Gary S. Zaboly – illustratör

Winner, T. R. Fehrenbach Book Award, Texas Historical CommissionSummerfield G. Roberts Award, Sons of the Republic of TexasHonorable Mention, Certificate of Commendation, American Association for State and Local HistoryHardly were the last shots fired at the Alamo before the Texas Revolution entered the realm of myth and controversy. French visitor Frederic Gaillardet called it a "Texian Iliad" in 1839, while American Theodore Sedgwick pronounced the war and its resulting legends "almost burlesque."In this highly readable history, Stephen L. Hardin discovers more than a little truth in both of those views. Drawing on many original Texan and Mexican sources and on-site inspections of almost every battlefield, he offers the first complete military history of the Revolution. From the war's opening in the "Come and Take It" incident at Gonzales to the capture of General Santa Anna at San Jacinto, Hardin clearly describes the strategy and tactics of each side. His research yields new knowledge of the actions of famous Texan and Mexican leaders, as well as fascinating descriptions of battle and camp life from the ordinary soldier's point of view.This award-winning book belongs on the bookshelf of everyone interested in Texas or military history.

Mandred Wood may have caught a glint off the Bowie knife that sank into his belly—but probably not. On the afternoon of November 11, 1837, he had exchanged "harsh epithets" with David James Jones, a hero of the Texas Revolution. When words failed, Jones closed the argument with his blade. Such affrays were common in Houston, the fledgling capital of the Republic of Texas. This one, however, was singular. Wood was a gentleman and Jones a member of a disruptive gang of vagrants that the upper crust denounced as the "rowdy loafers." Jones went to jail; Wood went to his grave.In the weeks that followed, the killing resounded throughout the squalid, verminous city that one resident described as the "most miserable place in the world." Stephen L. Hardin's suspenseful and witty narrative reads like a contemporary page-turner, yet all is carefully documented history. He entwines the murder into the story of the sordid city like the strands of a hangman's rope.It is an astonishing tale peopled by remarkable characters: the one-armed newspaper editor and political candidate who employs the crime to advance his sanctimonious agenda; the Kentucky lawyer who enjoys champagne breakfasts and collecting human skulls; the German immigrant who sees rats gnaw the finger off an infant lying in his cradle; the Alamo widow whose circumstances force her to practice the oldest profession; the sociopathic physician who slaughters an innocent man in a duel; the Methodist minister horrified by the drunken debaucheries of government officials; and the president himself—the Sword of San Jacinto— who during a besotted bacchanal strips to his underwear.Skillfully conceived and masterfully written, Texian Macabre: A Melancholy Tale of a Hanging in Early Houston will transport readers to a lost time and place.

The Alamo and its defenders, according to historian Stephen L. Hardin, "e;transcended mere history; both entered the realm of myth."e; Indeed, the siege and battle of the Alamo serves today as a definition of American character. The date of March 6, 1836, is forever ensconced in the annals of history. But what happened in the twelve days leading up to the final battle of March 6? And did events transpire in the final battle as history has led us to believe? As Hardin stated in the foreword for this book, "e;Myth has so shrouded every aspect of the Alamo story that it becomes hard to separate the factual from the fanciful. Understand and appreciate the myth. Understand and appreciate the historical reality. But, please, graze them in different pastures."e; Author Alan Huffines has researched both the history and the myth of the Alamo. What he found lacking in Alamo accounts was a perspective unaffected by either history or myth. In this book he portrays the events preliminary to and during the battle from the viewpoint of the participants. In a day-by-day chronology of the thirteen days, he presents original Texian and Mexican perspectives so that the reader may decide which may be accurate and which possibly embellished. His critical analysis of the participants' reports, through extensive annotation, points out inconsistencies and provides considerable food for thought. The renowned military artist Gary S. Zaboly fastidiously researched primary sources for accuracy in clothing, weapons, architecture, geography, and so on, resulting in maps and artwork that offer a new visual perspective of the Alamo and those who were involved with the siege. Through the author's research and the artist's fine illustrations, the thirteen days come into focus, and the people who experienced the sights, smells, sounds, and emotions of that two-week period are allowed "e;to speak finally for themselves."e;

New printing includes a new introduction by Texas History Legend Stephen L. Hardin.When Phil Collins was a kid growing up in a London suburb, he would often watch an amazing show on his family television. There, in black and white, was Fess Parker as Davy Crockett, King of the Wild Frontier. As he matured, Collins not only acted out the exploits of his new hero, but he often refought the Battle of the Alamo with his toy soldiers. Even though music came to dominate his life, it was this love of history—and Davy Crockett and the Alamo in particular—that was always near by. On one musical tour, Collins encountered his first David Crockett autograph—for sale at a store called the Gallery of History. “I didn’t know this stuff was out there, that you could own it,” the rock-n-roll legend said. “It had never occurred to him. Later, he received a birthday present that would change his life: a receipt for a saddle signed by an Alamo defender. From that point forward, the drummer began building his impressive Alamo and Texas Revolution collection.Here, for the first time in history, are the artifacts, relics, and documents that compose the Phil Collins collection, available in a beautifully designed color book shot-through with stunning photography and crisply rendered illustrations. Collins’s prose takes the reader through the joys of being a collector as he lovingly describes what each piece in this impressive assemblage means to him. Photographer Ben Powell of Austin brought these items to vivid relief, and artist Gary Zaboly’s masterful pen-and-ink drawings breath life into the items. Essays by Texas historians Bruce Winders, Don Frazier, and Stephen Hardin provide the historical background to the collection and help make this into a work of art that also serves handily as a serious research tool.