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A Visionary Poem by the Celebrated Aboriginal Australian Writer Ali Cobby EckermannAli Cobby Eckermann's sparse, visionary poem follows the contours of an Australian landscape and dreamscape, accompanied by magpie and owl, sun and moon, as well as a daughter named Blessing. With a reciprocity between inner and outer realities, She Is the Earth tells a story of becoming, "a ritual made of self."

A selection from fifty years of Merrill Gilfillan's lyrical and vivid poetryMerrill Gilfillan's Three Roans in the Shallows, One of Them Blue: Selected Poems draws from more than a dozen volumes since his first book appeared in 1970, concluding with three short "poetic diaries" in the tradition of Japanese haibun. Wistful, joyful, resonant with "Season through place, / Place in season, in place," the hundred various poems—landscapes, epistles, "tunes meant for whistling"—are propelled throughout by affinity, reflection, and requital./>/>I think of you/>as the tarts come out />of the oven—Ohio butternuts />from Ohio butternut />trees—and last summer's />ash seeds rattle />in the wind beyond/>the window: small />bat-of-the-eye pleasures />of winter. Deep. Distilled.

The poems in Andrew E. Colarusso's Pettygod are irrepressible, holy, profane, tender, hilarious, "too hot to touch."_x000D__x000D_"Andrew E. Colarusso's newest is a sharp-edged erotic, politically unflinching poetry collection where syntax is shattered to reveal deeper ancestral reckoning. Like Kamau Brathwaite, Colarusso understands the page as a score to conjure rebellion, bend grammar, break form, and tune the line to the frequency of diaspora, confessional grief, and spiritual survival. His language pulses with both prophecy and protest, as seen in poems like 'The Pussy Detective,' which blends pulp poetics, satire and sovereignty, and refuses the sanitized gaze of empire while regarding the vernacular as sacred terrain. In 'Who Hath Known the Mind of God,' the writer reckons despair and the brutal intimacy of city life as it unfolds into a fever dream of love and despair. Across his work, interiority becomes a site of disruption, therefore, Pettygod be a living archive for the haunted and the holy. Colarusso scribes like fire, raising sacred spaces from ash, where fracture and ruin form the raw scaffolding of a resilient desire to be free."—Mahogany L. Browne