PA Hearst Museum of Anthropology – förlag

Lila O'Neale's Yurok-Karok Basket Weavers, first published in 1932, remains one of the finest and most comprehensive books devoted to American Indian basketry. In contrast to the typical treatment of tribal arts in her day, which saw them as homogeneous, anonymous, and conservative, O'Neale regarded the weavers as individuals, with personal styles and outlooks and a capacity for innovation. A pioneer in the study of Native American art, she presented the art from the weaver's point of view. In addition to an introduction by O'Neale scholar Margot Schevill, this edition includes an appendix listing the identities and tribal affiliations of O'Neale's 43 consultants.

At the time of its publication in 1908, Pomo Indian Basketry was the most complete and detailed study of a single Native American basketry tradition. The work, prepared as Samuel Barrett's doctoral dissertation, earned the author the first Ph.D. in anthropology at UC Berkeley. Among its contents are sections devoted to materials, techniques, forms, and designs. This edition is supplemented with two early articles, "Basket Designs of the Pomo Indians" by Barrett (1905) and "California Basketry and the Pomo" by his teacher Alfred Kroeber (1909). Sherrie Smith-Ferri's introduction reviews Barrett's early life and research and identifies the human sources of Barrett's collections and information--a community of talented Pomoan basket weavers.Sherrie Smith-Ferri (Dry Creek Pomo/Bodega Miwok) is a curator at the Grace Hudson Museum in Ukiah, California.