Odyssey Editions – förlag

The great novel of the American dream, of “the universal eligibility to be noble,” Saul Bellow’s third book charts the picaresque journey of one schemer, chancer, romantic, and holy fool: Augie March. Awarded the National Book Award in 1953, The Adventures of Augie March remains one of the classics of American literature. An impulsively active, irresistibly charming and resolutely free-spirited man, Augie March leaves his family of poor Jewish immigrants behind and sets off in search of reality, fulfillment, and most importantly, love. During his exultant quest, he latches on to a series of dubious schemes – from stealing books and smuggling immigrants to training a temperamental eagle to hunt lizards – and strong-minded women – from the fiery, eagle-owning Thea Fenchel, to the sneaky and alluring Stella. As Augie travels from the depths of poverty to the peaks of worldly success, he stands as an irresistible, poignant incarnation of the American idea of freedom. Written in the cascades of brilliant, biting, ravishing prose that would come to be known as “Bellovian,” The Adventures of Augie March re-wrote the language of Saul Bellow’s generation.

The most exuberant and funny of all Bellow’s novels, Henderson the Rain King remained the author’s personal favorite. Its outsized hero, Eugene Henderson, a mountain of a man, a millionaire, the father of many, remains adrift. Aggrieved, worn-out, all but defeated he longs to set things straight. Following the promptings of his unforgettable inner voice—“I want, I want, I want”—our hero finds himself in Africa. Henderson makes his way into a mythic sun-baked interior, where among exotic tribes he finds fellow seekers, teachers and soulmates. Whether blowing up a cistern full of frogs or learning to walk without fear among the lions, soulful, zany Henderson intends to burst his “spirit’s sleep.”

Moses E. Herzog, the protagonist of Saul Bellow’s Herzog finds himself in a pickle. He may be handsome, witty and wise, but his wife has just taken off with his best friend, and he is without resources to face his troubles. What is an academic to do when his personal life turns to chaos? Well this one writes letters—to enemies and friends, the living and the dead, politicians and philosophers—and even to God, though this last, along with the others, remains undelivered. An eccentric and vivid crowd of family and friends, keen to intervene as “reality instructors”, make things a lot worse for Herzog. And there’s no help in the books he has spent a lifetime studying. As Herzog’s comic predicament unfolds, we enter a mind as dazzling and brilliant as it is turbulent and confused, and we come away from the encounter surprisingly moved and satisfied.

Seize the day. Be in the present. Grasp the hour, the moment, the instant. This is the dubious advice given by outlandish Dr. Tamkin—part psychologist, part stockbroker—to poor Tommy Wilhelm. Unemployed, at the whim of his ex-wife and two children, and hurt by his proud and callous father, Wilhelm is disgusted with himself, yet forever hopeful that his suffering is purposeful. When he decides to entrust the last of his money to a mysterious commodities venture with Dr. Tamkin, he unwittingly sets in motion the most eventful day of his life. The journey that follows takes him across the length of New York City, from his hotel room at the Gloriana to the floor of the stock exchange, bringing him ever closer to "his heart''s ultimate need."

In 1975, Saul Bellow traveled through Israel, turning his keen powers of observation upon the country he did not know. This book is a record of his stay—his personal experiences and fleeting impressions—and a reflection upon what he ultimately learned about the hallowed land. In Bellow’s signature style, this personal account crackles with wit and controversy on America''s relationship with this embattled country, and in a series of vignettes, Bellow captures the opinions, passions, and dreams of Israelis. The varying viewpoints of those he encounters and interviews offer a revealing look at the history and challenges of Israel, and Bellow''s passionate storytelling draws listeners in to share in his experience, and dwell upon the Jewish experience in the twentieth century.

Who is Mr. Sammler? A Jewish intellectual educated in Western philosophy, a one-eyed Holocaust survivor, the future author of the greatest biography ever written of H.G. Wells ... or merely the trusted confidant of countless eccentric New Yorkers, a "registrar of follies"? Through the chaotic streets of the Upper West Side old Artur Sammler paces, meditating on the human condition; attentive to everything and appalled by nothing; haunted by his past, present, and future. His world seems on the brink of apocalypse; both the recent moon landing and the death of his beloved benefactor have him furiously speculating on the end. With his inimitable tragicomic mastery Saul Bellow delves once again, and the reader with him, into a contemporary and chaotic universe in which the most profound reflections on the meaning of life mingle with the absurd, histrionic, endless minutiae of the every day.

With his uncanny wit and perception, Saul Bellow tells the story of Charlie Citrine, a young man whose life is reaching a critical moment. Over several years, Charlie’s almost obsessive love of literature has led him into a deep friendship with the renowned poet Von Humboldt Fleisher, and when Humboldt dies, the young man’s life rapidly begins to unravel. A stalling career and an ugly divorce feed Charlie’s instability, and he engages in dubious friendships and an unwise liaison with the wrong woman. Amidst the chaos of a life in shambles, Charlie emerges by virtue of a legacy left by his departed companion, a legacy that offers him a glimpse of a new trajectory.

In this collection of more than thirty essays, published in The New York Times, Esquire and The New Republic, the vast range of Saul Bellow’s nonfiction is made abundantly clear. In Bellow’s capable hands, a single essay can range fluidly across topics as various as the talents of President Roosevelt, the economic narrative of Jay Gatsby, and childhood adventures in Chicago. In this rich mix of literary, political, and personal musings, Bellow is able to explore subjects as enormous as the writer’s search for truth, and as minute as the discomforts of a French doctors’ office. Traveling from Washington to Spain to the Sinai Peninsula, and profiling friends and characters such as John Cheever and John Berryman, Bellow is keenly focused and perceptive. These pages, spanning a lifetime of thought and debate, present provocative arguments and erudite literary criticism, all with the wry humor of a great storyteller. In It All Adds Up, Bellow turns his view away from the sparkling characters of his novels, and towards the conditions and qualities of his own experience of writing and living.

After being widely portrayed as a virulent racist and a traitor to his city, Professor Albert Corde, dean of the faculty of Journalism, is forced to leave Chicago. Corde is ill-equipped to handle the outrage that faces him, both as the author of several articles on Chicago’s endemic corruption, and as an outspoken figure in the controversial trial of two black men charged with killing a white student. Travelling to Bucharest to visit his ailing mother-in-law, he is unable to escape the comparisons in his mind between the corrupt and dehumanizing aspects of the communist regime, and the abandoned streets of his home city. Meditating on the juxtaposition between two distant worlds, and obsessing over events that begin to unfold both in Chicago and Bucharest, he begins to concede defeat. In this tormented tale, amid the swirling forces that threaten to drown his humanity, Corde slides ever closer to the brink of desolation.

Five of Saul Bellow’s most moving, richly textured, and exquisitely plotted short stories make up this volume, each providing a history of personality and self-awakening. The title story, “Him with His Foot in His Mouth,” follows a musicologist narrator who for years has scattered wounding witticisms “from the depths of my nature, that hoard of strange formulations.” As the story unfolds he tries to discover what led him into a “deep legal-financial hole,” while he awaits extradition from a refuge in British Columbia. “What Kind of Day Did You Have?” follows a divorced suburban woman and her lovers—would-be and actual—through a frantic day in their lives. Their needs and passions, as well as their comic conflicts, are matters of life and death. In “Zetland: By a Character Witness” and in “A Silver Dish,” Bellow returns, with his unequaled command of eloquent recollected detail, to a bygone Chicago, “Zetland” is a brilliant portrait of an artist as a young boy and a man, precocious and eccentric; “A Silver Dish” is a memorable story of a raffish, willful father and his affectionate son. “Cousins,” the final story in the volume, explores the mysteries of family feeling—mysteries that defy both logic and the worthiness of their objects, as Ijah Brodsky, successful in the larger world, is drawn into an encounter with criminal and naively idealistic forces. This collection represents a turning point in the bountiful career of Saul Bellow, a felicitous rendering of the human condition in all its absurd complexity.