Reid Psaltis – illustratör

Family means everything to widowed Alaskan fisherman Ray Bancroft, raising his granddaughter with help from a multitude of gods and goddesses--not to mention rituals ad-libbed at sea by his half-Tlingit best friend. But statues and otter bone ceremonies aren't enough when Ray's estranged daughter returns from prison, her search for a safe harbor threatening everything he holds sacred.

Family means everything to widowed Alaskan fisherman Ray Bancroft, raising his granddaughter with help from a multitude of gods and goddesses—not to mention rituals ad-libbed at sea by his half-Tlingit best friend. But statues and otter bone ceremonies aren’t enough when Ray''s estranged daughter returns from prison, her search for a safe harbor threatening everything he holds sacred.

Family means everything to widowed Alaskan fisherman Ray Bancroft, raising his granddaughter with help from a multitude of gods and goddesses—not to mention rituals ad-libbed at sea by his half-Tlingit best friend. But statues and otter bone ceremonies aren’t enough when Ray''s estranged daughter returns from prison, her search for a safe harbor threatening everything he holds sacred.

When a fisherman receives a mysterious letter about his beloved’s demise, he sets off in his skiff to find her on the Isle of the Dead. The Alehouse at the End of the World is an epic comedy set in the sixteenth century, where bawdy Shakespearean love triangles play out with shapeshifting avian demigods and a fertility goddess, drunken revelry, bio-dynamic gardening, and a narcissistic, bullying crow, who may have colluded with a foreign power. A raucous, aw-aw-aw-awe-inspiring romp, Stevan Allred’s second book is a juicy fable for adults, and a hopeful tale for out troubled times.