of youthful deviance, the inner-workings of one’s own medicated and shifting mind.Much like the narrators of The Outsiders and Over the Edge before him, John Henry Timmis IV recounts these experiences with an adolescent braggadocio, blurring intensely personal confessions and exaggerated fantasies, in hopes of mythologizing himself and claiming a spot in the canon of rebellious youth. The major difference is: in Timmis''s case, it all actually happened... Or did it?Timmis passed away in 2002 and no one in his family or those mentioned in the book (that could be found) agreed to comment on its authenticity. From the Inside has therefore been treated as a found object, left entirely unedited aside from the changing of names and an added introduction from Plastic Crimewave. It is ultimately up to you, the reader, to parse out what is man, myth, and self-assigned legend.

In I’m Fine, But You Appear to Be Sinking the strange and the mundane collide. These are stories of strange experiences set in familiar places, and of familiar experiences set in strange places. Many of the pieces in I’m Fine take place close to home, in suburban neighborhoods, or rural communities. The settings are conventional, yet something unexpected, or even magical, is occurring. In one piece, a couple speculates about random objects that appear without reason in their backyard. In another, neighbors try to figure out if a local meth dealer is keeping a live tiger captive on his property. In other pieces, it’s the setting that’s fantastical, but the characters’ reactions that remain ordinary, like in the titular story where a journalist lost at sea and hunted by a mythical ocean creature admits to struggling with loneliness and isolation in much the same way he does even when he’s safe at home.Although they are not directly linked by any specific character, the pieces in this collection are bound through reoccurring imagery and a shared theme of protagonists in emotional peril. There are unexpected appearances and disappearances, movement of inanimate objects, the search for something lost, the finding of something unusual. There are prophesies, dreams, unidentifiable creatures, and environmental catastrophes on a scale both large and small. There are action figures and octopuses, sullen teenagers and missing cats. At their core, these stories are imbued with mystery, oddity, humor, and empathy. They each stand on their own, but mean considerably more when read together.

The people of Pie Time are suffering from God’s Finger, a mysterious plague that leaves its victims dead with a big hole through their chests. In each hole is a random consumer product. Mano Medium, a sensitive, young cigarette-factory worker in love, does his part by quitting the factory to work double-time as Pie Time’s replacement barber and butcher, and by holding the things found in the holes of the newly dead. However, the more people die, the bigger Mano becomes.XO, the power-hungry corporation bent on overtaking Pie Time, and Father Mothers, the bumbling priest, have their own ideas about how to capitalize on God’s Finger. By contrast, and powered by honoring his own lost loves, Mano fights to resist this exploitation by teaching death to those who can’t afford to survive it. As Pie Time and Mano both grow irrevocably, Mano must make a decision about how he can best fit into his own life.With a large cast of unusual characters, each struggling with their own complex and tangled relationships to death, money, and love, Mammother is a fabulist''s tale of how we hold on and how we let go in a rapidly growing world.

KP is the brother of a mass shooter. JD is the shooter''s number 1 fan. The pair drives through rural Idaho, the physical and psychological landmarks of the violence imposing themselves on the characters and the reader. The Spud is a puzzle: thinking/watching/living a movie rerun.

The Enchanters vs. Sprawlburg Springs is a satirical, riotous story of a band trapped in suburbia and bent on changing the world. A frenzied "scene" whips up around them as they gain popularity, and the band members begin thinking big. It's a hilarious, crazy send-up of self-destructive musicians.

Billy Jones and his dad have a score to settle. Up in Chicago, Billy drowns his past in booze. In South Carolina, his father saddles up for a drive to reclaim him. Caught in this perfect storm is a ragged assortment of savants: shape-shifting doctor, despairingly bisexual bombshell, tiara-crowned trumpeter, zombie senator.

Degrees of Separation features graphic designers living in, originating from, or connected to New Orleans, Louisiana. It contains 33 detachable postcards that visually articulate the intricate nature of people’s experiences and reflections upon hurricane Katrina and its devastating aftermath. The book fits neatly into a customized sleeve featuring a typographic representation of the thematic content.