University of North Texas Press,U.S. – förlag

Living in the Woods in a Tree is an intimate glimpse into the turbulent life of Texas music legend Blaze Foley (1949–1989), seen through the eyes of Sybil Rosen, the woman for whom he wrote his most widely known song, “If I Could Only Fly.” It captures the exuberance of their fleeting idyll in a tree house in the Georgia woods during the countercultural 1970s. Rosen offers a firsthand witnessing of Foley’s transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. While Foley's own performances are only recently being released, his songs have been covered by Merle Haggard, Lyle Lovett, and John Prine. When he first encountered “If I Could Only Fly,” Merle Haggard called it “the best country song I've heard in fifteen years.”In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-read for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a Tree is an honest and compassionate portrait of the troubled artist and his reluctant muse.

In the early 1900s, two families in Scurry and Kent counties in West Texas united in a marriage of fourteen-year-old Gladys Johnson to twenty-one-year-old Ed Sims. Billy Johnson, the father, set up Gladys and Ed on a ranch, and the young couple had two daughters. But Gladys was headstrong and willful, and Ed drank too much, and both sought affection outside their marriage. A nasty divorce ensued, and Gladys moved with her girls to her father’s luxurious ranch house, where she soon fell in love with famed Texas Ranger Frank Hamer. When Ed tried to take his daughters for a prearranged Christmas visit in 1916, Gladys and her brother Sid shot him dead on the Snyder square teeming with shoppers.One of the best lawyers in West Texas, Judge Cullen Higgins (son of the old feudist Pink Higgins) managed to win acquittal for both Gladys and Sid. In the tradition of Texas feudists since the 1840s, the Sims family sought revenge. Sims’ son-in-law, Gee McMeans, led an attack in Sweetwater and shot Billy Johnson’s bodyguard, Frank Hamer, twice, while Gladys—by now Mrs. Hamer—fired at another assassin. Hamer shot back, killed McMeans, and was no-billed on the spot by a grand jury watching the shootout through a window. An attempt against Billy Johnson failed, but a three-man team shotgunned the widely respected Cullen Higgins. Texas Rangers and other lawmen caught one of the assassins, extracted a confession, and then prompted his “suicide” in a Sweetwater jail cell.

In Command Culture, Jörg Muth examines how the United States Army and the German Armed Forces selected, educated, and promoted their officers in the crucial time before World War II. German officers came from a closed authoritarian society but received an extremely open minded military education, whereas American officers came from one of the most democratic societies but received an outdated military education that harnessed their minds and limited their initiative. Command Culture clearly explains the lack of audacity of many high ranking American officers during World War II. Those American officers who became outstanding leaders in World War II did so not so much because of their military education, but despite it.

Wyatt Earp is one of the most legendary figures of the nineteenth-century American West, notable for his role in the gunfight at the O.K. Corral in Tombstone, Arizona. He was a product of his time, often walking both sides of the street, sometimes on the side of law and order and sometimes as the law-breaker. Some see him as the "Lion of Tombstone," a hero lawman of the Wild West, whereas others see him as yet another outlaw, a pimp, and failed lawman.Roy B. Young, Gary L. Roberts, and Casey Tefertiller, all notable experts on Earp and the Wild West, present in A Wyatt Earp Anthology an authoritative account of his life, successes, and failures. The editors have curated an anthology of the very best work on Earp-more than sixty articles and excerpts from books-from a wide array of authors, selecting only the best written and factually documented pieces and omitting those full of suppositions or false material. Nearly all of the selections come from the last twenty years, when a more critical eye was turned to sources of Earp history. Many articles derive from the five stellar western publications dedicated to preserving the history of the American West: True West, Wild West, WOLA Journal, NOLA Quarterly, and the Journal of the Wild West History Association.Earp's life is presented in chronological fashion, from his early years to Dodge City, Kansas; triumph and tragedy in Tombstone; and his later years throughout the West. Important figures in Earp's life, such as Bat Masterson, the Clantons, the McLaurys, Doc Holliday, and John Ringo, are also covered. Wyatt Earp's image in film and the myths surrounding his life, as well as controversies over interpretations and presentations of his life by various writers, also receive their due. Finally, an extensive epilogue by Gary L. Roberts explores Earp and frontier violence.Readers of the Old West will appreciate this well-balanced, comprehensive account of the life, legend, and legacy of the incomparable Wyatt Earp.

A black sharecropper's recollections of the Depression. An opportunity to view rural life in Texas during the Depression and its aftermath.

The Lucinda Richards trilogy, spanning the years from 1911 to the 1930s, has a variety of landscapes, characters of all ages and social classes, an overall tenderness that never lapses into sentimentality, and a sense of the comic amidst the tragic.