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WINNER OF THE MILES FRANKLIN AWARD "Deftly traversing time, culture and continent to weave a tale of both home and unbelonging, this is truly a novel not to be missed." - Maxine Beneba Clarke, author of Foreign Soil and The Hate Race"Chandran is an excellent storyteller." - The Weekend AustralianWelcome to Cinnamon Gardens, a home for those who are lost and the stories they treasure.Cinnamon Gardens Nursing Home is nestled in the quiet suburb of Westgrove, Sydney – populated with residents with colourful histories, each with their own secrets, triumphs and failings. This is their safe place, an oasis of familiar delights – a beautiful garden, a busy kitchen and a bountiful recreation schedule. But this ordinary neighbourhood is not without its prejudices. The serenity of Cinnamon Gardens is threatened by malignant forces more interested in what makes this refuge different rather than embracing the calm companionship that makes this place home to so many. As those who challenge the residents’ existence make their stand against the nursing home with devastating consequences, our characters are forced to reckon with a country divided. Chai Time at Cinnamon Gardens is about family and memory, community and race, but is ultimately a love letter to storytelling and how our stories shape who we are.

‘An emotive and confronting debut.’ – Woman’s Weekly‘Truths of the heart, sisterly devotion, grief, and medical ethics – this beautifully-written debut is a life-affirming, love-filled tear-jerker.’ – Love Reading‘Posing profound questions about grief, love and fate, Bent’s debut celebrates life and sisterhood in an awe-inspiring way.’ – Harper's BazaarMarlowe and Harper share a bond deeper than most sisters, shaped by the loss of their mother in childhood. For Harper, living with what she calls the Up syndrome and gifted with an endless capacity for wonder, Marlowe and she are connected by an invisible thread, like the hum that connects all things. For Marlowe, they are bound by her fierce determination to keep Harper, born with a congenital heart disorder, alive. Now 25, Marlowe is finally living her own life abroad, pursuing her studies of a rare species of butterfly secure in the knowledge Harper’s happiness is complete, having found love with boyfriend, Louis. But then she receives the devastating call that Harper’s heart is failing. She needs a heart transplant but is denied one by the medical establishment because she is living with a disability. Marlowe rushes to her childhood home in Hong Kong to be by Harper’s side and soon has to answer the question – what lengths would you go to save your sister? Intensely moving, exquisitely written and literally humming with wonder, it is a novel that celebrates life in all its guises, and what comes after.

Spring in Paris … the perfect time to turn over a new leaf  In the heart of a city blooming with flowers, three women face life-changing challenges. Driven by grief over the sudden death of her mother, Corinne, Sydneysider Emma Taylor has taken refuge with her Parisian grandmother, Mattie, in her house with its secret garden. Determined to unlock the mysteries of Corinne’s past, Emma’s only clue is an enigmatic photograph.  Celebrated garden designer Charlotte Marigny believed she had a happy marriage, until her husband, Tom, inexplicably started to withdraw from her. Needing time to think about the future, she has fled their home in London for her native Paris.  Meanwhile, widowed Parisian florist Arielle Lunel had finally managed to get her life together, after her husband’s death and the discovery of his crippling debts three years earlier changed everything for her and their young twins. Now, her world is again turned upside down when her controlling parents-in-law arrive with a disturbing proposal...  Drawn together by loss and the romantic gardens of Paris, the paths of the three women begin to intersect as they develop an unexpected friendship that will transform their lives.  From the author of The Paris Cooking School comes a captivating story of loss and love, romance and revelations – and the pleasures of a secret Paris garden.PRAISE FOR A SECRET GARDEN IN PARIS‘There’s something special about Sophie Beaumont’s writing. Her stories are both exotic and enchanting, and familiar and friendly. You know the streets; you’ve walked them. You know the characters; you’ve met them. With her words, Sophie builds worlds solid enough to touch.’ – Australian Women’s Weekly‘Beaumont’s own French Australian background and her fondness for the French capital are evident in this novel about the healing power of women’s friendships and new beginnings.’ – The Australian‘The gorgeous gardens that exist behind high walls are characters in their own right, complementing the stories, adding colour and warmth.’ – Good Reading

When the Japanese invade in 1942, the Australian men and women stationed at the New Guinea port of Rabaul flee into the jungle.Written off by their government as ‘hostages to fortune’, the little-known garrison on Australia’s tropic frontier has been left with no modern equipment, no lifeline to the outside, and no means of escape. Most are captured and killed in the sinking of the prison ship Montevideo Maru, which remains Australia’s worst sea disaster. But the surviving soldiers and nurses carry on, to fight the Japanese on other fronts, or to witness the collapse of the Japanese Empire from the inside. Having borne the brunt of defeat, their letters and diaries also record the turning point of the war and the march to victory. Rich in detail drawn from first person accounts, Should We Fall To Ruin illuminates this untold period in military history. It is a compelling tale of bravery and resilience in the face of a seemingly unstoppable enemy.

LONGLISTED FOR THE MARK & EVETTE MORAN NIB LITERARY AWARDLONGLISTED FOR THE WALKLEY BOOK AWARD'Since I was a child, I’ve been interested in dead bodies. When I was eight years old, I dug up the remains of my pet budgie Zazbut. He had been buried for about eight weeks in a patch of grass outside our house in Dasmarinas, a fortified village in Manila, in the Philippines.‘The first exhumation was the beginning of my intrigue with death, which has persisted. As a journalist, I’ve written about graveyards, funerals and death doulas. I always visit the local cemetery wherever I am in the world. But one thing that has largely been hidden from me in this death trip is the dead body.'Dissection might not be a normal topic to contemplate but when both your paternal grandparents donate their bodies to science it does intermittently cross your mind. This is the story of how Jackie Dent’s grandparents—Ruby and Julie—gave their bodies to science when they died. No one in her family seems to know why, or what really happened with their bodies afterwards. Were they avid science buffs? Was it to save on cremation costs? How do scientists tackle the practicalities and ethics of cutting up the dead for research? And who are body donors generally?  Weaving the personal with the history of anatomy and the dissected, Jackie Dent explores the world of whole-body donation — all the while looking for answers as to what happened to her grandparents.

Two women. Two cultures. And a friendship that freed them both.‘We don’t choose where we’re born. Geography ends up being everything.’ Shaimaa Khalil and Shelley Davidow met twenty years ago in the Middle East when Shaimaa was Shelley’s student at the University of Qatar. Strangers in a strange land where the silencing and oppression of women is deeply entrenched, they immediately formed a deep and abiding bond. Shelley saw Shaimaa as her ‘Rosetta Stone’, helping her decode a culture and world so foreign it appeared to be from another planet. Shaimaa saw Shelley and her apartment as her ‘Tardis’, a space where she could glimpse a world she dreamed of inhabiting. Born a decade apart on opposite ends of the African continent – Shaimaa, an Arab Muslim from Egypt and Shelley an Ashkenazi Jew from South Africa – tell the story of a friendship that has defied historical, geographic and temporal boundaries, mapping the vast emotional and geographic territories they have travelled as women pushing against patriarchal confines over the past two decades. In an exchange of words and memories, Shaimaa and Shelley recall what shaped them, what broke them, and how they made themselves whole again through their interwoven stories.

‘What joy to be at sea again, adrift on the vast Pacific, in the clutches of a gifted storyteller. Harrison Christian and the mutineers of Men Without Country held me happily captive to the very last page.’ – Dava Sobel, author of Longitude‘Men Without Country shows what a writer can produce when he has real skin in the game... Harrison Christian sets the record straight on the Bounty mutiny with forensic fervour, including the before, the during – and the after.’ – Adam Courtenay, author of The Ship that Never WasFull of misadventure and mystery, Men Without Country is a sweeping history of exploration and rebellion in the South Seas – told by a direct descendant of Fletcher Christian, the man who led the infamous mutiny on the BountyA mission to collect breadfruit from Tahiti becomes the most famous mutiny in history when the crew rise up against Captain William Bligh, with accusations of food restrictions and unfair punishments.Bligh’s remarkable journey back to safety is well documented, but the fates of the mutinous men remain shrouded in mystery. Some settled in Tahiti only to face capture and court martial, others sailed on to form a secret colony on Pitcairn Island, the most remote inhabited island on earth, avoiding detection for twenty years. When an American captain stumbled across the island in 1808, only one of the Bounty mutineers was left alive.Told by a direct descendant of Fletcher Christian, Men Without Country details the journey of the Bounty, and the lives of the men aboard. Lives dominated by a punishing regime of hard work and scarce rations, and deeply divided by the hierarchy of class. It is a tale of adventure and exploration punctuated by moments of extreme violence – towards each other and the people of the South Pacific.For the first time, Christian provides a comprehensive and compelling account of the whole story – from the history of trade and exploration in the South Seas to Pitcairn Island, which provided the mutineers’ salvation, and then became their grave.

A profound insight into the stories behind the image of the Tour de France, showcasing the sacrifice, despair, strategy and chaos of those four weeks in July to reveal a fascinating new perspective on the greatest race on earth.Every year the Tour de France puts on one of the great viewing spectacles in sport, showcasing extraordinary human endurance and one of the most beautiful countries on the planet. But underneath the facade, it's a different story – a story of suffering, sacrifice and pain. This is that story. Pain and Privilege gets under the skin of cycling’s cruel super race and describes what the race that unites people from all over the globe is really like, from the laughs to the tears, from the politics to the personal, from inspirational triumph to desperate failure. Team staff, sports scientists, psychologists, media and dignitaries all contribute to draw a more complex and confronting portrait of the world's grandest sporting spectacle. With exclusive contributions from Richie Porte, Cadel Evans, Chris Froome, Michael Matthews, Caleb Ewan, Sam Bennett, Robbie McEwen, Michael Mørkøv, Jens Debusschere, Matt White, Allan Peiper, Cherie Pridham, Enrico Poitschke, Mathew Hayman, Simon Clarke, Marcel Kittel and Luke Durbridge. Plus, insights from Geraint Thomas, Mark Cavendish, Patrick Lefevere, David Brailsford, Tadej Pogačar and more.

"At once unsettling and totally captivating." – Natasha ShollBetween You and Me is a riveting portrayal of female friendship, and the frayed boundary between loyalty and desire.Mari and Elisabeth have been at the centre of each other’s lives for years. Close friends since university, they’re now drifting through their mid-twenties, working casual jobs and living in run-down share houses. When they meet Jack, a charming academic historian twenty years their senior, they’re attracted to the sophisticated, intellectual world in which he seems to move. As the summer gathers heat, Jack is drawn into their lives, and an unconventional relationship – halfway between friendship and love triangle – develops. But soon things grow more complicated, and as secrets and betrayals detonate, the fallout sets the course for the rest of their lives. In Mari and Elisabeth, Joanna Horton has created two unforgettable women, whose choices on the cusp of adulthood will resonate with anyone who has ever had to navigate where friendship, intimacy and love intersect when trying to make a life of one’s own.

‘Set in Sydney’s diverse Western suburbs, this tender coming-of-age story about love, loyalty and what home means also functions as a visceral love letter to the glorious, foliage-filled melting pot of its location… The author exposes various cultural stereotypes but then challenges and disrupts them, leaving us with a more nuanced view of the immigrant community she so evocatively describes. I rooted for Nicole and raced straight through to the end.’ – Daily Mail UKTwenty-six-year-old Nicole Najim is struggling to find herself after a painful breakup, just when she thought she was going to settle down.Working a dead-end job in the family car dealership and at a loose end, she picks up her camera and returns to the melting pot of Sydney’s West to rediscover her roots. When she catches up with childhood friend, Danny, who makes his living in a shadowy underworld, their relationship intensifies just as the law starts to close in. Nicole must weigh her feelings against her deepest fears, all while chasing her own dreams and capturing the hidden truths around her. Something Blue is a novel about loving home and leaving home, but never escaping your roots. Or your footy colours.

Winner of the Crime Fiction Lover Best Indie Crime Novel of 2022‘Ingenious, light-hearted and old-fashioned in the best possible way. A great read.’ – Maxim Jakubowski, Crime Time‘A seriously fun read.’ – Dervla McTiernan, author of The Murder Rule‘Wickedly clever, highly original and thoroughly entertaining – I loved it!’ – Chris Hammer, author of Scrublands‘Sulari Gentill delivers another murder mystery gem.’ – Tim Ayliffe, author of The Enemy WithinHannah Tigone, bestselling Australian crime author, is crafting a new novel that begins in the Boston Public Library: four strangers; Winifred, Cain, Marigold and Whit are sitting at the same table when a bloodcurdling scream breaks the silence. A woman has been murdered. They are all suspects, and, as it turns out, each character has their own secrets and motivations – and one of them is a murderer. While crafting this new thriller, Hannah shares each chapter with her biggest fan and aspirational novelist, Leo. But Leo seems to know a lot about violence, motive, and how exactly to kill someone. Perhaps he is not all that he seems... The Woman in the Library is an unexpectedly twisty literary adventure that examines the complicated nature of friendship – and shows that words can be the most treacherous weapons of all.

Meet Dorcas, a spirited 12-year-old struggling to contain her irrepressible humour and naughty streak in a family of Christadelphians in 1960s Adelaide. She is her mother’s least favourite child and always at the bottom of the order on the family’s string of beads that she and her younger siblings Ruthy and Caleb reorder according to their mother’s ever-changing moods.Dorcas, an aspiring vet, dreams of having a dog, or failing that, a guinea pig named Thruppence. Ruthy wants to attend writing school, and Caleb wants to play footy with the local team. But Christadelphians aren’t allowed to be ‘of the world’ and when their older brother Daniel is exiled to door knock and spread the good word in New South Wales after being caught making out with Esther Dangerfield at youth camp, each try their hardest to suppress their dreams for a bigger life. But for a girl like Dorcas, dreams have a habit of surfacing at the most inopportune moments, and as she strives to be the daughter her mother desires, a chain of mishaps lead to a tragedy no one could have foreseen. The Family String is a superb coming of age story that explores a fraught mother-daughter dynamic, and the secrets adults keep from their children. It is about resilience, and the loves that sustain us when our most essential bonds are tested, and how to find the way back through hope and forgiveness.

‘It isn’t strangers you need to worry about here. Blood lines run deep and in unexpected places. Every victim, every accused, we’ll know. The past runs alongside us all the time. Some days it spills into the open.’In the wild, coastal town of Merritt, Alex Tillerson and her mother make a shocking find on the beach. The police claim it’s an accidental death but there are whispers of murder and that it is not the first. Bella Greggs was found dead at the bottom of a ravine but drowned in salt water. Maxine McFarlane was pulled from the ocean but with no water in her lungs. Black feathers were found with both bodies but what do they mean?As Alex fights for answers to honour the dead, and to discover why her mother fled town as a teenager, good people keep looking the other way, memories become unreliable and secrets threaten to reveal the past.Alex discovers the truth never dies but it can kill…Praise for When We Fall:'A vivid, twisting story that keeps you guessing to the end. This is top-shelf Australian crime.' – Mark Brandi, author of Wimmera and The Others‘Atmospheric and absorbing, When We Fall is an absolute page-turner.’ – Sara Foster, author of The Hush'A suspenseful, rattling thriller with an ending that will have you gnawing your fingernails to the bone.' – Fiona Hardy, Readings‘A wonderful storyteller. The combination of art, death and small town secrets makes for a sinister, complex tale that I could not put down. I’ve loved all of Aoife’s books but I think this is the best yet.’ – Sarah Bailey, author of The Housemate

Sometimes you need to go deep into the past, to make sense of the present.   Alice had not expected to spend the first twenty years of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: was the world’s technology about to crash down around her? The world’s technology did not crash. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague. Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury set, colonial administrator, publisher and husband of one the most famous English writers of the twentieth century becomes something else altogether. Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.​

"Outstanding crime novel [...] electrifying." – The Sunday Times, November 2022 Crime Book of the Month"Adrian Hyland... sure has a way with words... The climactic inferno takes your breath away. More please." – The TimesCanticle Creek is a twisty crime thriller set in small town Australia.When Adam Lawson's wrecked car is found a kilometre from Daisy Baker’s body, the whole town assumes it’s an open and shut case. But Jesse Redpath isn’t from Canticle Creek. Where she comes from, the truth often hides in plain sight, but only if you know where to look. When Jesse starts to ask awkward questions, she uncovers a town full of contradictions and a cast of characters with dark pasts, secrets to hide and even more to lose. As the temperature soars, and the ground bakes, the wilderness surrounding Canticle Creek becomes a powderkeg waiting to explode. All it needs is one spark.

WINNER OF THE MILES FRANKLIN LITERARY AWARD'This is an engaging story that feels both urgent and necessary. It is also a terrific read.' – The Daily Telegraph (Australia)Welcome to Cinnamon Gardens, a home for those who are lost and the stories they treasure.Cinnamon Gardens Nursing Home is nestled in the quiet suburb of Westgrove, Sydney – populated with residents with colourful histories, each with their own secrets, triumphs and failings. This is their safe place, an oasis of familiar delights – a beautiful garden, a busy kitchen and a bountiful recreation schedule. But this ordinary neighbourhood is not without its prejudices. The serenity of Cinnamon Gardens is threatened by malignant forces more interested in what makes this refuge different rather than embracing the calm companionship that makes this place home to so many. As those who challenge the residents’ existence make their stand against the nursing home with devastating consequences, our characters are forced to reckon with a country divided. Chai Time at Cinnamon Gardens is about family and memory, community and race, but is ultimately a love letter to storytelling and how our stories shape who we are.

'A vivid, twisting story that keeps you guessing to the end. This is top-shelf Australian crime.' – Mark Brandi, author of The Others'The combination of art, death and small town secrets makes for a sinister, complex tale that I could not put down.' – Sarah Bailey, author of The Dark LakeIn the wild, coastal town of Merritt, Alex Tillerson and her mother make a shocking find on the beach. The police claim it’s an accidental death but there are whispers of murder and that it is not the first.'It isn’t strangers you need to worry about here. Blood lines run deep and in unexpected places. Every victim, every accused, we’ll know. The past runs alongside us all the time. Some days it spills into the open.'Bella Greggs was found dead at the bottom of a ravine but drowned in salt water. Maxine McFarlane was pulled from the ocean but with no water in her lungs. Black feathers were found with both bodies but what do they mean? As Alex fights for answers to honour the dead, and to discover why her mother fled town as a teenager, good people keep looking the other way, memories become unreliable and secrets threaten to reveal the past. Alex discovers the truth never dies but it can kill...

'Centred on three female outcasts who live on the margins of a cliquey community, this exquisite Australian noir novel shimmers with secrets, unlikely sisterhood and gasp-inducing twists.' – Love Reading'An incredible debut full of rich characters and a plot that will keep you guessing. Louise Wolhuter is a writer to watch' – J.P. Pomare author of In the Clearing'Darkly addictive. Once An Afterlife for Rosemary Lamb gets its teeth into you, there’s no escape' – Adrian Hyland, author of Canticle CreekJessie Else disappeared the summer the Lambs came to Magpie Beach. Not that the two events were connected at all, in reality; only in my own head, in my own world. They marked for me the end of a certain quiet time and the start of a more complicated living.Magpie Beach is a quiet seaside town – full of small-town prejudices and small-town cliques. Meg, Rosemary and Lily are all outsiders. Meg and Lily because they came to Magpie Beach to escape their former lives, Rosemary because her upbringing was the subject of much local gossip and upturned noses. The three women come together as friends, partly because their homes are so close together on the outskirts of town – and partly because their neighbours treat them with such suspicion. When Jessie Else, all of 9 years old, goes missing – it’s easy to see why this small band of outcasts are first on the list of suspects – but what they didn't realise is that Jessie’s disappearance is only the beginning of their troubles. Soon all those secrets they’ve been trying to hide are going to be uncovered – and nothing will ever be the same again.

‘A stand out amongst contemporary Australian literary fiction for its stylistic and structural ambition, God Forgets About the Poor is the novel Polites has been climbing to. It is moving, poetic, powerful - at once a folktale and a modern day lament. Christos Tsiolkas meets Gabriel Garcia Marquez.’ - Maxine Beneba Clarke, bestselling and award winning author of Foreign Soil and The Hate Race‘In God Forgets About the Poor, Polites has produced a masterpiece.’ - ArtsHub‘a triumphant reclamation, written in prose clean as polished stones’ - The Saturday Paper‘God Forgets About the Poor feels like a culmination; it’s the author’s most striking work yet.’ - The Guardian‘an important literary achievement’ - The Conversation‘God Forgets About the Poor is a reminder that everyone has a story worth telling and hearing, but not everyone gets the chance to share it. This is one told well.’ - Books + PublishingI will tell you why you should draft my story. Because migrant stories are broken. Some parts in a village where we washed our clothing with soot. Some parts in big cities working in factories. How we starved for food in Greece and starved for Greece in Australia.You don’t know the first thing about me. A son can never see his mother as a woman. You will only see me in relation to you. I have had a thousand lives before you were even a thought. Hospitalised as a child for an entire year. Living as an adult without family in Athens when the colonels took control.Start when I was born. Describe the village and how beautiful it was. On the side of a mountain but in the middle of a forest. If we walked to a certain point on the edge, we could look over the valley and see rain clouds coming. Sometimes we would see a cat on a roof, we read that as a warning of a storm. When we looked down, we saw the dirt, which was just as rich as the sky. My island, your island, our island.Sometimes I think God forgot about us because we were poor.A stunning new novel from the author of Down the Hume and The Pillars, God Forgets About the Poor is a love story to a migrant mother, whose story is as important as any ever told.PRAISE FOR GOD FORGETS ABOUT THE POOR:‘Polites brings to light his mother’s story, a migrant woman who has lived a number of lives, surely a common story in the Greek community, and while the title suggests god may forget about the poor, Polites wants to make sure the world does not.’ - Neos Kosmos‘It is an exquisite mode for the diaspora story, a genre that is increasingly losing its meaningfulness in a time of its commodification. In God Forgets About the Poor, the old country is dead, yet it continues to live vividly in migrants' memories even as they evolve amongst future generations.’ - ABC Arts - The Bookshelf‘Peter Polites is also sensitive to the ways in which migrant stories can be reduced, stereotyped and consumed in mainstream publishing, and is at pains to give voice to the complexity and richness of his subject's experience.’ - The Sydney Morning Herald‘a nuanced portrait in which a mother—in her full and challenging complexity—is truly honoured.’ - Meanjin

Sydney Morning Herald Best Young Australian Novelist 2022SHORTLISTED for the INDIE AWARD for BEST FICTIONSHORTLISTED for the ABIA for Literary FictionLONGLISTED for the BookPeople Book of the Year for Fiction ‘This! Was! So! Good! ... Diana Reid you are in a total league of your own.’ - Zara McDonald, Shameless Podcast‘Seeing Other People will be the book of the summer.’ - PedestrianTV‘An extraordinary new voice in Aussie lit.’ ― Zoë Foster Blake‘a captivating read that feels made for racing through while lying on the beach.’ ― Vogue AustraliaCharlie’s skin was stinging. Not with heat or sweat, but with that intense, body-defining self-consciousness—that sense of being watched. She lowered her eyes from Eleanor’s loving gaze. Her throat taut with tears, she swallowed. ‘You’re a good sister, Eleanor.’‘Don’t say that.’After two years of lockdowns, there’s change in the air. Eleanor has just broken up with her boyfriend, Charlie’s career as an actress is starting up again. They’re finally ready to pursue their dreams—relationships, career, family—if only they can work out what it is they really want.When principles and desires clash, Eleanor and Charlie are forced to ask: where is the line between self-love and selfishness? In all their confusion, mistakes will be made and lies will be told as they reckon with the limits of their own self-awareness.Seeing Other People is the darkly funny story of two very different sisters, and the summer that stretches their relationship almost to breaking point. PRAISE FOR SEEING OTHER PEOPLE:‘a great summer read.’ - The Guardian‘The prose sparkles on the page, as effervescent and drinkable as a glass of prosecco on a warm summer's evening.’ - The Australian‘We absolutely adored this hotly-anticipated novel’ - The Shameless Bookclub‘If you tore through Love & Virtue last year, you'll want to add Diana Reid's second novel to the top of your reading bucket list.’ - Marie Claire‘I enjoyed this funny, charming and enormously readable novel a great deal, in large part due to the wit and authenticity with which Reid represents her characters and their world.’ - The West Australian‘Reid hasn’t lost her skewering wit.’ - Sydney Morning Herald'a compulsive read’ - Primer'funny and engaging’ - ArtsHub‘Reid's witty and insightful social observation is something to relish’ - ABC Radio National, The Bookshelf‘There is a genuine warmth as well as capacious intelligence and sly humour to Reid’s writing, and a dynamic energy to the novel that’s always compelling’ - The Guardian

‘This gripping tale of three women who are suspected in the disappearance of a 9-year-old is a powerful read you won’t want to put down.’ – Pedestrian.tv‘An incredible debut full of rich characters and a plot that will keep you guessing. Louise Wolhuter is a writer to watch.’ – J.P. Pomare, author of In The Clearing and The Wrong WomanJessie Else disappeared the summer the Lambs came to Magpie Beach. Not that the two events were connected at all, in reality; only in my own head, in my own world. They marked for me the end of a certain quiet time and the start of a more complicated living.Winifred is a small town full of prejudices and assumptions. Meg and Lily are outsiders who live on its margins at Magpie Beach, where they’ve managed to keep out of each other’s – and everyone else’s – way for years. That is, until Rosemary comes along and draws them into an unlikely friendship. When nine-year-old Jessie Else goes missing, the residents of Winifred begin locking their doors, and fingers soon start pointing towards Magpie Beach. Questions threaten to undo Meg, Rosemary and Lily’s quiet existence, and the women band together to protect themselves, and to protect each other, but all three are holding secrets that are too big for them to keep on their own. It’s only a matter of time before they start to unravel–and nothing will ever be the same again.

SHORTLISTED FOR THE UNIVERSITY OF QUEENSLAND FICTION BOOK AWARDA captivating literary journey that delves into the intertwined lives of a town, its people, and a region shaped by revolution and war.The war broke out and she decided to call her dad.Weeks and weeks we do not speak, and the weeks become months and then they are so many years.She imagines herself starting this story.She imagines how she will tell this story later to someone else. We haven’t spoken for years but then the war broke out... As conflict plays out across an unnamed region, its inhabitants deal with the fallout. Families are torn apart and brought together. A divide grows between those on either side of the war, compromises are struck as the toll of violence impacts near and far. We learn about those who are left behind and those who choose to leave in a great scattering. As the stories of those affected play out they weave together to show the whole of a society in the most extreme of circumstances. Even when the last shot is fired, their world will never recover. From the acclaimed author of The House of Youssef, Australiana and The Lovers comes a powerful new novel that asks again if the world will ever learn that war is never the answer.PRAISE FOR POLITICA:‘In a 2022 interview, Kassab said a responsibility of the novelist is to “write with an eye towards humanity”. And she never falters in this, with Politica always drawing us back to war’s immeasurable personal cost.’ – The Guardian

LoveReading Book of the Month April 2023'A Hitchcockian chiller with a powerful sense of rampant terror' – Maxim Jakubowski, Crime Time'Drawn from real life cases, this brilliantly twisty thriller exposes the grimmest recesses of the dark web through a disturbing story of murder, misogyny and sickening surveillance.' – LoveReading'Riveting, tense and supremely chilling, this is an eye-opening must-read for crime fiction fans everywhere.' – Anna Downes, author of The Safe PlaceOnce you’re online, there’s nowhere to hide.A riveting psychological thriller drawn from true events, Dark Mode delves into the terrifying reality of the dark web, and the price we pay for surrendering our privacy one click at a time. Is it paranoia – or is someone watching? For years, Reagan Carsen has kept her life offline. No socials. No internet presence. No photos. Safe. Until the day she stumbles on a shocking murder in a Sydney laneway. The victim looks just like her. Coincidence? As more murders shake the city and she’s increasingly drawn out from hiding, Reagan is forced to confront her greatest fear. She’s been found.

Once you’re online, there’s nowhere to hide  Is it paranoia – or is someone watching?  For years, Reagan Carsen has kept her life offline. No socials. No internet presence. No photos. Safe.   Until the day she stumbles on a shocking murder in a Sydney laneway. The victim looks just like her.  Coincidence?   As more murders shake the city and she’s increasingly drawn out from hiding, Reagan is forced to confront her greatest fear.  She’s been found.   A riveting psychological thriller drawn from true events, Dark Mode delves into the terrifying reality of the dark web, and the price we pay for surrendering our privacy one click at a time.PRAISE for Dark ModeLoveReading Book of the Month April 2023'A Hitchcockian chiller with a powerful sense of rampant terror' – Maxim Jakubowski, Crime Time'Drawn from real life cases, this brilliantly twisty thriller exposes the grimmest recesses of the dark web through a disturbing story of murder, misogyny and sickening surveillance.' – LoveReading ‘Thrilling and twisty – get ready to be paranoid’ – J.P. Pomare, author of The Wrong Woman‘twisty and tantalising... Dark Mode is a thrilling read for when you need to get consumed by a good thriller instead of a social media binge.’ – Arts Hub Australia  ‘a darkly sparkling gem’ – The Canberra Times  ‘Absolutely terrifying! I turned every page with my heart in my mouth, utterly hooked by this explosive thriller. Ashley Kalagian Blunt taps into the dangers we face online every day and the monsters in our midst. Dark Mode is a powerful and disturbing story which will keep you thinking long after you’ve finished reading.’ – Petronella McGovern, author of The Liars  ‘With Dark Mode, Ashley Kalagian Blunt has turned her love of true crime and passion for suspense fiction into a fierce wake-up call of a thriller, one that looks unflinchingly at the horrors of the dark web and sheds light on the unimaginable. Riveting, tense and supremely chilling, this is an eye-opening must-read for crime fiction fans everywhere.’ – Anna Downes, author of The Shadow House  ‘Wow. Page turning, chilling dread that kept me guessing until the end. Ashley Kalagian Blunt hits it out of the park, creating a dark world where your worst fears aren't the worst thing to fear – not even close.’ – R.W.R McDonald, author of Nancy Business‘Dark Mode’s greatest achievement is that, as the pieces fall into place, it’s not just Reagan Carsen’s world that’s turned upside down – it’s ours. Its stunning payoff doesn’t just reverberate through the pages, but beyond the book and into the world at large, where its implications are of urgent significance … there are some realities most of us would sooner pretend are impossible than acknowledge are already here. Kalagian Blunt forces our gazes upon them in this compulsive and breathless thriller.’ – James McKenzie Watson, author of Denizen  ‘Dark and twisty, this thrilling offering from Ashley Kalagian Blunt is absolutely not to be missed. This book will keep you up at night’ – Hayley Scrivenor, author of Dirt Town‘If you think that what happens on the dark web will never affect you, this book begs the question: are you sure about that? Like, sure-sure? A twisty, terrifying thriller, Dark Mode will have you buying a flip phone and moving off the grid the second you turn the final page, just so you can breathe again. I loved it.’ – Pip Drysdale, author of The Next Girl  ‘A chilling and utterly gripping read that shines a light on misogyny and toxicity thriving in plain sight and its devastating consequences for women. Ashley Kalagian Blunt plunges the reader into the darkest corners of the internet and it could not be more terrifying! A superb thriller that will keep you riveted to the page and dial up your tech anxieties to eleven.’ – Dinuka McKenzie, author of The Torrent'Masterfully crafted and addictive, Dark Mode will keep you on edge to the last page. It will also make you think deeply about the world we’re living in now. This brilliant exploration of the increasing, and terrifying, merging of our online and physical lives shows Ashley Kalagian Blunt at the height of her artistic powers. I gulped this book down! And I know I’ll be thinking about it, and the perverse reality it reveals, for a long long time. This is an outstanding debut novel. – Lee Kofman, author of The Writer Laid Bare‘Blunt has brilliantly executed a cautionary tale, and a deeply suspenseful thriller brimming with plot twists and a gut-sinking cliffhanger. This page-turner will keep you up long into the night.’ – Readings ‘suspenseful, engaging and terrifying’ – Newtown Review of Books

A missing girl. Decades of silence. A secret too big to bury.1987: It’s late summer and a time of change when a 17-year-old girl leaves the local shopping centre in the sleepy town of Lowbridge and is never seen again. Her unsolved disappearance is never far from the town’s memory. There’s those who grew up in the shadow of her loss whose own lives were altered forever, and those who know more than they’re saying. It just takes an outsider to ask the right questions. 2018: Katherine Ashworth, shattered by the death of her daughter, moves to her husband’s hometown. Searching for a way to pick up the pieces of her life, she joins the local historical society and becomes obsessed with the three-decades-old mystery. As Katherine digs into that summer of 1987, she stumbles upon the trail of a second girl who vanished and was never missed because no one cared enough to see what was happening in plain sight. Her trail could lead right to Katherine’s door. In a town simmering with divisions and a cast of unforgettable characters, Lowbridge is a heart-wrenching mystery about the girls who are lost, the ones who are mourned and those who are forgotten.

Feeling alienated from wider society, Sara, Abida and Naeem gravitate towards their university’s Muslim Students’ Association. Within its austere confines, Sara watches Naeem... How do you balance desire, ambition and expectations?Over time, the pair commence a furtive relationship outside of the gaze of their families and peers. But Naeem is especially burdened by the widening gap between his public façade and their clandestine forays. As the MSA elections approach, Abida seeks to win the presidency at all costs, threatening her longstanding friendship with Sara and risking her reputation. What will the repercussions be for all three if Sara and Naeem transgressions are exposed?

Traversing decades and continents – from Iran to India, Sri Lanka to the Czech Republic, Adelaide to the Torres Strait — The God of No Good is a beautifully lyrical and funny intergenerational memoir about six women and how their lives intertwine. Filled with wit and wisdom, it is a story that only Sita Walker could tell, but it will resonate with readers everywhere. It’s Wild Swans meets Nora Ephron.This is not a book about divorce. It’s not a book about God, either. You might think it is a book about goodness and what it means to be a good person, but it isn’t. Like everything else, this is about love.Sita Walker was raised by five strong matriarchs who taught her to believe in God and to be good. Her grandmother, mother and three aunts believed in their unshakeable Bahá’í faith, in the power of prayer, in sacrifice, in magic, in the healing of turmeric and tea, and the wisdom of dreams. But as hard as she tries to be good, Sita always suspects that deep down, she isn’t very good at all. At thirty-five, she hasn’t prayed in years, her dream of true love has died, and along with it, her faith – not that she’s telling her mother, or her aunts. Now, the only way she can fulfill her destiny is to seek out the wisdom of the ones who came before, and truly understand the women who raised her. But will they understand her? Either way, the matriarchy will never be the same again.

"Diana Reid will be called the new Sally Rooney – you’re certain of it by the end of page one. By the end of this real, raw and startling novel, you know Reid is the talent to whom every smart young novelist who follows her will be compared – or hope to be." – Meg Mason, author of Sorrow and Bliss'Likened to an Australian Sally Rooney, Reid has the [same] talent and acerbic wit ..' – iWeekend'Makes us care as the lies and half-truths pile up... Reid writes with a measured grace.'– The Times‘Diana Reid’s Seeing Other People is stacked with enthralling heart-in-your-mouth moments as it ripples with betrayals, shame, love and longing.’ – LoveReadingCharlie’s skin was stinging. Not with heat or sweat, but with that intense, body-defining self-consciousness—that sense of being watched. She lowered her eyes from Eleanor’s loving gaze. Her throat taut with tears, she swallowed. ‘You’re a good sister, Eleanor.’‘Don’t say that.’After two years of lockdowns, there’s change in the air. Eleanor has just broken up with her boyfriend, Charlie’s career as an actress is starting up again. They’re finally ready to pursue their dreams—relationships, career, family—if only they can work out what it is they really want. When principles and desires clash, Eleanor and Charlie are forced to ask: where is the line between self-love and selfishness? In all their confusion, mistakes will be made and lies will be told as they reckon with the limits of their own self-awareness. Seeing Other People is the darkly funny story of two very different sisters, and the summer that stretches their relationship almost to breaking point.

Song of the Sun God is about the wisdom, mistakes and sacrifices of our past that enable us to live more freely in the future. Nala and Rajan, a young couple, begin their married life in 1946, on the eve of Ceylon’s independence from Britain. Arranged in marriage, they learn to love each other and protect their growing family, against the backdrop of increasing ethnic tension.As the country descends into a bloody civil war, Nala and Rajan must decide which path is best for their family; and live with the consequences of their mistakes. Over time, Nala and Rajan teach their family why some parts of their history and heritage are worth holding onto; and why some parts and people have to be left behind. Song of the Sun God spans three continents and three generations of a family that remains dedicated to its homeland, whilst learning to embrace its new home. Funny, warm and tender, we see Nala and Rajan’s family navigate war, migration, old loyalties and new beginnings, relying on the philosophy of their religion, their ancestors and each other.